20.500.12556/RUNG-2606
Avtorjeva refleksija okolja in družbe
Sociološki prikaz stanja družbe s pomočjo ulične fotografije / Fotoknjiga GO
Author's reflection on environment and society
Sociological overview with the help of street photography / Fotobook GO
S pisnim delom diplomske naloge se osredotočam na sam razvoj dokumentarne fotografije in posledično na rojstvo nove veje fotografije – ulična ali street fotografija. Spraševal sem se, kaj me tako pritegne pri takšni zvrsti podob. Glavni razlog je razumevanje nastanka fotografije, da so to podobe realnih situacij, ki so nezaigrane, bizarne in nepredstavljive. Pri ulični fotografiji je najpomembnejši avtorski pogled, kako izbereš motiv, kako pristopiš do subjekta in kako ga boš prikazal. S tem podaš svoj pečat in ustvariš nekaj povsem osebnega in neponovljivega. Namen preučevanja uličnih fotografov je, da bi izvedel, kakšen je njihov delovni proces, zakaj so se avtorji odločili nekaj fotografirati, ali je vse zelo premišljeno vnaprej ali je lahko spontano.
V praktičnem delu sem se sam osredotočil na beleženje ljudi in okolja Nove Gorice in poskušal sestaviti avtorski pogled na trenutno stanje ljudi v svetu hitrega življenja, finančne krize in tehnološkega razvoja. Svoj odnos in zanimanje do ulične fotografije sem začel razvijati na podlagi odvračanja inscinirane ali studijske fotografije, nečesa, kar je estetsko dovršeno in umetno. Ujetje dogodka, ki se pojavi enkratno, ne preseže še tako popolne nerealno ustvarjene podobe. Prepričan sem, da moraš s fotografijo tudi nekaj sporočiti. S tem, ko združiš sporočilo v realno situacijo, je opazovalec nad videnim šokiran, presenečen in mu toliko bolj verjame, ker ve, da se je zgodilo, in je tudi sam del tega. Gre torej za moč vizualne podobe, kritičnost. V fotografskih delih različnih avtorjev lahko z opazovanjem vidimo glavno nit sporočila. Nekateri fotografirajo ljudi in s tem posredujejo socialno podobo, kjer je osrednji element človek, medtem ko nekateri svojo kritiko podajo skozi podobe okolja, socialne krajine.
Glavni namen ulične fotografije je zaznavanje dogajanja v okolici eksistence človeka. Ustvarjanje fotografije ne sme biti kontrolirano, temveč mora biti fotograf kot del sheme, spremljati mora dogajanje, poslušati, zanimati ga mora okolje, v katerem je. Zato raziskujem, kaj pomeni ulična fotografija, kateri so njeni temelji, pravila, če jih sploh lahko ima.
Ali fotografija sploh lahko deluje kot prikaz stanja človeštva?
The written part of the thesis is focused on the very development of documentary photography and, consequently, the birth of a new branch of photography - street photography. I was wondering what attracts me in such types of images. The main reason is understanding the formation of pictures, images of real situations that are bizarre and unimaginable but not staged. The most important aspect in street photography is author’s view, how one chooses a motive, how to accede a subject and how to represent it. Following it, one can create something totally personal and unrepeatable. The purpose of the study of street photographers is to find out what their working process is, why the authors decided to photograph something, is it planned in advance, or may be spontaneous.
In the practical part my aim was recording people and the environment of Nova Gorica and try to present my author’s view of the current situation of people in the world of fast pace living, era of financial crisis and technological development. My interest in street photography began to develop on the basic deterrence of staged studio photography, something that is based on esthetics and artificial. For me, capturing an unique event exceeds even a perfectly created generated imagery. I am convinced that through a photograph one must also deliver a message. When one combines a real situation and it reflects a critic or point of view, the observer will be shocked and surprised and even more convinced , because he knows that it happened, and he is also a part of it. So to speak, the power of visual images is delivering a message. If we observe work of different authors one can see, how each of them reaches and deliveres a message. Some take photographs of people, trying to transmit a social image, while some criticise through environmental images, social landscape.
The main purpose of street photography is the perception of the events surrounding the human existence. Creating a picture must not be controlled, the photographer must blend in as a part of the whole scheme, must observe the surrounding action, listen, be interested in the environment around him. Therefore, I explore what street photography is, which are its foundations or rules, if there are any.
Is it possible that an image can contain the information of the current human condition?
dokumentarna fotografija
ulična fotografija
avtorski pogled
glavna nit
sporočila
kritičen
socialna podoba
socialna krajina
documentary photography
street photograhy
author's view
message
critical
social landscape
true
true
false
Slovenski jezik
Angleški jezik
Diplomsko delo/naloga
2016-09-22 14:09:04
2017-02-01 15:55:00
2023-06-09 03:17:51
0000-00-00 00:00:00
2016
0
Nova Gorica
0
0000-00-00
NiDoloceno
NiDoloceno
NiDoloceno
0000-00-00
0000-00-00
0000-00-00
4652027
URN:SI:UNG:REP:SCXGRUTI
Sasa_Mrak.pdf
Sasa_Mrak.pdf
1
51E4F7A7B7144AC69A8D210E71BAC5BE
ec16c478ec67f2067d70b63951970e166626503522e1ac786861294d4671855d
196bb1a4-05ce-11ee-9c48-5ef991fed68f
https://repozitorij.ung.si/Dokument.php?lang=slv&id=4508
Sasa_Mrak.zip
Sasa_Mrak.zip
1
4BC2C4B7C918384A3EF045D95E0A2A77
9cfdae1f707b5fd11805029016bf3c28b513b22f0c687c3af49888c974e1e1c6
2a2011ad-05ce-11ee-9c48-5ef991fed68f
https://repozitorij.ung.si/Dokument.php?lang=slv&id=5268
Visoka šola za umetnost
0
0
0