Repozitorij Univerze v Novi Gorici

Izpis gradiva
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Naslov:FILMIC QUALITIES OF ARTIFICIAL WORLDS: WHY VIRTUAL AND AUGMENTED REALITY?
Avtorji:Purg, Peter (Drugo)
Datoteke:Gradivo nima datotek. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. Povezava se odpre v novem oknu
Jezik:Angleški jezik
Vrsta gradiva:Delo ni kategorizirano (r6)
Tipologija:3.25 - Druga izvedena dela
Organizacija:UNG - Univerza v Novi Gorici
Opis:An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world -renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film festivals, have been recently flirting with the newest technologies of artificial reality. 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Ključne besede:VR, XR, augmented, vritual, reality
Leto izvedbe:2018
Kraj izvedbe:Izola, Palača Manzioli, festival Kinootok
COBISS_ID:5167611 Povezava se odpre v novem oknu
URN:URN:SI:UNG:REP:TWZJLQGY
Število ogledov:122
Število prenosov:0
Metapodatki:XML RDF-CHPDL DC-XML DC-RDF
Področja:Gradivo ni uvrščeno v področja.
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Skupna ocena:(0 glasov)
Vaša ocena:Ocenjevanje je dovoljeno samo prijavljenim uporabnikom.

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Sekundarni jezik

Jezik:Slovenski jezik
Naslov:FILMIČNOST UMETNIH SVETOV: ZAKAJ NAVIDEZNA IN RAZŠIRJENA RESNIČNOST?
Opis:Nekateri filmski ustvarjalci in prikazovalci, med njimi svetovno prepoznavni režiserji in najvidnejši filmski festivali, se v zadnjih letih vse intenzivneje spogledujejo z najnovejšimi tehnologijami navidezne resničnosti. Ponujajo navidezno resničnost (ang. virtual reality), doživetje razširjene ali dopolnjene resničnosti (ang. augmented reality), transmedijsko podajanje zgodb itd. Pri tem se vprašanja o ne-filmičnosti tovrstnih del vzporejajo z obeti vznemirljivih možnosti prepletanja filmske ali video ter zvočne umetnosti z navideznimi svetovi in tehnologijami prihodnosti. Te s seboj prinašajo nove prakse in možnosti ustvarjalnosti, pa naj gre za potopitev v navidezne svetove, razvoj domišljijskih likov, kompleksno pripovedovanje zgodb, tako v službi visoke umetnosti kot zgolj trženjskih ciljev. Kako obravnavati ta (navidezno) svež pojav v filmskem svetu? Morda gre samo za nove izvedbe zamisli s samega začetka kina?
Ključne besede:VR, XR, razširjena, navidezna, resničnost


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