Abstract: The purpose of this paper is closer study of the operational logics behind Balazs’s relationship to film, a definition for the film image as an instance of mutual recognition in the fullest social and critical sense of the term.Keywords: film theory, film studies, art history, Weimar cinema, Bela BalazsPublished in RUNG: 09.10.2024; Views: 539; Downloads: 0This document has many files! More...