Repozitorij Univerze v Novi Gorici

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Naslov:Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivity
Avtorji:ID Kirn, Gal, UNG (Avtor)
Datoteke: Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. Povezava se odpre v novem oknu
Jezik:Angleški jezik
Vrsta gradiva:Delo ni kategorizirano
Tipologija:1.01 - Izvirni znanstveni članek
Organizacija:UNG - Univerza v Novi Gorici
Opis:The major hypothesis of this article is that revolution was first “cinefied” in the Soviet context, which suggests that film was able to imagine, produce, narrate and circulate the image of (the October) (R)revolution. In this context, I will attempt to elaborate on the concept of “cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown that cinefication should not be seen only as an official Soviet policy that build the cinematic infrastructure across the country and spread the revolution by trains. Rather, cinefication should be seen as the emergence of an apparatus with intensified technological capacities and also as the specific modality-genealogy of avant-garde methods within cinema. In order to understand the emergence of (avant-garde) film one should actually take into account non-cinematic means, which in their turn produced cinematic effects. My hypothesis shifts the stress on these interdisciplinary, inter-medial resources to the more general relationship between revolution and cinema/film. In short, the October Revolution continued “by other means” in cinema/film. Therefore we will not be interested in a vulgar materialist analysis that engages in a mere reflection of the October Revolution on screen (revolution as matter), but rather in how the revolution was “refracted,” displaced or replaced and actually continued by new Soviet cinema.
Ključne besede:cinema-train, cinefication, revolutionary cinema, cinema on revolution, October, Medvedkin, Eisenstein, Vertov, communist subjectivity, emancipation, workers' history
Leto izida:2017
Št. strani:10
Številčenje:58
PID:20.500.12556/RUNG-5698 Novo okno
COBISS.SI-ID:25567235 Novo okno
NUK URN:URN:SI:UNG:REP:UQMZ6Z5Y
Datum objave v RUNG:19.08.2020
Število ogledov:3788
Število prenosov:0
Metapodatki:XML DC-XML DC-RDF
:
KIRN, Gal, 2017, Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivity. KinoKultura [na spletu]. 2017. Vol. 58. [Dostopano 11 april 2025]. Pridobljeno s: https://repozitorij.ung.si/IzpisGradiva.php?lang=slv&id=5698
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Naslov:KinoKultura
Leto izida:2017
ISSN:1478-6567

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