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Title:Posebnosti didaskalij v Grumovi drami Dogodek v mestu Gogi
Authors:Zajc, Ivana (Author)
Files:URL https://zdsds.si/tiskovina/2080/
 
Language:Slovenian
Work type:Unknown ()
Tipology:1.08 - Published Scientific Conference Contribution
Organization:UNG - University of Nova Gorica
Abstract:V prispevku problematiziram binarne opredelitve didaskalij, ki te delijo le na tradicionalne in subverzivne. V besedilu Slavka Gruma Dogodek v mestu Gogi (1930) didaskalije ohranjajo nekatere tradicionalne poteze oz. ne vsebujejo skrajnih subverzij, ampak le določene manjše odmike od tradicionalnih didaskalij. Med temi sta zmanjšana vloga didaskalij kot navodil za uprizoritev in poudarjena estetska funkcija. Nekateri tipi subverzij konvencij didaskalij v Dogodku v mestu Gogi oblikujejo vtis antropomorfne subjektivne zavesti, ki interpretira dogajanje v dialogih. Subjektivni pogled na dramsko dogajanje v didaskalijah je ključen za interpretacijo celotnega teksta.
Keywords:Dogodek v mestu Gogi, dramatika, didaskalije, naratologija drame, utelešenost
Year of publishing:2019
Number of pages:str. 153-165
Numbering:5
COBISS_ID:83641859 Link is opened in a new window
UDC:821
URN:URN:SI:UNG:REP:U7ASRWIE
Views:390
Downloads:13
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Record is a part of a monograph

Title:Slovanski jeziki v šolstvu, znanosti, literaturi in kulturi
Subtitle:5. Mednarodno znanstveno srečanje mladih humanistov
Publisher:Študentska sekcija Zveze društev Slavistično društvo Slovenije
ISBN:978-961-6715-31-7
COBISS.SI-ID:304118784 New window
Place of publishing:Ljubljana
Year of publishing:2019
Editors:Lidija Rezoničnik, Nina Zavašnik

Secondary language

Language:English
Title:The stage directions in the Grum's dramatic text Dogodek v mestu Gogi
Abstract:In the paper I criticize the binary definitions that differ only the traditional stage directions from the subversive stage directions. In the text Dogodek v mestu Gogi (1930) the stage directions maintain some traditional properties and do not contain extreme subversions, but rather subtle departures from traditional attributes of the stage directions. Among these, the reduced role of the stage directions as the instruction for the performance and their emphasized aesthetic function. Some types of subversions of the conventions of the stage directions in Dogodek v mestu Gogi give the impression of an anthropomorphic subjective consciousness , which interprets the events in the dialogues. A subjective view of the dramatic action in the stage directions is crucial for the interpretation of the whole text.
Keywords:The event in the City of Goga, drama, stage directions, narratology of drama, embodiment


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