Repozitorij Univerze v Novi Gorici

Iskanje po repozitoriju
A+ | A- | Pomoč | SLO | ENG

Iskalni niz: išči po
išči po
išči po
išči po
* po starem in bolonjskem študiju

Opcije:
  Ponastavi


1 - 6 / 6
Na začetekNa prejšnjo stran1Na naslednjo stranNa konec
1.
Post Colonial Dilettantes
Rajat Sharma, 2018, magistrsko delo

Opis: The thesis begins a discourse into a need of an Indian film theory by exploring and analysing the plenitude of relevant western theories. In order to do so it lays down certain concrete relationships between ideologies, terminologies and their effect; as in what exactly post colonial means, why it is important to understand the impact of colonisation on culture and thus on one of the most mass consumed medium in India; films. The thesis explores the depths and complexity of the relationship of these two and the other influences that sprout from it for example the intensity of colonisation as a cultural project and its influence on the social reality of the people, artists, thinkers (and in our case specifically filmmakers) , who in turn reflect on this culture through various mediums including films. The thesis examines the western plethora of film theory in order to accentuate the contrast between film and cinema in the west and east and thus the subsequent need to bring forth a new ‘Eastern Film theory’.
Najdeno v: ključnih besedah
Povzetek najdenega: ...order to accentuate the contrast between film and cinema in the west and east and thus...
Ključne besede: Post Colonialism, Cultural genocide, Cinematic Apparatus, Baudry, Political cinema, Brecht, Counter Cinema, Feminist film theory, Laura Mulvey, Douchet, Lacan, Anti Imperialism, Third Cinema, Solanas and Getino, Third Manifesto, Indian Cinema, Satyajit Ray, Consumerism
Objavljeno: 19.11.2018; Ogledov: 1092; Prenosov: 63
.pdf Polno besedilo (4,58 MB)

2.
Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivity
gal kirn, 2017, izvirni znanstveni članek

Opis: The major hypothesis of this article is that revolution was first “cinefied” in the Soviet context, which suggests that film was able to imagine, produce, narrate and circulate the image of (the October) (R)revolution. In this context, I will attempt to elaborate on the concept of “cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown that cinefication should not be seen only as an official Soviet policy that build the cinematic infrastructure across the country and spread the revolution by trains. Rather, cinefication should be seen as the emergence of an apparatus with intensified technological capacities and also as the specific modality-genealogy of avant-garde methods within cinema. In order to understand the emergence of (avant-garde) film one should actually take into account non-cinematic means, which in their turn produced cinematic effects. My hypothesis shifts the stress on these interdisciplinary, inter-medial resources to the more general relationship between revolution and cinema/film. In short, the October Revolution continued “by other means” in cinema/film. Therefore we will not be interested in a vulgar materialist analysis that engages in a mere reflection of the October Revolution on screen (revolution as matter), but rather in how the revolution was “refracted,” displaced or replaced and actually continued by new Soviet cinema.
Najdeno v: ključnih besedah
Povzetek najdenega: ...“cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown...
Ključne besede: cinema-train, cinefication, revolutionary cinema, cinema on revolution, October, Medvedkin, Eisenstein, Vertov, communist subjectivity, emancipation, workers' history
Objavljeno: 19.08.2020; Ogledov: 70; Prenosov: 0
.pdf Polno besedilo (499,20 KB)

3.
4.
Postcommunism as a Contradictory Combination of Competing Elements
gal kirn, 2015, recenzija, prikaz knjige, kritika

Najdeno v: ključnih besedah
Povzetek najdenega: ...postcommunist cinema, transition in Eastern films, postcommunism...
Ključne besede: postcommunist cinema, transition in Eastern films, postcommunism
Objavljeno: 19.08.2020; Ogledov: 59; Prenosov: 0
.pdf Polno besedilo (111,96 KB)

5.
Awakening in films after October
gal kirn, predavanje na tuji univerzi

Najdeno v: ključnih besedah
Povzetek najdenega: ...Medvedkin, Vertov, early Soviet cinema, between politics, art and life, last Bolsheviks...
Ključne besede: Medvedkin, Vertov, early Soviet cinema, between politics, art and life, last Bolsheviks
Objavljeno: 20.08.2020; Ogledov: 110; Prenosov: 0
Gradivo ima več datotek! Več...

6.
Lautstrom 32 Gal Kirn on Alexander Medvekin
gal kirn, radijski ali tv dogodek

Najdeno v: ključnih besedah
Povzetek najdenega: ...medvedkin, early avant-garde film, cinema-train, happiness, critique of Stalinism...
Ključne besede: medvedkin, early avant-garde film, cinema-train, happiness, critique of Stalinism
Objavljeno: 18.09.2020; Ogledov: 88; Prenosov: 0
.pdf Polno besedilo (420,77 KB)

Iskanje izvedeno v 0 sek.
Na vrh