Repozitorij Univerze v Novi Gorici

Iskanje po repozitoriju
A+ | A- | Pomoč | SLO | ENG

Iskalni niz: išči po
išči po
išči po
išči po
* po starem in bolonjskem študiju

Opcije:
  Ponastavi


1 - 6 / 6
Na začetekNa prejšnjo stran1Na naslednjo stranNa konec
1.
CAPOEIRA: CONCEPTUALIZATION AND PRESENTATION OF THE BODY
Urška Stolnik, 2015, doktorska disertacija

Opis: This thesis is the result of twenty-one months of fieldwork among the capoeiristas in Brazil, primarily in the city of Salvador, between 2003 and 2013. Combining historical accounts with the experiences of the present, the work focuses on changes in the social perception of body and mind in both capoeira and wider society. The intricacies of society and the politics of a particular epoch are clearly reflected in this Brazilian national game: sometimes in terms of incorporation or acceptance of specific social hierarchies, and other times of exclusion or rejection of them. A tension between the black and white worlds is constantly present, as it is between the male and female ones. Even when these separate realms in different historical eras of capoeira seem to come closer, they become separated again through new forms of institutionalization. Perceived sometimes as a martial art or dance, sometimes as a game, and yet other times as a sport through which one can gain health and beauty, capoeira evades a firm and permanent definition. Such evasion resembles capoeira’s three main, cunning characteristics: malandragem (trickery), malícia (deception) and mandinga (seduction). Cunningness, as a tactic to overplay the opponent, is a means of intentional opening and closing of the body in the game. Although opening and closing might seem exclusive, they are, on the contrary, very much inseparable. They coexist in symbiosis not just at the level of a capoeirista playing the game, but also at the level of roda, academia, a capoeira group or school, at the level of capoeira as a practice, and finally, at the level of wider Brazilian society. All of these bodies are striving to be fechado (closed) and secure, but cannot accomplish that before opening themselves first. Being dexterous in the simultaneous alternation of opening and closing one’s own body is a skill that can be learnt through a long-term and continually engendered process of practice, experiences and interaction with others and the environment at large. That skill, associated with the capoeirista’s awareness of vi constant vulnerability, is closely related to learning the specific way of perceiving and responding. The capoeirista cultivates and embodies capoeiristic habitus, which emphasizes the necessity of being permanently attentive to several things at once. This is possible when all senses work together in synthesis. At that time, the capoeirista uses peripheral sight and is aware of peripheral sounds. The skill of heightened sensitivity and keen perception enables the capoeirista to negotiate between the opening and closing of his body. Opening and closing the body at the right time and taking the advantages of an unstable situation in roda can be accomplished only by simultaneous thinking and performing, which is the outcome of the incorporation of capoeira movements. The socio-economic situation of Brazilian society based on racial and gender discrimination enhances the cultivation of capoeiristic habitus and dictates the need for the acquisition of capoeiristic skills and attitudes in order to cope with, understand, and live within an unequal world. Capoeiristic habitus can also be learnt and acquired as a by-product of capoeira training. But it remains important whether the environment in which a capoeirista practises tolerates or inhibits the cultivation of capoeiristic skills.
Najdeno v: ključnih besedah
Povzetek najdenega: ...of Salvador, between 2003 and 2013. Combining historical accounts with the experiences of the present,...
Ključne besede: capoeira, body and mind, game, sport, movement, opened and closed society, perception, historical changes, Salvador, Brazil
Objavljeno: 22.01.2016; Ogledov: 2888; Prenosov: 204
.pdf Polno besedilo (4,71 MB)

2.
Christianization and Love of Homeland in Prešeren and Bevk
Zoran Božič, 2019, izvirni znanstveni članek

Opis: Both texts were created during pivotal moments of Slovene history: Prešeren’s poem at a time of German political, economic, and cultural supremacy and newly emerging demands for a united Slovenia, and Bevk’s during the time of Italian fascism and the occupation of the Slovene Primorska region. At first glance, Prešeren’s poetry of high Romanticism and Bevk’s supposedly trivial work have nothing in common apart from the topic of paganism and Christianity. However, they both convey a hidden message that could not be stated outright due to the censorship policies of the authorities at the time, to condemnation of aggressive foreign rulers, to appeals to national unity, to heightened patriotic consciousness, and to a relationship with nature that establishes the here and now as the highest value, and not the hereafter. The comparison and interpretation presented here sees in Bevk’s work a direct connection to Prešeren’s poem, its thematic continuation, temporal adaptation, and interpretation.
Najdeno v: ključnih besedah
Povzetek najdenega: ...Bevk, national awareness, paganism, Christianity, romantic poem, historical story, censorship, The Baptism on the Savica,...
Ključne besede: Christianization, France Prešeren, France Bevk, national awareness, paganism, Christianity, romantic poem, historical story, censorship, The Baptism on the Savica, The Dying God Triglav, Bled, Bohinj, Kobarid
Objavljeno: 18.02.2019; Ogledov: 702; Prenosov: 48
.pdf Polno besedilo (284,24 KB)

