1. Disruptive avant-garde art of today : shaping post-growth imaginaries for symbiotic futuresKristina Pranjić, Magdalena Germek, Peter Purg, 2024, objavljeni znanstveni prispevek na konferenci Ključne besede: imaginary, conviviality, symbiosis, cosmopolitics, defuturing, posthumanities, intermedia art
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2. To know a tree : symbiotic mutualism and artistic exploration against anthropocentric sciencePeter Purg, Kristina Pranjić, 2024, objavljeni znanstveni prispevek na konferenci Opis: In order to develop new symbiotic relationships and different imaginaries, it is first necessary to critically restructure the representations of forms of cooperation, which in their positive, desired version usually represent a certain romantic idea of nature and human, and the possibilities for a harmonious model and holistic structure of reality. This can be seen in both eco art and activist ecological agendas, which often play on feelings of harmony and mutual reciprocity, and actually further contribute to a distorted and extremely one-dimensional image of reality. Using the concepts of conviviality and cosmpolitics, the article aims to offer new concepts of symbiosis and symbiotic futures that face today's process of defuturing. The second point of the article is to develop a convincing and solid alternative to the neoliberal view of market-driven models based on competencies and the logic of growth. Therefore, the actual task for disruptive avant-garde art of today should be understood as the decolonization of our imaginaries that perceive nature through the logic of growth and the harmonious model in the direction of shaping post-growth imaginaries for symbiotic futures.
Ključne besede: imaginary, conviviality, symbiosis, cosmopolitics, defuturing, posthumanities, intermedia art
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3. The rupture and the connection : nonrepresentation and participation in art for socio-ecological changeKristina Pranjić, Peter Purg, 2024, objavljeni znanstveni prispevek na konferenci Opis: Exploring the relationship between the rupture caused by non-representation on the one hand and the connection fostered through active participation on the other, this contribution in environmental humanities seeks to consolidate an ecocritical perspective that includes posthumanism, new materialism, and ecological theory, particularly within the field of art and art history. The first part lays its theoretical groundwork by focusing on the concept of non-representation as developed in formalist discourse and avant-garde artistic experiments. By examining the radical defamiliarization of nature and objects, the article shows how this process enables the redefinition of normative standards and the formation of an ecological epistemology rooted in non-hierarchical perspectives as critical for achieving tangible and meaningful change. On the other end of the artistic spectrum, presented in the second part, two cases of artivist and participative practices are revealed as examples of implementing change through intersubjective experience within artistic frameworks. The recent shift in community artistic practice towards enabling subjects’ participation and reacting to societal demands includes geographical peripheries and marginalized groups. A new aesthetics of interconnectedness may show that reality is not our mirror image, but rather a gradual embracing of the manifold entanglements that need to be addressed through artistic eco-imaginaries and posthumanist inclusivity.
Ključne besede: community art, avant-garde art, abstraction, social change, ecocriticism
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4. Taming the forest : embracing the complexity of art-sci research through microhistory, bioeconomics and intermedia artNikita Peresin Meden, Kristina Pranjić, Peter Purg, 2024, izvirni znanstveni članek Opis: An ongoing collaborative project between art and science, Taming the Forest (2022) was implemented by a team of students, artists and researchers charting an interdisciplinary project among bioeconomics, environmental history, policy and artistic practice. In this article, the project acts as a case study for researching the conflicting narratives of history and economics about biodiversity in general, and specifically about forests. It shows how different blends of methodologies in artistic-cum-scientific research can become relevant for both realms, opening new creative pathways and pedagogical registers while repeatedly returning to a specific forest’s microhistory. Moreover, the article stresses the need for a new sensibility and complex knowledge, moving beyond an objective study and becoming attentive to different dimensions of research and its outputs that emerge through the introduction of artistic thinking and methodologies. This kind of transdisciplinary approach becomes necessary in order to tackle the manifold large-scale problems such as the climate and biodiversity crises, which call for both acting decisively and transforming radically, above all with regard to how humans perceive, relate to and manage nature.
Ključne besede: biodiversity, climate crisis, environmental history, forest management, Karst, transdisciplinary, artistic thinking, artistic research
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8. Covalent-organic frameworks for luminescent sensorsTina Škorjanc, Matjaž Valant, 2024, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: In summary, this chapter discussed the richness of COFs that have been utilized in luminescence-based sensing of various analytes. Literature reports were classified based on the analyte type and a section was dedicated to each explosive compounds, metal cations, biological molecules, pH, VOCs, amines and water, anions, and enantiomers. Different design strategies implemented to develop sensors for each analyte were highlighted as were the detection mechanisms and key parameters of the performance, such as
LODs. In comparison to the state-of-the-art prior to 2020, we note several changes in the most recent developments of luminescent COF sensors.
Ključne besede: ensors, covalent organic frameworks, fluorescence, biosensor, explosives
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9. Self-censorship? : the transition between Latin and Cyrillic script in the personal correspondence of women writers in the era of Slovenian modernismPrimož Mlačnik, 2024, izvirni znanstveni članek Opis: Prispevek temelji na avtorjevem arhivskem delu in analizi pisemske korespondence v rokopisni zbirki Narodne in univerzitetne knjižnice (NUK).
Osredotoča se na korespondenco slovenskih modernističnih pisateljic Marice
Nadlišek Bartol, Zofke Kveder, Marice Strnad in Vide Jeraj, ki so gojile pisemska prijateljstva. Prispevek analizira njihovo korespondenco v kontekstu
nove teorije cenzure, da bi odgovoril na vprašanje, ali lahko prehajanje med
latinično in cirilično pisavo dojemamo kot obliko samocenzure. Analiza kaže,
da so pisateljice v pismih večinoma prehajale iz ene pisave v drugo, ko so
pisale o kontroverznih temah partnerskega zakona, ljubezni, materinstva in
spolnosti, vendar pri tej praksi niso bile dosledne. Avtor to prehajanje obravnava kot obliko implicitne, produktivne in nedosledne cenzure, ki je kot poseben zgodovinski način pisanja odseval širše družbeno-politične spremembe.
Ključne besede: samocenzura, slovenske modernistične pisateljice, pisemska
korespondenca, prehajanje med latinico in cirilico
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