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Italian Humanist Photography from Fascism to the Cold War
Martina Caruso, scientific monograph

Abstract: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Keywords: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
Published in RUNG: 16.01.2023; Views: 1331; Downloads: 0
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3.
Iconic Images in Modern Italy: Politics, Culture and Society : Introduction
Martina Caruso, 2016, short scientific article

Abstract: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'.
Keywords: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda
Published in RUNG: 13.01.2023; Views: 978; Downloads: 0
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4.
Human Sacrifice: The Scapegoat in Partisan Photographs at the End of the Italian Civil War
Martina Caruso, 2019, independent scientific component part or a chapter in a monograph

Abstract: This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption.
Keywords: Second World War, Italy, Civil War, Liberation, Partisan movement, resistance, fascism, antifascism, Allies, Nazis, photography, Christianity, Catholicism, Communism, reconstruction photography, martyrdom, masculinity, gender
Published in RUNG: 13.01.2023; Views: 900; Downloads: 0
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5.
Transformation of modernist memorial sites in the post-Yugoslav context
Gal Kirn, 2012, independent scientific component part or a chapter in a monograph

Keywords: Yugoslav modernism, partisan monuments, Yugoslavia, post-Yugoslavia, damnatio memoriae, return of fascism, historical revisionism, Bakic
Published in RUNG: 05.01.2021; Views: 2150; Downloads: 0
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6.
Map of revisionist monuments
Gal Kirn, Elvis Krstulović, Iva Kovač, exhibition

Keywords: historical revisionism, East Europe, anti-communism, new monuemnts, rehabilitation of fascism
Published in RUNG: 18.09.2020; Views: 2330; Downloads: 0
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7.
Nationale Mythen im ehemaligen Jugoslawien
Gal Kirn, 2019, interview

Keywords: myths, nationalist revisionism, rehabilitation of fascism, Kusturica, destruction of partisan monuments, civil wars, urban changes
Published in RUNG: 07.09.2020; Views: 2357; Downloads: 0
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