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61.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2338; Prenosov: 0
Gradivo ima več datotek! Več...

62.
The Future of Film: Appropriation rather than Preservation
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2583; Prenosov: 0
Gradivo ima več datotek! Več...

63.
An atlas of counterpublics: Michael Mandiberg re-enacts Charlie Chaplin
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: transnational media studies, contemporary art, film studies, critical theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2224; Prenosov: 0
Gradivo ima več datotek! Več...

64.
New Art: The Film (1924) by Miklós Marsovszky
Miklós Marsovszky, 2012

Ključne besede: film history, Central European film, film theory, art history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2513; Prenosov: 0
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65.
66.
Írás fénnyel: Balázs Béla a forgatókönyv megjelenéséről
Eszter Polonyi, 2020, izvirni znanstveni članek

Opis: Film was fast becoming the dominant form of narrative discourse by the time of the establishment of the great European film studios in the 1940s. While many writers regarded film as undercutting other systems of narrative delivery, namely print, others discerned potential in the new industry for a form of authorship that possessed attributes of the prior, literary regime of writing. This piece considers the case made for literary authorship in and through film by the Hungarian film theorist and film scenarist, Bela Balazs. Balazs’s bases his claim regarding the return of literature on the scenario. While the scenario is habitually defined as the verbal projection of a film, Balazs also locates its effects at the level of the photographic image, so that film is read as symptomatic of the language of the scenario. Tying developments in the conventions of film editing to the writing techniques of the scenarist, Balazs describes the authorship of the scenarist as both palpable and yet non-visible, which this piece argues explains the obscurity into which historic „film authors” have fallen, including Balazs himself. Although Balazs makes every effort to recognize the scenario, when it comes to acknowledging the scenarist, there is a distinct inability and unwillingness to designate them as the scenario’s author.
Ključne besede: film studies, film theory, industrial design, Soviet studies, literary theory
Objavljeno v RUNG: 10.12.2020; Ogledov: 2370; Prenosov: 0
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67.
Hybrid research between Art and Science : podMAST
2020, radijska ali televizijska oddaja, podkast, intervju, novinarska konferenca

Ključne besede: art thinking, artistic sensibility, born hybrid, collective filtering, video theory, transdisciplinary, organising research, research design, hybrid thinking, curatorship
Objavljeno v RUNG: 08.12.2020; Ogledov: 2599; Prenosov: 24
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68.
MAST, master modul in art, science and technology : podMAST - podcasts in Art, Science and Technology
Peter Purg, Lange Teena

Opis: podMAST is a series of open conversations among relevant voices from the crossings of Art, Science and Technology. Springing from an apparent need for (archiving and reflecting) in-depth knowledge about this timely crossover, it shall remain publicaly accessible to incite dialog with other interested practitioners and thinkers. Also it is to serve as study material for the newly developed international Master Module in Art, Science and Technology (MAST) of the project www.mastmodule.eu.
Ključne besede: Art, Science, Technology, discussion, conversation, podcast, practitioner, theory, practie, critical
Objavljeno v RUNG: 20.10.2020; Ogledov: 2542; Prenosov: 0
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69.
70.
From Critique of Groys’ Read­ing to Return of the Avant-garde
Gal Kirn, 2016, objavljeni znanstveni prispevek na konferenci (vabljeno predavanje)

Ključne besede: avant-garde theory, revisionism, Groys, defense of avant-garde
Objavljeno v RUNG: 24.08.2020; Ogledov: 2106; Prenosov: 0

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