Repozitorij Univerze v Novi Gorici

Iskanje po repozitoriju
A+ | A- | Pomoč | SLO | ENG

Iskalni niz: išči po
išči po
išči po
išči po
* po starem in bolonjskem študiju

Opcije:
  Ponastavi


1 - 6 / 6
Na začetekNa prejšnjo stran1Na naslednjo stranNa konec
1.
Béla Balázs and the Eye of the Microscope
Eszter Polonyi, 2012, izvirni znanstveni članek

Opis: This study explores the significance of the cinematic close-up to one of the earliest theories of film, produced by Béla Balázs, on the basis of a widespread technique of microscopy in the life sciences, notably in the work of his brother Evin Bauer, a theorist of microbiology. Balázs imagines that silent film records life in its immanence and spontaneity by virtue of what he calls the “physiognomic” nature of its signs. Rather than generating signs that must be passed through an alphabetic cipher, as had been required under the regime of the written or literary, Balázs presents film as liberating our access to the flow of optical data. Interestingly, however, Balázs retains the need otherwise characteristic of scientific analysis for dividing up the image into semiotic units, what he describes as “atomization.” He insists on returning the real to a symbolic order and making film into a language.
Najdeno v: ključnih besedah
Povzetek najdenega: ...history, media studies, science and technology studies, Weimar cinema, media archaeology... ...to one of the earliest theories of film, produced by Béla Balázs, on the basis...
Ključne besede: film history, media studies, science and technology studies, Weimar cinema, media archaeology
Objavljeno: 10.12.2020; Ogledov: 1384; Prenosov: 0
.pdf Polno besedilo (10,81 MB)

2.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...film studies, science and technology studies, Weimar cultural history, film theory...
Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno: 11.12.2020; Ogledov: 1169; Prenosov: 0
.pdf Polno besedilo (271,29 KB)

3.
Béla Balázs and the Bergfilm
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...film studies, Weimar cinema, Leni Riefenstahl, vitalism, media studies...
Ključne besede: film studies, Weimar cinema, Leni Riefenstahl, vitalism, media studies
Objavljeno: 11.12.2020; Ogledov: 1143; Prenosov: 0
.pdf Polno besedilo (1,94 MB)

4.
Gesture as practice of theory in Balázs and Benjamin
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...film theory, Lebensreform movement, critical theory, Weimar cinema...
Ključne besede: film theory, Lebensreform movement, critical theory, Weimar cinema
Objavljeno: 11.12.2020; Ogledov: 1147; Prenosov: 0
.pdf Polno besedilo (553,33 KB)

5.
The Sounds of Balázs's Cinema
Eszter Polonyi, predavanje na tuji univerzi

Najdeno v: ključnih besedah
Povzetek najdenega: ...media studies, sound studies, early film theory, Weimar film, authorship studies...
Ključne besede: film studies, media studies, sound studies, early film theory, Weimar film, authorship studies
Objavljeno: 14.12.2020; Ogledov: 992; Prenosov: 0
.pdf Polno besedilo (136,55 KB)

6.
Kuhle Wampe: Politics of demontage, demontage of politics
Gal Kirn, 2008, izvirni znanstveni članek

Najdeno v: ključnih besedah
Povzetek najdenega: ...communist film, 1929 crisis on the film, Weimar Germany...
Ključne besede: Bertold Brecht, Ranciere, Kuhle Wampe, politics of excluded, communist film, 1929 crisis on the film, Weimar Germany
Objavljeno: 05.01.2021; Ogledov: 1060; Prenosov: 0
.pdf Polno besedilo (400,15 KB)

Iskanje izvedeno v 0 sek.
Na vrh