20.500.12556/RUNG-3626
Godard, Coutard in svojilni zaimki
Godard, Coutard and Possessive pronouns
V diplomskem delu se posvečam načinu dela v manjših filmskih produkcijah.
Osredotočam se na začetke dela Jean-Luc Godarda, enega najprepoznavnejših
avtorjev Francoskega novega vala.
Na začetku 60. let se je popolnoma spremenil odnos do filma, zaradi česar je prišlo
do velikih sprememb v načinu dela. Skupina mladih filmskih kritikov, ki so se združili
pod okriljem revije Cahiers du Cinéma, je naredila odločilen korak s tem, da so poleg
pisanja kritik začeli snemati svoje filme in se označili za Avtorje.
Družbene in politične okoliščine so jim pomagale, da so se z minimalnimi sredstvi
lotili prvih celovečercev, ki so prav zaradi svoje drugačnosti prevzeli občinstvo tako
doma kot v tujini. Novi val je tako ogromne, epske produkcije knjižnih adaptacij
spremenil v majhna improvizirana snemanja po stanovanjih avtorjev in v lokalih, kjer
so preživljali svoj čas.
Tu začnem iskati podobnosti z lastno produkcijo praktičnega dela tega diplomskega
dela. Skoraj 60 let kasneje, je filmska industrija popolnoma drugačna. Dandanašja
filmska produkcija je preplavljena s posebnimi efekti zaradi česar med vsemi
računalniškimi animacijami in virtualno resničnostjo na velikih platnih le redko vidimo
"resnično življenje", za prikaz katerega so se tako zelo zavsemali takrat. Tudi
ustvarjalcev je vedno več. V času, ko lahko vsak posameznik s telefonom posname,
kar si zaželi, je težko izstopati. Kakor je bilo tresenje v rokah držane kamere 60 let
nazaj revolucionarno, je sedaj nekaj vsakdanjega in velikokrat lahko izgleda
amatersko. Kako lahko torej dandanašnji mali študentski projekt brez proračuna
izstopi iz poplave amaterskih in polprofesionalnih izdelkov?
Pri snovanju svojega filma sem se odločila, da stopim korak nazaj, se približam svoji
inspiraciji, in uporabim 16 mm film. Skozi nalogo analiziram, kako ta odločitev vpliva
na potek dela in končni izdelek, predvsem v danih pogojih majhne produkcije.
The thesis is focusing on film production methodologies in smaller film productions. It
concentrates on the beginnings of the work of Jean-Luc Godard, one of the most
notable authors of the French new wave.
In the early 60’s the attitude towards film has completely changed, thereby also the
way of work. A group of young film critics, who joined under the auspices of
magazine Cahiers du Cinéma, made a decisive step by having, in addition to writing
critic, started shooting their own movies and tagged for Authors.
Social and political circumstances assisted them to use minimal resources to make a
feature film, which due to its diversity took the audience both at home and abroad.
The new wave turned the huge, epic productions of literary adaptation into a small
improvised recording, made in the flats of the authors themselves and pubs where
they spent their time.
The thesis analyses similarities with the candidate's own production of the practical
part of this thesis. Almost 60 years later, the movie business is totally different. Due
to the flooding of special effects, we rarely see "real life" on big screens, for which
they took a stand for at that time. Also, more and more creators exist now. At a time,
when every individual can record what he/she wants with his/her phone, it is hard to
stand out. As was the shaking of hand-held camera in the 60’s revolutionary, it is
now seen as amateur and "pointless". How could a today’s little student project,
without a budget, stand out of all this flood of amateur and half-professional
products?
For this film, we therefore decided that instead of everyday digital techniques, we
would take a step back, get close to our inspiration, and use the 16 mm film. We
analyse how this decision affects the workflow, and the final product, especially in
the given conditions of a small production.
Jean-Luc Godard
Raoul Coutard
Francoski novi val
16mm film
Krasnogorsk 3
Svojilni zaimki
Jean-Luc Godard
Raoul Coutard
French New Wave
16mm film
Krasnogorsk 3
Possessive pronouns
true
true
false
Slovenski jezik
Angleški jezik
Diplomsko delo/naloga
2018-01-10 06:59:43
2018-01-12 08:27:09
2023-06-09 03:22:54
0000-00-00 00:00:00
2017
0
Nova Gorica
0
0000-00-00
NiDoloceno
NiDoloceno
NiDoloceno
0000-00-00
0000-00-00
0000-00-00
4985851
URN:SI:UNG:REP:6IBHIRE0
Vida_Habjanic.pdf
Vida_Habjanic.pdf
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=16035
Vida_Habjanic.zip
Vida_Habjanic.zip
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=16037
Akademija umetnosti
0
0
0