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31.
Okrogla miza o reviji Slovenka
other performed works

Keywords: Slovenka, Marica Nadlišek Bartol, Ivanka Anžič Klemenčič, Zofka Kveder
Published in RUNG: 03.02.2017; Views: 4811; Downloads: 0
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32.
Slovenka v Trstu
Katja Mihurko, radio or television event

Keywords: Slovenka, Marica Nadlišek Bartol, Ivanka Anžič Klemenčič, Zofka Kveder
Published in RUNG: 03.02.2017; Views: 5760; Downloads: 0
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33.
Fraeunliteratur
Katja Mihurko, 2016, professional entry in dictionary, encyclopaedia or lexicon

Keywords: Frauenliteratur, Josipina Turnograjska, Pavlina Pajk, Zofka Kveder, Luiza Pesjak
Published in RUNG: 23.12.2016; Views: 5589; Downloads: 0
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34.
Between Fact and Fiction: Zofka Kveder as a Feminist icon in the Writings of her Contemporaries
Katja Mihurko, published scientific conference contribution abstract

Abstract: In the article, the process of a development of a female writer Zofka Kveder (1878-1926) into a feminist icon of the early 20th century in Croatian, Czech, Slovenian, Serbian, and Austrian space will be discussed. Kveder’s oeuvre consists of prose, plays, literary and theatre reviews, as well as feminist writing in the Slovenian, Czech, Croatian, and German language. Due to her status of a feminist and cultural icon, she has never been an overlooked or forgotten author. However, although the Slovenian, Croatian, Czech, and Serbian literary histories have intensively dealt with her work and personality in the last two decades, the strategies of her “canonization” have never been properly reflected upon. As a literary figure, Kveder first appears in the poems and sketches of her husband, Croatian decadent poet Vladimir Jelovšek, namely, in his collection Simfonije (Symphonies, 1900), dedicated to her (“To my Sonja”). In it, she appears as a nervous young woman who transforms in the relationship with her beloved man (the lyrical subject) from the inexperienced, frightened, childish sincere but warm person (who is physically and psychically totally subjected to the lyrical subject) into an emancipated young writer. In the magazine Čas, Czech modernist writer J.S. Machar describes her as one of the most beautiful and pure souls. Kveder’s Czech period (1900-1906) inspired her friend Zdenka Hasková as well. She reflected upon their first meetings in the poem Věnovani (Dedication) in the collection Cestou (The Way, 1920). Slovenian author is idolized; her luminous personality and creative geniality are exposed. Háskova also wrote an article about their friendship (Jihoslovanské přátelství, Yugoslavian friendship) and published it in 1923. A lengthy biographical text was written by Slovenian feminist and Kveder’s friend Minka Govekar. In the German speaking space, Austrian politician Martha Tausk, another one of Kveder’s close friends, wrote about her. In the collection of novellas Fernambuk und anderes (Fernambuk and the Other, 1930) she portrayed Kveder in a memorial text Die Geschichte einer Freundschaft (The Story of a Friendship). In all these works, Kveder’s positive character dominates. A completely different image is presented in the novel Bjegunci (Fugitives, 1933), written by Avgust Cesarec. In this novel with a key, Kveder is presented through the character of the protagonist’s mother and does not have a single positive trait. Diverse representations and attempts of constructing Zofka Kveder as a cultural icon of the South-Slavic space open questions about strategies of glorifying the author’s role in different literary systems and concealing the truth about certain personality features, which were not in line with the positive image of Kveder as a feminist role model for younger generations. These strategies testify the positive aspirations and aporias of the early feminist icon- and role-model building. In the presentation, narrative and discursive strategies of writing a story about a female writer, a feminist, and a New Woman Zofka Kveder will be revealed.
Keywords: Zofka Kveder, biografija, Vladimir Jelovšek, Martha Tausk, Zdenka Haskova, J.S. Machar, Minka Govekar, Avgust Cesarec
Published in RUNG: 23.12.2016; Views: 6433; Downloads: 0
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35.
“Rajši ‘stara devica’, nego nesrečna ženica”: podobe starejših žensk v delih zgodnjih slovenskih pisateljic
Katja Mihurko, unpublished conference contribution

Abstract: V starejši slovenski pripovedni prozi ženski lik le redko zavzema osrednje mesto. In še tedaj, kadar lahko govorimo o protagonistkah, so to mlada dekleta v vlogi ljubezenskih objektov. Kot matere so ženski liki postavljeni v ozadje, kjer velikokrat le nemo opazujejo dogajanje ali pa umrejo že na porodu, še preden vstopijo v jesen življenja. Starejše ženske so le redko prikazane kot dobrohotna bitja z življenjsko modrostjo, pogosto so izpostavljene posmehu ali pomilovanju, še posebno, če imajo status neporočene ženske. Dobrodušni, samski in veseljaški ostareli stric Dolef iz prvega slovenskega romana nima dopolnila v ženskem liku ne v času svojega nastanka ne leta kasneje. V referatu bom pregledno predstavila redke like starejših žensk pri slovenskih pisateljih iz obdobij realizma in moderne, poiskala njihove izvore v arhetipskih podobah v ljudskem slovstvu in slovanskih mitologijah (Jága bába in liki čarovnic) ter jih soočila z upodobitvami, ki so jih ustvarile pisateljice v raziskovanem obdobju. Drugačne podobe starejših žensk namreč odkrivamo že v delih prvih slovenskih prozaistk. Luiza Pesjak v ciklu Žensko življenje in ženska ljubezen (1865) kot lirski subjekt vpelje babico, ki nagovarja svojo vnukinjo. Pavlina Pajk prikaže v pripovedi Roka in srce (1881) neporočeno žensko, ki je s svojim življenje zadovoljna in pri njej mlado dekle išče nasveta. Z raznolikimi podobami starejših žensk je slovensko književnost obogatila Zofka Kveder tako v kratki pripovedni prozi kot v romanu Hanka. Pri raziskavi “ženskega” pogleda na starke in starejše ženske v dobi moderne se bom oprla na esej Die alte Frau (Starka) nemške feministke Hedwig Dohm, napisan leta 1903, ki razkriva modern pogled na vlogo starejših žensk v družbi na prelomu stoletja in izraža vero, da lahko emancipacija žensk s tem, ko odpravi prepričanje, da je obstoj ženske utemeljen samo v njenem spolu, torej v njeni reproduktivni funkciji, obrne na bolje tudi življenje žensk v tretjem življenjskem obdobju in tako ustvari njihovo novo, drugačno podobo.
Keywords: starka, Luiza Pesjak, Pavlina Pajk, Zofka Kveder
Published in RUNG: 23.12.2016; Views: 5236; Downloads: 0
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36.
Zofka Kveder: Prva klasikinja v Zbranih delih slovenskih pesnikov in pisateljev
Katja Mihurko, 2016, independent professional component part or a chapter in a monograph

Keywords: Zofka Kveder, slovenska književnost, Zbrana dela slovenskih pesnikov in pisateljev
Published in RUNG: 22.12.2016; Views: 5378; Downloads: 0
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