20.500.12556/RUNG-5869
Obrazni izrazi v svetu animiranega filma
V tem diplomskem delu predstavljam podrobno analizo obraznih izrazov v animiranem filmu.
Najprej se sprehodimo skozi osnovno znanje in razumevanje animacije, ter poglobje spoznamo
tri večje tehnike izdelave animiranih filmov. Človeški obraz opišemo z različnimi proporci glave.
Podrobno raziščemo tudi štirinajst glavnih mišic anatomije obraza, ter jih povežemo skupaj, da
prikažemo šest osnovnih obraznih izrazov. Pri tem si pomagamo z znanjem iz medicine, ki predstavlja temelj osnovnega razumevanja. Podrobno analiziramo posamezne dele obraza, kot so oči,
veke, obrvi in usta. Sproti nadgrajujemo razumevanje njihovega medsebojnega delovanja na različnih primerih.
V zadnjem delu diplome sledimo mojemu osebnemu pristopu k izdelavi glave lutke in obraznih izrazov. Po vrstnem redu podrobno opišem celoten proces svoje izdelave obraznih izrazov za lutko Naluja.
Cilj diplomske naloge je bila podrobna analiza in razumevanje posameznih mišic, njihovega medsebojnega delovanja in sestavljanja različnih obraznih izrazov. Želela sem razumeti perspektivo opazovanja gibanja človeškega obraza, odzivnosti na določeno dogajanje, nastale posledice, kako sploh pristopiti k razumevanju obraznih izrazov in kako gibanje narediti čim bolj realistično in gledalcu nemoteče.
In this diploma work I present a detailed analysis of facial expressions in animated film. We first
walk through the basic knowledge of animation and learn more about the three major techniques
used for making animated films. We talk about diferent face proportions. We also explore the
fourteen major muscles of facial anatomy in detail, and connect them together to explain six
basic facial expressions. For this we used medical knowledge, which is the foundation of basic
understanding we need for facial expressions. Through animation we analyze in detail individual
parts of the face, such as the eyes, eyelids, eyebrows and mouth. We are constantly upgrading
their mutual cooperation on various cases.
In the last part of diploma I describe my own approach towards making the puppet's head and it's
facial expressions. I describe the whole process of making in detail.
The goal of the diploma thesis was a detailed analysis and understanding of individual muscles,
their interaction and the composition of various facial expressions. I wanted to understand the
perspective of observing the movement of a human face, responding to certain events, the consequences,
how to approach the understanding of facial expressions and how to make the movement
as realistic and unobtrusive as possible.
animirani film
stop animacija
anatomija obraznih mišic
obrazni izrazi
animacija obraza
izdelava glave lutke
animated film
stop-motion animation
facial muscle anatomy
facial expressions
facial animation
making a puppet's head
true
true
false
Slovenski jezik
Angleški jezik
Diplomsko delo/naloga
2020-10-07 19:06:05
2020-10-07 22:43:44
2023-06-09 03:40:38
0000-00-00 00:00:00
2020
0
Nova Gorica
0
0000-00-00
NiDoloceno
NiDoloceno
NiDoloceno
0000-00-00
0000-00-00
0000-00-00
31592195
URN:SI:UNG:REP:ZA7HE77J
Anja_Resman.pdf
Anja_Resman.pdf
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=20776
Anja_Resman.zip
Anja_Resman.zip
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https://repozitorij.ung.si/Dokument.php?lang=slv&id=20775
Akademija umetnosti
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0
0