3.
Importance of pedestrianization for urban regeneration. Assessing new bridge solutions for the Golden Horn
Pinar Özge Gezer, 2020, magistrsko delo

Opis: The Golden Horn (in Turkish Halic means Gulf or Altın Boynuz "Golden Horn") is a historic inlet of the Bosphorus dividing the city of İstanbul and forming the natural harbor that has sheltered Ottoman and other ships for thousands of years. It is a scimitar-shaped estuary that joins the Bosphorus just at the point where that strait enters the Sea of Marmara, thus forming a peninsula the tip of which is "Old İstanbul". This thesis work focuses on design proposal for the pedestrian bridge for Golden Horn Dis-trict, which links the royal and later historical peninsula to the rest of the city. The main challenge of the thesis is creation of continuous pedestrian network to guarantee uninter-rupted pedestrian connectivity as well as systematic activation of social and environmental urban regeneration.
Najdeno v: ključnih besedah
Povzetek najdenega: ...Dis-trict, which links the royal and later historical peninsula to the rest of the city....
Ključne besede: bridge, pedestrianization, walkability, Golden Horn, historical penninsula, connection, transportation, cultural park, green areas, attraction points, İstanbul, Leonardo Da Vinci
Objavljeno: 28.02.2020; Ogledov: 340; Prenosov: 5
.pdf Polno besedilo (20,12 MB)

4.
The Partisan Counter-Archive: Retracing the Ruptures of Art and Memory in the Yugoslav People's Liberation Struggle.
gal kirn, 2020, znanstvena monografija

Opis: Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ‘archives’ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material – from partisan poems, graphic works and photography, to monuments and films – and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical “history of the oppressed” as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present. "The material of this archive of anti-fascist struggle in what would become Yugoslavia bursts with vitality. Through photographs, poems, drawings, dance, and song, we live the terrors and joys of these young women and men who risked their lives for freedom. This is brilliant work, a rescue of local history passed over by official memory, that sustains an unrelenting focus on questions of right or wrong in political struggle, and it is the archival evidence that provides the answers. Kirn’s account is urgent reading, given the racialized nationalism of our time." – Susan Buck-Morss, CUNY Graduate Center  "The Partisan Counter-Archive is a politically outstanding art history. But it is also an insightful political history based on joining the dots between oppressive and emancipatory cultural narratives. The outcome of exemplary research, the book describes and explains the excision of Yugoslavia’s antifascist struggles from public memory all the way to the legitimisation of fascism in the region today. As such, this intellectual effort is highly relevant to understanding the global advance of totalitarian capitalism in the 21st century, the techniques of anti-communism and their ties to nationalism, but also the role of history-writing in countering our predicament. And a warning: this is an affective read, as the injustice perpetrated against the antifascist dead is made palpable. If you feel political anger, it is justified; and it can be used to change our history-to-be." – Angela Dimitrikaki, The University of Edinburgh
Najdeno v: ključnih besedah
Povzetek najdenega: ...the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav...
Ključne besede: Partisan art, memory of revolution, critique of historical revisionism, partisan surplus, Yugoslav People's Liberation Struggle, cultural empowerment, Yugoslav socialism, partisan monuments
Objavljeno: 19.08.2020; Ogledov: 68; Prenosov: 0
.pdf Polno besedilo (7,55 MB)

5.
Iconoclastic Ruptures: Black Lives Matter and the cleansing of colonial memory
gal kirn, 2020, polemika, diskusijski prispevek, komentar

Opis: The removal of racist and oppressive pasts through the toppling of monuments standing in the epicentres of colonial and slave dominions, the US, UK and across Europe, has ruffled the feathers of leading conservative politicians, historians and even some ‘liberal’ thinkers and representatives, who claim that historical revisionism should not come with ‘erasure’ and iconoclasm. Conservative discourse calls this activity looting, saying that ‘the mob’ commits violent actions against society, its order and property, in the same way rioters loot our tradition and monumental legacy. As a scholar of partisan, socialist and postsocialist transition, focusing on the postsocialist cleansing of memory, I would like to compare these two historical moments: 1990s postsocialist memorial revisionism with the current iconoclasm of the Black Lives Matter movement.
Najdeno v: ključnih besedah
Povzetek najdenega: ...‘liberal’ thinkers and representatives, who claim that historical revisionism should not come with ‘erasure’ and...
Ključne besede: colonial memory, historical revisionism, fall of berlin wall, postsocialism, erasure, poetic justice
Objavljeno: 25.08.2020; Ogledov: 128; Prenosov: 0
.pdf Polno besedilo (495,41 KB)

6.
Map of revisionist monuments
gal kirn, Elvis Krstulović, Iva Kovač, razstava

Najdeno v: ključnih besedah
Povzetek najdenega: ... historical revisionism, East Europe, anti-communism, new monuemnts, rehabilitation...
Ključne besede: historical revisionism, East Europe, anti-communism, new monuemnts, rehabilitation of fascism
Objavljeno: 18.09.2020; Ogledov: 33; Prenosov: 0
.pdf Polno besedilo (1,80 MB)

Iskanje izvedeno v 0 sek.
Na vrh