Repozitorij Univerze v Novi Gorici

Iskanje po repozitoriju
A+ | A- | Pomoč | SLO | ENG

Iskalni niz: išči po
išči po
išči po
išči po
* po starem in bolonjskem študiju

Opcije:
  Ponastavi


11 - 20 / 20
Na začetekNa prejšnjo stran12Na naslednjo stranNa konec
11.
Marina Abramovic and Planet Yugoslavia
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ... film studies, Southeast European cultural history, contemporary art...
Ključne besede: film studies, Southeast European cultural history, contemporary art
Objavljeno: 11.12.2020; Ogledov: 1228; Prenosov: 0
.pdf Polno besedilo (370,15 KB)

12.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ... film studies, science and technology studies, Weimar cultural...
Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno: 11.12.2020; Ogledov: 1274; Prenosov: 0
.pdf Polno besedilo (271,29 KB)

13.
'The Tragedy is Anatomical': Microscopes and Faces in Jean Epstein and Béla Balázs
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ... film theory, media studies, science and technology studies,...
Ključne besede: film theory, media studies, science and technology studies, silent cinema, biology
Objavljeno: 11.12.2020; Ogledov: 1286; Prenosov: 0
.pdf Polno besedilo (726,28 KB)

14.
Béla Balázs and the Face in the Machine
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...media studies, history of film and photography, science of physiognomy...
Ključne besede: media studies, history of film and photography, science of physiognomy
Objavljeno: 11.12.2020; Ogledov: 1292; Prenosov: 0
.pdf Polno besedilo (103,32 KB)

15.
Béla Balázs and the Bergfilm
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ... film studies, Weimar cinema, Leni Riefenstahl, vitalism, media...
Ključne besede: film studies, Weimar cinema, Leni Riefenstahl, vitalism, media studies
Objavljeno: 11.12.2020; Ogledov: 1248; Prenosov: 0
.pdf Polno besedilo (1,94 MB)

16.
An unsung 16mm public film archive at Pratt Institute
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...film studies, media archaeology, analog media, library and data...
Ključne besede: film studies, media archaeology, analog media, library and data science
Objavljeno: 11.12.2020; Ogledov: 1299; Prenosov: 0
.pdf Polno besedilo (157,24 KB)

17.
An atlas of counterpublics: Michael Mandiberg re-enacts Charlie Chaplin
Eszter Polonyi, prispevek na konferenci brez natisa

Najdeno v: ključnih besedah
Povzetek najdenega: ...transnational media studies, contemporary art, film studies, critical theory...
Ključne besede: transnational media studies, contemporary art, film studies, critical theory
Objavljeno: 11.12.2020; Ogledov: 1192; Prenosov: 0
.pdf Polno besedilo (12,51 MB)

18.
The Promise of Collective Authorship: Bela Balazs’s Move to the Soviet Union (1931-1946)
Eszter Polonyi, prispevek na konferenci brez natisa

Opis: Balazs belongs to a generation of Central and Eastern European critical thinker, cultural philosopher and writer that is often credited with exporting Marxist cultural analysis to North America, but about whom very little is known to English-language scholars. The fifteen years he spent in the Soviet Union are among the most undocumented of his career, even though this was when he wrote the text that would become his most widely-cited book, Theory of the Film. This paper examines Balazs’s decision to flee to the Soviet Union from Germany in 1931. While it has long been assumed that Balazs’s decision to move East rather than West—the route otherwise taken by colleagues of his such as Siegfried Kracauer, Michael Curtiz or Rudolf Arnheim—was due to commitments of a political nature, this paper evaluates Balazs’s options from the viewpoint of the scenarist’s rising importance within competing modes of film production. Pre-constituting a film by way of a plan, sketch or model, the scenario promised different types of leverage over production to capitalist and communist systems. Conceived of as a commodity blueprint in Hollywood, the scenario appeared as it was a means of enhancing the effectiveness of production and as a tool of capital, whereas, for Balazs at least, the scenario was a source of sensory and spiritual attunement between an assemblage of humans and machines. Understood as offering vision rather than oversight, collective authorship rather than collective control, the script appeared to complement the utopian arguments driving the Soviet film industry.
Najdeno v: ključnih besedah
Povzetek najdenega: ...his most widely-cited book, Theory of the Film. This paper examines Balazs’s decision to flee... ...film studies, industrial design, Soviet studies, authorship...
Ključne besede: film studies, industrial design, Soviet studies, authorship
Objavljeno: 14.12.2020; Ogledov: 1092; Prenosov: 0
.pdf Polno besedilo (2,74 MB)

19.
The Sounds of Balázs's Cinema
Eszter Polonyi, predavanje na tuji univerzi

Najdeno v: ključnih besedah
Povzetek najdenega: ... film studies, media studies, sound studies, early film...
Ključne besede: film studies, media studies, sound studies, early film theory, Weimar film, authorship studies
Objavljeno: 14.12.2020; Ogledov: 1085; Prenosov: 0
.pdf Polno besedilo (136,55 KB)

20.
Early film theory: Jean Epstein and Béla Balázs
Eszter Polonyi, predavanje na tuji univerzi

Najdeno v: ključnih besedah
Povzetek najdenega: ...film studies, vitalism, film philosophy...
Ključne besede: film studies, vitalism, film philosophy
Objavljeno: 14.12.2020; Ogledov: 1051; Prenosov: 0
.pdf Polno besedilo (143,51 KB)

Iskanje izvedeno v 0 sek.
Na vrh