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1.
Conceptualisation of politics and reproduction in the work of Louis Althusser
gal kirn, 2012, doktorska disertacija

Najdeno v: osebi
Ključne besede: filozofija, novi materializem, marksistična teorija, Jugoslavija, politika, disertacije
Objavljeno: 15.10.2013; Ogledov: 2600; Prenosov: 438
URL Polno besedilo (0,00 KB)
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2.
The Partisan Counter-Archive: Retracing the Ruptures of Art and Memory in the Yugoslav People's Liberation Struggle.
gal kirn, 2020, znanstvena monografija

Opis: Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ‘archives’ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material – from partisan poems, graphic works and photography, to monuments and films – and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical “history of the oppressed” as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present. "The material of this archive of anti-fascist struggle in what would become Yugoslavia bursts with vitality. Through photographs, poems, drawings, dance, and song, we live the terrors and joys of these young women and men who risked their lives for freedom. This is brilliant work, a rescue of local history passed over by official memory, that sustains an unrelenting focus on questions of right or wrong in political struggle, and it is the archival evidence that provides the answers. Kirn’s account is urgent reading, given the racialized nationalism of our time." – Susan Buck-Morss, CUNY Graduate Center  "The Partisan Counter-Archive is a politically outstanding art history. But it is also an insightful political history based on joining the dots between oppressive and emancipatory cultural narratives. The outcome of exemplary research, the book describes and explains the excision of Yugoslavia’s antifascist struggles from public memory all the way to the legitimisation of fascism in the region today. As such, this intellectual effort is highly relevant to understanding the global advance of totalitarian capitalism in the 21st century, the techniques of anti-communism and their ties to nationalism, but also the role of history-writing in countering our predicament. And a warning: this is an affective read, as the injustice perpetrated against the antifascist dead is made palpable. If you feel political anger, it is justified; and it can be used to change our history-to-be." – Angela Dimitrikaki, The University of Edinburgh
Najdeno v: osebi
Povzetek najdenega: ...the archival evidence that provides the answers. Kirn’s account is urgent reading, given the racialized...
Ključne besede: Partisan art, memory of revolution, critique of historical revisionism, partisan surplus, Yugoslav People's Liberation Struggle, cultural empowerment, Yugoslav socialism, partisan monuments
Objavljeno: 19.08.2020; Ogledov: 91; Prenosov: 0
.pdf Polno besedilo (7,55 MB)

3.
The Yugoslav Partisan Art
gal kirn, Vladimir Habjan, 2016, izvirni znanstveni članek

Opis: Jernej Habjan and Gal Kirn have edited a special issue of Slavica tergestina devoted to the Yugoslav Partisan art (1941-1945). All the chapters are in English, with abstracts in Russian and English as well as summaries in Slovenian. We highlight the theoretical discussion between Rastko Mocnik and Miklavz Komelj. The chapters are preceded by the introduction by Gal Kirn, and followed by reviews of new books on the Yugoslav Partisan art.
Najdeno v: osebi
Povzetek najdenega: ...Jernej Habjan and Gal Kirn have edited a special issue of Slavica...
Ključne besede: partisan art, left art, political aesthetics, propaganda, liberation struggle, new Yugoslavia
Objavljeno: 19.08.2020; Ogledov: 97; Prenosov: 0
.pdf Polno besedilo (1,42 MB)

4.
Beyond Neoliberalism
gal kirn, Marian Burchardt, 2017, znanstvena monografija

Opis: This book explores how changes that occurred around 1989 shaped the study of the social sciences, and scrutinizes the impact of the paradigm of neoliberalism in different disciplinary fields. The contributors examine the ways in which capitalism has transmuted into a seemingly unquestionable, triumphant framework that globally articulates economics with epistemology and social ontology. The volume also investigates how new narratives of capitalism are being developed by social scientists in order to better understand capitalism’s ramifications in various domains of knowledge. At its heart, Beyond Neoliberalism seeks to unpack and disaggregate neoliberalism, and to take readers beyond the analytical limitations that a traditional framework of neoliberalism entails.
Najdeno v: osebi
Ključne besede: neoliberalism, end of socialism, end of "end of history", transition discourse, end of welfare state, privatisation, deregulation
Objavljeno: 19.08.2020; Ogledov: 57; Prenosov: 0
.pdf Polno besedilo (2,71 MB)

5.
Partisan ruptures : self-management, market reform and the spectre of socialist Yugoslavia
gal kirn, 2019, znanstvena monografija

Opis: Yugoslavia's twentieth-century bore witness to civil war, sharp ideological struggles and a series of 'partisan ruptures'; revolutionary events that changed the face of Yugoslavian society, politics and culture, which were felt on a global level. This book is a comprehensive historical and political analysis of the three major ruptures; the People's Liberation Struggle during World War Two, the self-management model and the Non-Aligned Movement. In order to understand what provoked and what came out of these revolutionary ruptures, Gal Kirn examines the implications of communism and socialism's productive relationship, the Yugoslavian 'experiment' of market socialism that marked the political and economic shift towards 'post-socialism' already in the 1960s, which crystallised new class coalitions that will later on - together with austerity politics - lead the way towards des-integration of Yugoslavia. Filling a much-needed gap in English language literature, this book's interrogation of the Yugoslav socialist experiment offers insights for left projects and democratic socialist discussions today, as well as historians of Yugoslavia and revolutionary movements.
Najdeno v: osebi
Povzetek najdenega: ...came out of these revolutionary ruptures, Gal Kirn examines the implications of communism and socialism's...
Ključne besede: partisan ruptures, YUgoslav socialism, break-up, exhaustion of partisan politics, market socialism, 1965, new Yugoslavia, non-aligned movement, self-management, rise and demise of socialism, liberalism, nationalism
Objavljeno: 19.08.2020; Ogledov: 88; Prenosov: 0
.pdf Polno besedilo (2,78 MB)

