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Title:Upodobitev ženskega lika v modni fotografiji
Authors:Logar Zorn, Teotim (Author)
Dekleva, Luka (Mentor) More about this mentor... New window
Sluga, Ana (Mentor) More about this mentor... New window
Files:.pdf Teotim_Logar_Zorn.pdf (5,65 MB)
 
.zip Teotim_Logar_Zorn.zip (62,57 MB)
 
Language:Slovenian
Work type:Master's thesis/paper (mb22)
Tipology:2.09 - Master's Thesis
Organization:VŠU - School of Arts
Abstract:Magistrsko delo Upodobitev ženskega lika v modni fotografiji obravnava zgodovino razvoja modne fotografije in njenega načina upodobitve ženskega lika. Naloga je razdeljena na dva dela, ki iz različnih vidikov razlagata žensko vlogo v modni fotografiji. Prvi del se opira na izbrane modne fotografije in preko njih razlaga razvoj modne fotografije od njenega začetka do danes. Dotika se tudi družbene situacije posameznega obdobja, ki je ključna za razumevanje vsebine modne fotografije. Drugi del se posveča teoretični razlagi ključnih dejavnikov, ki tvorijo modno fotografijo in se dotika učinka modne fotografije na gledalca, vpliva feminizma na modno fotografijo, modernizacije družbe, teorije spola in razvoja idealne ženske podobe. Za temo raziskovanja sem se odločil zaradi želje po poglobljenem razumevanju vpliva fotografije na družbo in njene izpovedne vrednosti. Magistrsko delo se osredotoča na upodobitev ženskega lika tako, da se posveča predvsem interpretaciji fotografij, pristopa ter stila njihovih avtorjev in opredeljevanju razlike med realno in idealno žensko podobo. Po teoretičnem delu sledi opis praktičnega dela magistrske naloge, fotografske serije z naslovom Digitalizacija. Ta obravnava interpretacijo človeškega vstopanja v digitalni svet in prikazuje variacijo njegovega človeškega doživljanja. V zaključku bom pojasnil svoj vidik na razvoj modne fotografije in njen spremenjen vpliv na družbo ter opredelil razlike med resnično in upodobljeno žensko podobo.
Keywords:idealizacija, človeško telo, spol, ženstvenost, feminizem, seksizem, fetiš, pripovedna vrednost, modna fotografija, družbena kritika, analogno-digitalno, vizualna umetnost
Year of publishing:2019
Source:Nova Gorica
COBISS_ID:5479931 Link is opened in a new window
URN:URN:SI:UNG:REP:WJRCZDB0
Views:212
Downloads:11
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Secondary language

Language:English
Title:Depicting a female character in fashion photography
Abstract:The master thesis - The depiction of the female character in fashion photography - explores the history of fashion photography and its depiction of women through time. The thesis is divided in two parts, of which each part explains different aspects of women's role in fashion photography. The first part is based on selected fashion photographs accompanied by the explanation of the development of fashion photography from its beginning until today. It is focused on the social situation of each period, thus representing a crucial aspect for understanding fashion photography. The second part analyzes the key factors which constitute fashion photography, the impact of fashion photography has on the viewer, the impact of feminism on fashion photography, the modernization of society, gender theory and the development of the ideal image of a woman. I chose this particular topic because of the wish for a deeper understanding of the impact fashion photography has on society. The main focus of the thesis is therefore the depiction of the female character through the interpretation of fashion photographs (the approach and style chosen by their authors). At the end of the theoretical part a short summary of the practical part of my thesis is provided – a photography series named Digitalization. The series deals with the interpretation of the human being entering into the digital period/world and the experience of it. The conclusion of the thesis attempts to give a wholesome explanation of the role of fashion photography, its ever changing impact on society and the differences between the realistic and idealistic depictions of women.
Keywords:idealization, human body, gender, femininity, feminism, sexism, fetish, narrative value, fashion photography, social criticism, analog-digital, visual arts


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