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53.
Kako se lahko umetniki naučijo sodelovati s podjetniki: primera IDEATE in MyMachine
Peter Purg, 2018, vabljeno predavanje na konferenci brez natisa

Najdeno v: osebi
Ključne besede: ustvarjalnost, umetnost, poslovanje, interdisiplinarnost, menedžment, podjetništvo, kreativne industrije.
Objavljeno: 01.03.2018; Ogledov: 993; Prenosov: 0
.pdf Polno besedilo (4,00 MB)

54.
Ma' Neptun
Peter Purg, umetniško delo

Opis: After the Neptun Trilogy (2011-13) and its Re:enactment in 2014 (vimeo.com/119334124) as well as its Resiege in 2017 (https://vimeo.com/235908183), the performer returns to The ex-Neptun factory in Komiža, island of Vis (Croatia) for the sixth time altogether. Throughout 2017, the factory was used as one of the strictly closed areas on the island for shooting of the Hollywood blockbuster Mamma Mia 2. Many Komižan mothers worked in the Neptun fish-canning factory for years and decades; dozens of young women came to work in the factory from mainland, they mostly stayed, and became mothers... Performance: pETER Purg Camera and Editing: pETER Purg
Najdeno v: osebi
Povzetek najdenega: ...mainland, they mostly stayed, and became mothers... Performance: pETER Purg Camera and Editing: pETER Purg...
Ključne besede: performans, video, neptun, trilogija.
Objavljeno: 01.03.2018; Ogledov: 845; Prenosov: 47
.pdf Polno besedilo (124,78 KB)

55.
Srečanja in obsedenosti v sodobnem mestu
Helene Thümmel, 2018, magistrsko delo

Opis: Magistrsko delo se osredotoča na identiteto v urbanih prostorih, združuje teoretična prizadevanja in terensko raziskovanje z intervencijami v javnem prostoru v štirih evropskih mestih (#Gradec, #Ljubljana, #Trst, #Reka). Raziskava preizprašuje o manifestacijah in izvoru identitete v javnem prostoru, v kakšnih oblikah se ta lahko pojavi in v katerih praksah se pogosto uporablja za vizualizacijo. Besedilo dela se razvija vzdolž treh področij vedenja: Prvi del pokriva splošno raziskavo (3//sessions) o izbranih elementih in strukturah sodobnega mesta. Drugi del je študij specifične prakse in poskusov identifikacije prebivalcev mesta (4//obsessions). Praktično delo (//preveč večernih zabav) sestavlja vrsta intervencij, pri čemer so pozicije (prostorsko, čustveno, politično, družbeno) #označene z betonskimi kockami velikosti 12x12x12cm. Intervencije zastavljajo vprašanja o aktualni oziroma dominantni pripovedi. Kocke so lahko postavljene kot provokacija, kot pikselacija #urbanega prostora, kot ustvarjanje #skupnega območja ali služi kot #spomenik, itd. Tretji del (5//again!) je dokumentacija praktičnega dela magistrskega zaključnega projekta. Intervencije v javnem prostoru imajo namen osvetliti probleme urbanega okolja in težave v procesu identifikacije. Zadnji del se osredotoča na avtoričin osebni pristop k projektu in izhaja predvsem iz njene umetniške prakse v javnem prostoru.
Najdeno v: osebi
Ključne besede: urbani prostor, javni prostor, okolje, identiteta, meščan, uporabnik, situacija, umetnost, akcija, intervencija
Objavljeno: 24.04.2018; Ogledov: 1262; Prenosov: 38
.pdf Polno besedilo (13,60 MB)

56.
Drifting through Cityscapes
Szabolcz Kisspal, Allan Siegel, Eszter Lazar, Olivera Batajić Sretenović, Danica Bojić, 2018, strokovna monografija

Najdeno v: osebi
Ključne besede: local, city, urban, mapping, intermedia
Objavljeno: 06.06.2018; Ogledov: 689; Prenosov: 20
.pdf Polno besedilo (237,37 MB)

