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1.
Kuhle Wampe: Politics of demontage, demontage of politics
Gal Kirn, 2008, original scientific article

Keywords: Bertold Brecht, Ranciere, Kuhle Wampe, politics of excluded, communist film, 1929 crisis on the film, Weimar Germany
Published in RUNG: 05.01.2021; Views: 2055; Downloads: 0
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2.
The Sounds of Balázs's Cinema
Eszter Polonyi, invited lecture at foreign university

Keywords: film studies, media studies, sound studies, early film theory, Weimar film, authorship studies
Published in RUNG: 14.12.2020; Views: 2024; Downloads: 0
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3.
Béla Balázs and the Bergfilm
Eszter Polonyi, unpublished conference contribution

Keywords: film studies, Weimar cinema, Leni Riefenstahl, vitalism, media studies
Published in RUNG: 11.12.2020; Views: 2201; Downloads: 0
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4.
Gesture as practice of theory in Balázs and Benjamin
Eszter Polonyi, unpublished conference contribution

Keywords: film theory, Lebensreform movement, critical theory, Weimar cinema
Published in RUNG: 11.12.2020; Views: 2217; Downloads: 0
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5.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, unpublished conference contribution

Keywords: film studies, science and technology studies, Weimar cultural history, film theory
Published in RUNG: 11.12.2020; Views: 2298; Downloads: 0
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6.
Béla Balázs and the Eye of the Microscope
Eszter Polonyi, 2012, original scientific article

Abstract: This study explores the significance of the cinematic close-up to one of the earliest theories of film, produced by Béla Balázs, on the basis of a widespread technique of microscopy in the life sciences, notably in the work of his brother Evin Bauer, a theorist of microbiology. Balázs imagines that silent film records life in its immanence and spontaneity by virtue of what he calls the “physiognomic” nature of its signs. Rather than generating signs that must be passed through an alphabetic cipher, as had been required under the regime of the written or literary, Balázs presents film as liberating our access to the flow of optical data. Interestingly, however, Balázs retains the need otherwise characteristic of scientific analysis for dividing up the image into semiotic units, what he describes as “atomization.” He insists on returning the real to a symbolic order and making film into a language.
Keywords: film history, media studies, science and technology studies, Weimar cinema, media archaeology
Published in RUNG: 10.12.2020; Views: 2567; Downloads: 0
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