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1.
My Sister Who Travels
Martina Caruso, exhibition catalogue

Abstract: This exhibition offers the viewer new perspectives on this genre, through the landscapes in the work of six women artists. Landscape art is often considered in Romantic terms. Human analogies between the concrete world and the inner world are frequently drawn, and the open space of the land can be seen as a space for imagining, for thinking freely. But these public spaces are also contested sites, layered with histories and the implicit legacies of control, power, occupation and exclusion.
Keywords: landscape photography, history of photography, 19th century, 20th century, 21st century, women, gender, Mediterranean, video art, Halida Boughriet, Corinne Silva, Paola Yacoub, Noor Abed, Jananne Al-Ani, Ursula Schulz-Dornburg, Esther Boise Van Deman, migration, capitalism, patriarchy
Published in RUNG: 13.01.2023; Views: 1104; Downloads: 0
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2.
Conversing with Ghosts of the Previously Tamed
Martina Caruso, 2019, original scientific article

Abstract: In this article I argue that representing animal-human relationality in contemporary video art shows how certain artists are addressing recent philosophical perspectives such as object-oriented ontology within a posthuman and post-anthropocentric paradigm. While the philosophies that treat the posthuman, from object-oriented ontology to speculative realism and vital materialism, imply a utopian refusal of hierarchy between human and non-human existence, artists may be hard-pressed to represent the described new order, which, at the moment, does not exist socially or politically.
Keywords: post-Anthropocene, animal-human relationality, non-human, posthuman, object-oriented ontology, speculative realism, vital materialism, video art, Basma Alsharif, Christoph Keller, Corinne Silva
Published in RUNG: 13.01.2023; Views: 868; Downloads: 0
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