Iskanje po repozitoriju

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Opis: Exploring the relationship between the rupture caused by non-representation on the one hand and the connection fostered through active participation on the other, this contribution in environmental humanities seeks to consolidate an ecocritical perspective that includes posthumanism, new materialism, and ecological theory, particularly within the field of art and art history. The first part lays its theoretical groundwork by focusing on the concept of non-representation as developed in formalist discourse and avant-garde artistic experiments. By examining the radical defamiliarization of nature and objects, the article shows how this process enables the redefinition of normative standards and the formation of an ecological epistemology rooted in non-hierarchical perspectives as critical for achieving tangible and meaningful change. On the other end of the artistic spectrum, presented in the second part, two cases of artivist and participative practices are revealed as examples of implementing change through intersubjective experience within artistic frameworks. The recent shift in community artistic practice towards enabling subjects’ participation and reacting to societal demands includes geographical peripheries and marginalized groups. A new aesthetics of interconnectedness may show that reality is not our mirror image, but rather a gradual embracing of the manifold entanglements that need to be addressed through artistic eco-imaginaries and posthumanist inclusivity.
Ključne besede: community art, avant-garde art, abstraction, social change, ecocriticism
Objavljeno v RUNG: 02.07.2024; Ogledov: 79; Prenosov: 0
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