1. Zenitistični koncept barbarogenija kot kritika zahodnoevropske kultureKristina Pranjić, 2020, original scientific article Found in: ključnih besedah
Summary of found: ...jugoslovanska književnost, literarna avantgarda, zenitizem, Micić, Ljubomir, barbarogenij, imagologija, Evropa, Balkan, kulturna identiteta...
Keywords: jugoslovanska književnost, literarna avantgarda, zenitizem, Micić, Ljubomir, barbarogenij, imagologija, Evropa, Balkan, kulturna identiteta
Published: 19.11.2020; Views: 1728; Downloads: 93
 Fulltext (2,16 MB) |
2. The emergence and establishment of Yugoslav dadaKristina Pranjić, 2021, original scientific article Abstract: The article focuses on the transnational aspect of Yugoslav Dadaism, which was already an integral part of its founding stage in Prague in 1920, when the main Yugoslav Dadaist, Dragan Aleksić, was a student there. Through an analysis of the already known (but rare) primary and secondary sources and a presentation of some newly found primary sources, the article presents the cooperation between Yugoslav and Czech artists and clarifies the circumstances of establishing this Yugoslav avant-garde movement. Furthermore, because Aleksić’s work was closely connected to Ljubomir Micić’s Zenitism and the activity of Branko Ve Poljanski in Prague, we compare their journals(Zenit, Dada-Jok, Dada Tank, Dada Jazz) and emphasize the points of conflict and competitiveness
among them, which was a constructive part for the further development of Yugoslav Dadaism. Thus,the article contributes to both the local and international positioning of the Yugoslav Dada in the context of the Central European avant-garde.
Found in: ključnih besedah
Summary of found: ...because Aleksić’s work was closely connected to Ljubomir Micić’s Zenitism and the activity of ...
Keywords: Jugoslovanski dadaizem, Dragan Aleksić, jugoslovanska avantgarda, zenitzem, Branko Ve Poljanski, Ljubomir Micić
Published: 11.10.2021; Views: 1022; Downloads: 0
Fulltext (667,98 KB) |
3. Značaj ljubljanskog časopisa Maska (1920/21) u kontekstu jugoslovenskih avangardiKristina Pranjić, 2021, original scientific article Abstract: The article is dedicated to the publications of Ljubomir Micić and Branko Ve Poljanski in Maska, the Ljubljana performing arts journal from 1920. While with his engagement in Maska Micić primarily wanted to present himself as a writer outside Zagreb (first, he published in Maska a review of the play Anfisa, and then his own play Istočni Greh was reviewed), Poljanski used his engagement in Maska for a polemic with Ljubljana critics, to later continue his critical response to Ljubljana’s artistic milieu in his journal Svetokret, as well as in Zenit. Moreover, one of Poljanski’s main motives for publishing an independent journal in Ljubljana was the continuation of the polemic he had started in Maska. Therefore, this article presents the assumption that for a complete genealogy of the beginnings of cooperation between Slovenian avantgarde and representatives of Yugoslav zenithism, it is necessary to take into account
Maska, although it was not considered a revolutionary or avant-garde journal. Yet, its aspiration to become international and its openness to different languages and polemics contributed to the exchange of opinions about art and criticism of the time, which was a fruitful ground for the development of relations between various representatives of the Yugoslav avant-garde and their independent actions.
Found in: ključnih besedah
Summary of found: ...article is dedicated to the publications of Ljubomir Micić and Branko Ve Poljanski in Maska,...
Keywords: revija Maska, jugoslovanska avantgarda, Branko Ve Poljanski, Ljubomir Micić
Published: 11.10.2021; Views: 980; Downloads: 34
 Fulltext (0,00 KB)
This document has many files! More...
|