6.
Nights of the Dispossesed: Riots Unbound
Natasha Ginwala, niloufar tajeri, gal kirn, 2020, strokovna monografija

Opis: SHARE PUB DATE: October 2020 ISBN: 9781941332634 256 pages FORMAT: Paperback LIST PRICE: $25.00£22.00 ADD TO CART Nights of the Dispossessed Riots Unbound Edited by Natasha Ginwala, Gal Kirn, and Niloufar Tajeri Columbia Books on Architecture and the City MAIN REVIEWS CONTENTS EXCERPT LINKS AWARDS Riots are extraordinary events that have been recurring with increasing frequency and that occupy a highly controversial space in the political imagination. Despite their often negative portrayals, it is undeniable that riots have played a pivotal role in the confrontation between authority and dissent. Recently, with the deepening crises of capitalism, racial violence, and communal tension, an “age of riots” has powerfully begun. As master fictions of the sovereign nation-state implode and the hegemonic silencing of the dispossessed reveals the cracks in governability, Nights of the Dispossessed brings together artistic works, political texts, critical urban analyses, and research projects from across the world in an endeavor to “sense,” chronicle, and think through recent riots and uprisings—evoking a phenomenology of the multitude and surplus population.
Najdeno v: osebi
Povzetek najdenega: ...the Dispossessed Riots Unbound Edited by Natasha Ginwala, Gal Kirn, and Niloufar Tajeri Columbia Books on Architecture and...
Ključne besede: riots, uprisings, dissent, impossible memory on riots, form of riots, riotous art, art on riots, political theory of riots, surplus population, crowd
Objavljeno: 19.08.2020; Ogledov: 61; Prenosov: 0
.pdf Polno besedilo (16,41 MB)

7.
Iconoclastic Ruptures: Black Lives Matter and the cleansing of colonial memory
gal kirn, 2020, polemika, diskusijski prispevek, komentar

Opis: The removal of racist and oppressive pasts through the toppling of monuments standing in the epicentres of colonial and slave dominions, the US, UK and across Europe, has ruffled the feathers of leading conservative politicians, historians and even some ‘liberal’ thinkers and representatives, who claim that historical revisionism should not come with ‘erasure’ and iconoclasm. Conservative discourse calls this activity looting, saying that ‘the mob’ commits violent actions against society, its order and property, in the same way rioters loot our tradition and monumental legacy. As a scholar of partisan, socialist and postsocialist transition, focusing on the postsocialist cleansing of memory, I would like to compare these two historical moments: 1990s postsocialist memorial revisionism with the current iconoclasm of the Black Lives Matter movement.
Najdeno v: osebi
Ključne besede: colonial memory, historical revisionism, fall of berlin wall, postsocialism, erasure, poetic justice
Objavljeno: 25.08.2020; Ogledov: 159; Prenosov: 0
.pdf Polno besedilo (495,41 KB)

8.
Awakening Lazarus: Forgotten Figures — Masses and Surplus?
gal kirn, 6, izvirni znanstveni članek

Opis: The text aims to think through a figure largely forgotten in radical philosophy or communist theology discussions today: the Biblical figure(s) of Lazarus. The absence of this figure from current discussions might have to do with something that was pointed out by Balibar as the ongoing "fear of the masses," and with their political awakening that is usually interpreted as violence, failure, riotous noise and absence of political program/ organization. I will perform a close reading of two stories of 1 This text is an edited lecture that was presented at the conference in St. Pe-tersburg. I would like to thank participants of the conference for their comments, Na-thaniel Boyd and especially Dominic Martin for their additional reflections on the political theology of Lazarus, and lastly the peer reviewers for their close reading of lacu-nae of the earlier version of this text.
Najdeno v: osebi
Ključne besede: political subjectivation, awakening, resurrection, surplus population, Lumpenproletariat, Fanon, Foucault, Marx
Objavljeno: 19.08.2020; Ogledov: 52; Prenosov: 0
.pdf Polno besedilo (429,90 KB)
Gradivo ima več datotek! Več...

9.
10.
Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivity
gal kirn, 2017, izvirni znanstveni članek

Opis: The major hypothesis of this article is that revolution was first “cinefied” in the Soviet context, which suggests that film was able to imagine, produce, narrate and circulate the image of (the October) (R)revolution. In this context, I will attempt to elaborate on the concept of “cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown that cinefication should not be seen only as an official Soviet policy that build the cinematic infrastructure across the country and spread the revolution by trains. Rather, cinefication should be seen as the emergence of an apparatus with intensified technological capacities and also as the specific modality-genealogy of avant-garde methods within cinema. In order to understand the emergence of (avant-garde) film one should actually take into account non-cinematic means, which in their turn produced cinematic effects. My hypothesis shifts the stress on these interdisciplinary, inter-medial resources to the more general relationship between revolution and cinema/film. In short, the October Revolution continued “by other means” in cinema/film. Therefore we will not be interested in a vulgar materialist analysis that engages in a mere reflection of the October Revolution on screen (revolution as matter), but rather in how the revolution was “refracted,” displaced or replaced and actually continued by new Soviet cinema.
Najdeno v: osebi
Ključne besede: cinema-train, cinefication, revolutionary cinema, cinema on revolution, October, Medvedkin, Eisenstein, Vertov, communist subjectivity, emancipation, workers' history
Objavljeno: 19.08.2020; Ogledov: 68; Prenosov: 0
.pdf Polno besedilo (499,20 KB)

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