Iskanje po repozitoriju

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Opis: Paviljon Republike Slovenije na 59. mednarodni umetnostni razstavi – La Biennale di Venezia, Tese all'Isolotto, Arzenali, Benetke, 23. april–27. november 2022. Marko Jakše: Brez gospodarja. Komisar: Aleš Vaupotič. Kustos: Robert Simonišek. Odnosi z javnostmi: Aurora Fonda, Mateja Lavrič. Zasnova paviljona in koordinator postavitve: eiletz ortigas | architects. Prevodi: Ennio Francavilla, Tamara Soban. Video: Gorazd Krnc. Fotografije: Dejan Habicht, DK, Matej Kristovič, Tomaž Lunder. Spletišče: Ana Korenini, Borut Kovačec (VIKIDA), Narvika Bovcon, Jaka Železnikar. Tehnični koordinator: Tomaž Kučer. Restavratorka-konservatorka: Nada Madžarac. Tajnica: Ana Žan. Tehnična ekipa: Boris Fister, Vojko Kmetič, Janez Kramžar, Armin Salihović, Duško Škrbin. Producenta: Moderna galerija, Ljubljana, in Kulturno izobraževalno društvo KIBLA. Moderna galerija se zahvaljuje lastnikom umetniških del: Slavojka Akrapovič, Matija Gorjanc, Boštjan Jančar. Razstavo in katalog je podprlo Ministrstvo za kulturo Republike Slovenije.
Ključne besede: 59. beneški bienale, Marko Jakše, Paviljon Republike Slovenije, slikarstvom, prostorska postavitev, razstava
Objavljeno v RUNG: 19.07.2023; Ogledov: 348; Prenosov: 4
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Opis: Naslov: Javno vodstvo po razstavi Vuk Ćosić: Nacija – Kultura, vodi kustos Aleš Vaupotič. Tip: Predstavitveni dogodek, Predstavitev. 5. januar 2023. Mesto produkcije: MSUM, Ljubljana. Jezik: slovensko. Trajanje: 59' 05". URL: https://www.mg-lj.si/si/razstave/3567/razstava-nacija-kultura/ Avtorske pravice za video: BY-NC-SA.
Ključne besede: vodstvo po razstavi, novomedijska umetnost, Vuk Ćosić
Objavljeno v RUNG: 13.07.2023; Ogledov: 471; Prenosov: 6
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Opis: At the border between Slovenia and Italy there are two cities, Gorizia and Nova Gorica, connected and functioning as one, or separated by conflict in different times in history. The literatures in Slovenian, Italian, German and Friulian languages have described the complex issues that have tailored the life of people of various nationalities in this region in the 20th century. In 2018 we have participated in the EDUKA 2 project that had the goal of gathering the literary works that address the problem of coexistence in the Friuli Venezia Giulia region. Excerpts from these works were published in two text books for secondary schools, translated in all three languages. Our part in the project was building an augmented reality literary itinerary in the provinces of Trieste and Gorizia, that connected the literary works with related geolocations. The paper will present, how the existence of people of different nationalities at the same place is articulated in literature: selected examples of poetry and novels (Pahor, Madieri, Tomizza, Rilke, Pasolini, Gradnik, ...) will be discussed. The experiences described in literature were interpreted and translated into a visual form, virtual 3-D models were built and placed at selected geolocated spots. The translation between the literary and visual form will be discussed. The user experience of our literary itinerary will be compared to the existing literary itineraries in Gorizia and Trieste, there are many, and all contain historical data, images, videos and texts related to the complexities of coexistence. Finally the medium of augmented reality will be presented considering its different types that involve the user, the space, the camera of a mobile device and a projected image on the screen in different ways. This is relevant in the time, when spatial restrictions have surfaced in an unexpected way: due to the pandemic the spaces have been separated again and the virtual messages in augmented reality are considered either as intruders in a private space in the tele-communication, or as real presences in the real space that cannot be visited.
Ključne besede: augmented reality, literary itineraries, literature on the border, EDUKA2 project
Objavljeno v RUNG: 12.07.2023; Ogledov: 385; Prenosov: 3
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Opis: Recenzija knjige Estetika umetne inteligence (Lev Manovich, 2018, prev. Tamara M. Soban, Ljubljana: Mestni muzej Ljubljana, Zavod Basic, 2019).
Ključne besede: novi mediji, umetna intelienca, estetika, družabni mediji
Objavljeno v RUNG: 10.02.2021; Ogledov: 1767; Prenosov: 0
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Opis: The paper focuses the idea of realism by explaining the evident situation that the realist approach is the oldest of Western art practices, which –running in parallel to other currents – has extended into the second half of the twentieth century and even further. The discussion expands beyond literature to other arts. The starting point is the notion of literary realism after 1830 as used in literary history linked to the “great” novelistic tradition. In the twentieth century, the status of literary realism with its varieties of late and “neo-” realisms turns problematic. The reconsidered idea of realism unequivocally renounces links with the scholarly traditions explaining realism as “representation” or “reflection” etc. of the objective reality. The “debate on expressionism” in the 1930s and the avant-garde movements –in some of its tendencies –are an extension of the realist movement. The reconsidered view on realism is founded on the concept of the archive, increasing in importance on the theoretical level and in various poetics throughout the twentieth century. (However, Walter Benjamin's theory of allegory, though it could be considered a variant of the theory of archive, falls outside the limits of realism.) The paper argues for the discursive definition of realism, advanced by Hans Vilmar Geppert on the ground of Peirce's pragmaticism, avoiding the pitfalls of traditional approaches to realism.
Ključne besede: realism, realist discourse, Hans Vilmar Geppert, Charles Sanders Peirce
Objavljeno v RUNG: 06.02.2020; Ogledov: 2460; Prenosov: 0
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