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1.
Cinema as citizenship: practices of mis(re)cognition on the fringes of Europe : lecture at the Society for Cinema and Media Studies, SCMS, Boston, March 14-17, 2024
Eszter Polónyi, 2024, unpublished conference contribution

Abstract: This paper comes out of a book project examining the emergence of identity recognition practices in the first half of the twentieth century, that is, during the period leading up to the visual (de)construction of identity in a manner no longer verifiable by the human eye. Its focus is on the filmic representation of early institutions of photographic identification and their tactical subversion through fraud, plastic surgery, masks, identity theft, as well as visual occlusions occurring at the level of cinematography, such as techniques of blocking, framing, magnifying, and editing as described by Balázs in his film theory. The paper focuses on practices of opacity and mis(re)cognition such as are practiced specifically by central and east European practitioners in exile, including in the films of Bela Balázs, Fritz Lang, Peter Lorre, and Conrad Veidt.
Keywords: film and media studies, east central European regional studies, migration studies
Published in RUNG: 09.10.2024; Views: 942; Downloads: 0
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2.
Balázs, the sunday circle, and aesthetic praxisscript
Eszter Polonyi, unpublished conference contribution

Keywords: Central European cultural politics, Georg Lukacs, Anna Lesznai, Soviet Communes, revolution, film industry, mass media
Published in RUNG: 11.12.2020; Views: 3460; Downloads: 0
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4.
Daydream by Béla Balázs
Béla Balázs, 2012

Keywords: film history, media studies, science and technology studies, Central European cultural history
Published in RUNG: 10.12.2020; Views: 4507; Downloads: 0
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5.
New Art: The Film (1924) by Miklós Marsovszky
Miklós Marsovszky, 2012

Keywords: film history, Central European film, film theory, art history
Published in RUNG: 10.12.2020; Views: 3826; Downloads: 0
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