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31.
Béla Balázs Today: Medium or Apparatus?
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: media theory, film theory, Soviet montage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2108; Prenosov: 0
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32.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2334; Prenosov: 0
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33.
Marina Abramovic and Planet Yugoslavia
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, Southeast European cultural history, contemporary art
Objavljeno v RUNG: 11.12.2020; Ogledov: 2265; Prenosov: 0
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34.
The Future of Film: Appropriation rather than Preservation
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2581; Prenosov: 0
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35.
An atlas of counterpublics: Michael Mandiberg re-enacts Charlie Chaplin
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: transnational media studies, contemporary art, film studies, critical theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2222; Prenosov: 0
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36.
An unsung 16mm public film archive at Pratt Institute
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, media archaeology, analog media, library and data science
Objavljeno v RUNG: 11.12.2020; Ogledov: 2433; Prenosov: 0
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37.
Béla Balázs and the Haunting of Weimar Film
Eszter Polonyi, vabljeno predavanje na konferenci brez natisa

Opis: We can all list the name of film actresses and film directors. Few of us will remember the name of a scenarist. And yet, the sce- narist might be responsible for every cut of every shot of every scene of a film. This talk is about the Weimar-era Béla Balázs, arguably the world’s most misunderstood film scenarist. In high demand for his world renowned theoretical understanding of the image, Balázs nevertheless is almost entirely unknown for his work in the film studio. Drawing on actual films by Balázs I have retrieved from archives, this talk hopes to recover not just the travails of the scenarist, but the aspects of the film image that he or she haunts.
Ključne besede: Weimar cinema, industry ephemera, media studies
Objavljeno v RUNG: 11.12.2020; Ogledov: 2150; Prenosov: 0
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38.
Mind the Wall: animated short films from Central and Eastern Europe reflecting on the year 1989
Eszter Polonyi, vabljeno predavanje na konferenci brez natisa

Ključne besede: film history, animation, Central Eastern European cultural history, cultural politics of political transition
Objavljeno v RUNG: 11.12.2020; Ogledov: 2147; Prenosov: 0
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39.
The Problem with Retro: Franz Pforr and Nazarene Art
Eszter Polonyi, 2006, izvirni znanstveni članek

Ključne besede: art history, German art, Romanticism
Objavljeno v RUNG: 11.12.2020; Ogledov: 2057; Prenosov: 0
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40.
Könyvrecenzió: Film History as Media Archaeology: Tracking Digital Cinema (Thomas Elsaesser)
Eszter Polonyi, György Andorka, 2017, strokovni članek

Ključne besede: film studies, media studies, media archaeology, digitization
Objavljeno v RUNG: 10.12.2020; Ogledov: 2395; Prenosov: 0
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