1. From Minor Literature to Neoliberal Noir: The Detective Novels of Sergej VercPrimož Mlačnik, 2022, original scientific article Abstract: In this article, we analyze the politics of
representation in the detective tetralogy (1991-2009) of the late Slovenian and Triestinian writer
Sergej Verč. Addressing several aspects of Verč’s
primary literary semiotic device of schizophrenia,
we trace a simultaneous literary and chronological
shift from minor literature to neoliberal noir.
We expose the fundamental representational
ambiguity by analyzing the detective triad
(murder-victim-criminal), the fetishization of
detective clues, the erotization of detection, and
the underlying binary oppositions. Verč’s detective
novels critique the Slovenian capitalist transition
but also reproduce culturally conservative
representations of gender, sexuality, and family.
Keywords: Slovenian Literature, Sergej Verč, Minor Literature, Neoliberal Noir, Trieste, De(mythologization), Schizophrenia, Politics of
Representation, Detective Novels, Critique of
Capitalism, Cultural Conservatism
Published in RUNG: 15.12.2022; Views: 689; Downloads: 16
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3. Tito’s No to Schmitt: Against the compatibility of the partisan figures, against the Blut und Boden ideology of populismGal Kirn, 2020, original scientific article Keywords: Critique of Schmitt, telluric, partisan figure, left Schmittianism, Chantal Mouffe, revolutionary struggle, Yugoslav People's Liberation Struggle, WW2, radical political theory, critique of populist reason
Published in RUNG: 18.12.2020; Views: 1888; Downloads: 0
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4. Elena Vogman: Dance of Values. Sergei Eisenstein’s Capital ProjectGal Kirn, 2020, review, book review, critique Keywords: Sergei Eisenstein, Karl Marx, metamorphosis, (re)valorisation, value form, capital, representation of Capital, ideology critique, dialectic, commodity fetishism, film.
Published in RUNG: 17.12.2020; Views: 1832; Downloads: 0
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6. Between Subversion and Critique. New Yugoslav FilmGal Kirn, vedrana madžar, 2014, professional article Keywords: 1960s, Žilnik, Pavlović, new Yugoslav film, subversion, critique, new avant-garde, dark aesthetics
Published in RUNG: 18.09.2020; Views: 1953; Downloads: 0
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9. Between Socialist Modernization and Cinematic Modernism The Revolutionary Politics of Aesthetics of Medvedkin’s Cinema-TrainGal Kirn, 2015, independent scientific component part or a chapter in a monograph Keywords: cinema-train, critique of Groys, cinefication, early Soviet cinema, Benjamin, production and dissemination, art of forms, forms of life, dialectics between life, politics and art, Medvedkin
Published in RUNG: 19.08.2020; Views: 1953; Downloads: 0
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10. The Partisan Counter-Archive: Retracing the Ruptures of Art and Memory in the Yugoslav People's Liberation Struggle.Gal Kirn, 2020, scientific monograph Abstract: Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ‘archives’ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material – from partisan poems, graphic works and photography, to monuments and films – and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical “history of the oppressed” as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.
"The material of this archive of anti-fascist struggle in what would become Yugoslavia bursts with vitality. Through photographs, poems, drawings, dance, and song, we live the terrors and joys of these young women and men who risked their lives for freedom. This is brilliant work, a rescue of local history passed over by official memory, that sustains an unrelenting focus on questions of right or wrong in political struggle, and it is the archival evidence that provides the answers. Kirn’s account is urgent reading, given the racialized nationalism of our time." – Susan Buck-Morss, CUNY Graduate Center
"The Partisan Counter-Archive is a politically outstanding art history. But it is also an insightful political history based on joining the dots between oppressive and emancipatory cultural narratives. The outcome of exemplary research, the book describes and explains the excision of Yugoslavia’s antifascist struggles from public memory all the way to the legitimisation of fascism in the region today. As such, this intellectual effort is highly relevant to understanding the global advance of totalitarian capitalism in the 21st century, the techniques of anti-communism and their ties to nationalism, but also the role of history-writing in countering our predicament. And a warning: this is an affective read, as the injustice perpetrated against the antifascist dead is made palpable. If you feel political anger, it is justified; and it can be used to change our history-to-be." – Angela Dimitrikaki, The University of Edinburgh
Keywords: Partisan art, memory of revolution, critique of historical revisionism, partisan surplus, Yugoslav People's Liberation Struggle, cultural empowerment, Yugoslav socialism, partisan monuments
Published in RUNG: 19.08.2020; Views: 2097; Downloads: 0
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