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31.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2296; Prenosov: 0
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32.
Marina Abramovic and Planet Yugoslavia
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, Southeast European cultural history, contemporary art
Objavljeno v RUNG: 11.12.2020; Ogledov: 2218; Prenosov: 0
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33.
The Future of Film: Appropriation rather than Preservation
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2530; Prenosov: 0
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34.
Mind the Wall: animated short films from Central and Eastern Europe reflecting on the year 1989
Eszter Polonyi, vabljeno predavanje na konferenci brez natisa

Ključne besede: film history, animation, Central Eastern European cultural history, cultural politics of political transition
Objavljeno v RUNG: 11.12.2020; Ogledov: 2101; Prenosov: 0
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35.
The Problem with Retro: Franz Pforr and Nazarene Art
Eszter Polonyi, 2006, izvirni znanstveni članek

Ključne besede: art history, German art, Romanticism
Objavljeno v RUNG: 11.12.2020; Ogledov: 2016; Prenosov: 0
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36.
Daydream by Béla Balázs
Béla Balázs, 2012

Ključne besede: film history, media studies, science and technology studies, Central European cultural history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2613; Prenosov: 0
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37.
New Art: The Film (1924) by Miklós Marsovszky
Miklós Marsovszky, 2012

Ključne besede: film history, Central European film, film theory, art history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2464; Prenosov: 0
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38.
Sibyl Moholy-Nagy: Architecture, Modernism and Its Discontents
Eszter Polonyi, 2019, recenzija, prikaz knjige, kritika

Ključne besede: art history, modernism, architectural history, the Bauhaus, pedagogy, gender studies
Objavljeno v RUNG: 10.12.2020; Ogledov: 2433; Prenosov: 0
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39.
40.
Béla Balázs and the Eye of the Microscope
Eszter Polonyi, 2012, izvirni znanstveni članek

Opis: This study explores the significance of the cinematic close-up to one of the earliest theories of film, produced by Béla Balázs, on the basis of a widespread technique of microscopy in the life sciences, notably in the work of his brother Evin Bauer, a theorist of microbiology. Balázs imagines that silent film records life in its immanence and spontaneity by virtue of what he calls the “physiognomic” nature of its signs. Rather than generating signs that must be passed through an alphabetic cipher, as had been required under the regime of the written or literary, Balázs presents film as liberating our access to the flow of optical data. Interestingly, however, Balázs retains the need otherwise characteristic of scientific analysis for dividing up the image into semiotic units, what he describes as “atomization.” He insists on returning the real to a symbolic order and making film into a language.
Ključne besede: film history, media studies, science and technology studies, Weimar cinema, media archaeology
Objavljeno v RUNG: 10.12.2020; Ogledov: 2566; Prenosov: 0
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