57.
FILMIC QUALITIES OF ARTIFICIAL WORLDS: WHY VIRTUAL AND AUGMENTED REALITY?
druga izvedena dela

Opis: An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world -renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. 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the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, or a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic idea?
Najdeno v: osebi
Ključne besede: VR, XR, augmented, vritual, reality
Objavljeno: 13.06.2018; Ogledov: 705; Prenosov: 0
.pdf Polno besedilo (372,84 KB)

58.
Open Education Needs Responsible Design (and Perhaps a Touch of Art)
Peter Purg, vabljeno predavanje na konferenci brez natisa

Opis: Open Education Needs Responsible Design (and Perhaps a Touch of Art)
Najdeno v: osebi
Ključne besede: open, education, projects, adriart, ideate, mast, interdsciplinary
Objavljeno: 03.07.2018; Ogledov: 549; Prenosov: 0
.pdf Polno besedilo (1016,85 KB)

59.
Temna slika
Rawan F. A. Alhourani, 2018, magistrsko delo

Opis: Motivacija za to magistrsko delo je bilo avtoričino iskanje podobe; prav določene podobe, izgubljene v najglobljih predelih našega uma. Iskanje podobe, ki je nikoli nismo videli ali doživeli; podobe, ki je še nihče nikoli ni videl, ter ob tem izzvati čutila in človeško naravo v danem trenutku. Namen dela je iskati odgovore in si zastaviti vprašanja o tem, kako zelo ljudje zaupajo svojim čutom, ter se spraševati o njihovi zmožnosti, da spremenijo svoje vedenje in svoje rutine. Opazovati, ali si za nekaj sekund drznejo ugasniti luč in s tem pridobijo sposobnost, da vidijo na drugačen način. Ne preseneča dejstvo, da se ljudje močno zanašajo na svoj vid, zaradi česar preostala čutila postanejo nekako manj pomembna in zanesljiva. To delo z naslovom "Temna podoba – podoba, ki smo jo izgubili v temi", raziskuje moč podobe pri manipulaciji množice in vlogo medijev pri nadzoru in pranju možganov pripadnikom nove generacije. V magistrskem delu avtorica najprej predstavi projekte "Kumra 1", "Kumra 2" in "Kaj vidiš v temi?" – poskuse, izvedene v prvem in drugem letu raziskovanja, skozi katere predstavi analizo in opazovanje svojih eksperimentov. Ti predstavljajo začetek raziskovanja čutil v popolni temi, ki je nato pripeljalo do "Sestavljanke", praktičnega dela te naloge, ki se sprašuje o medijski manipulaciji z uporabo podobe.
Najdeno v: osebi
Ključne besede: temna, nejasna, mračna, brez svetlobe, grozljiva, grozna, žalostna, zlobna, pomanjkanje svetlobe, slepa, globlje v odtenkih, ne svetla, skrita, skrivnostna, skrivnostna, brez moralne ali duhovne svetlobe, maligni, temničas, negativni, pesimistični, neprosvetljeni, temačnost, črnina, neznani, medijski nadzor, temna slika, družabni mediji, medijska manipulacija, propaganda, stereotip, pranje možganov
Objavljeno: 10.12.2018; Ogledov: 577; Prenosov: 30
.pdf Polno besedilo (11,79 MB)

60.
STAGED CONCERT of the DIPLOMACY COLLECTIVE
Peter Purg, Fabian Koppri, Francisco Catalán, Morris Kliphius, Stange Madlen, Véronique Ehrsam, 2019, umetniško delo

Opis: This site-specific one-time performance joined 7 musicians/performers, as well as the participating audience, in a joint experience of sound, space and music. It was devised as a premiere performance at the ART FESTIVAL, 29.-31-3-2019 in Berlin, Germany at the "Atelierhaus Australische Botschaft".
Najdeno v: osebi
Ključne besede: music, staged, concert, site-specific, percussion
Objavljeno: 02.04.2019; Ogledov: 267; Prenosov: 1
.pdf Polno besedilo (2,46 MB)
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