20.500.12556/RUNG-4244-a58f5ffc-15b2-2e0d-5f2d-5b8d134d75a6
Post Colonial Dilettantes
The Aesthetics Of Anti-Imperialism
Postkolonialni diletanti
Estetika anti-imperializma
The thesis begins a discourse into a need of an Indian film theory by exploring and
analysing the plenitude of relevant western theories. In order to do so it lays down certain
concrete relationships between ideologies, terminologies and their effect; as in what
exactly post colonial means, why it is important to understand the impact of colonisation
on culture and thus on one of the most mass consumed medium in India; films. The thesis
explores the depths and complexity of the relationship of these two and the other
influences that sprout from it for example the intensity of colonisation as a cultural project
and its influence on the social reality of the people, artists, thinkers (and in our case
specifically filmmakers) , who in turn reflect on this culture through various mediums
including films. The thesis examines the western plethora of film theory in order to
accentuate the contrast between film and cinema in the west and east and thus the
subsequent need to bring forth a new ‘Eastern Film theory’.
Magistrska naloga odpira razpravo o potrebi po indijski filmski teoriji, z raziskavo in
obravnavo izobilnih relevantnih zahodnih teorij. Magistrska naloga predstavi konkreten
odnos med ideologijami, terminologijami in njihovimi rezultati; kot na primer: kaj
pomeni postkolonializem, zakaj je pomembno razumeti vpliv kolonizacije na kulturo in
s tem na enega izmed najbolj masovnih medijev Indije: film. Magistrsko delo
raziskuje podrobnosti in zapletenost odnosa teh dveh ter drugih vplivov, ki izhajajo iz
tega, kot so intenzivnost kolonizacije kot kulturnega projekta in vpliv prav te, na
družbeno stvarnost ljudi, umetnikov in mislecev (ter v našem primeru, še posebej
filmskih ustvarjalcev), ki v zameno razmišljajo o tej kulturi skozi raznovrstne medije,
vključno s filmi. Magistrska naloga preučuje obsežnost teorije zahodnega filma, ter s
tem poudarja kontrast med filmom in filmsko industrijo na zahodu in vzhodu in s tem
posledično potrebo po ustvarjanju nove "teorije vzhodnega filma”.
Post Colonialism
Cultural genocide
Cinematic Apparatus
Baudry
Political cinema
Brecht
Counter Cinema
Feminist film theory
Laura Mulvey
Douchet
Lacan
Anti Imperialism
Third Cinema
Solanas and Getino
Third Manifesto
Indian Cinema
Satyajit Ray
Consumerism
Postkolonijalizem
kulturni genocid
filmski apparatus
Baudry
politični film
Brecht
‘Counter Cinema’
feministična filmska teorija
Laura Mulvey
Douchet
Lacan
anti
imperijalizem
‘Third Cinema’
Solanas in Getino
‘Third Manifesto’
indijski film
Satyajit
Ray
potrošništvo
true
true
false
Angleški jezik
Slovenski jezik
Magistrsko delo/naloga
2018-11-19 01:28:42
2018-11-19 02:47:12
2023-06-09 03:27:20
0000-00-00 00:00:00
2018
0
Nova Gorica
0
0000-00-00
NiDoloceno
NiDoloceno
NiDoloceno
0000-00-00
0000-00-00
0000-00-00
5269755
URN:SI:UNG:REP:URSAVVZD
Rajat_Sharma.pdf
Rajat_Sharma.pdf
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=17712
Rajat_Sharma.zip
Rajat_Sharma.zip
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=17843
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