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How to Study Literary Realism as Archive Art?
Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. the artworks that are archives of objects, documents, statements, even other artworks by other artists etc. The preservation of the otherness of an entity, which is subsequently taken up and kept in an archive, is one of the key challenges involved in such projects. The second task of an archival artwork is to construct—in fact add—an encompassing totality that correlates with the authorship and gives significance to the archive-artwork as a whole. The paper scrutinizes possible links between the archival approaches to art production in the 20th and 21st centuries and the practices of realist writing beginning in the 19th century.
Najdeno v: osebi
Ključne besede: archive, realism, archive art, Charles Dickens, the avant-garde
Objavljeno: 22.06.2017; Ogledov: 1918; Prenosov: 99
.pdf Polno besedilo (179,90 KB)

Narvika Bovcon, Aleš Vaupotič, umetniško delo

Najdeno v: osebi
Ključne besede: Sylvia Plath, Mirror, vizualizacija podatkov, 3D tisk, 3D skeniranje, tipografija, srebrna skulptura, miniatura, portret
Objavljeno: 03.07.2017; Ogledov: 1694; Prenosov: 0

Narvika Bovcon, Aleš Vaupotič, umetniško delo

Najdeno v: osebi
Ključne besede: George Eliot, Middlemarch, vizualizacija podatkov, 3D tisk, tipografija, srebrna skulptura, miniatura
Objavljeno: 03.07.2017; Ogledov: 1692; Prenosov: 0

Literarne avtorice
Narvika Bovcon, Aleš Vaupotič, umetniško delo

Najdeno v: osebi
Ključne besede: literarne avtorice, literarna zgodovina, feminizem, vizualizacija podatkov, 3D tisk, srebrna skulptura, miniatura
Objavljeno: 03.07.2017; Ogledov: 1961; Prenosov: 0

Narvika Bovcon, Aleš Vaupotič, umetniško delo

Najdeno v: osebi
Ključne besede: španske literarne avtorice, literarna zgodovina, feminizem, vizualizacija podatkov, 3D tisk, simulacija blaga, srebrna skulptura, miniatura
Objavljeno: 03.07.2017; Ogledov: 1976; Prenosov: 0

A Network of Themes
Narvika Bovcon, Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: Gerhard Richter's books Text – a collection of painter's verbal statements about his artistic method – and Atlas – 783 sheets with images, mainly photographs and visual notations – are two archives that complement the understanding of his diverse artistic practice. The paper presents a textual model that experimentally simulates a possible ordering principle for archives. Richter's statements in the book Text are cut up and used as short quotations. Those that relate to multiple aspects of the painter's oeuvre are identified as hubs in the semantic network. The hubs are organized paratactically, as an array of different themes. The paper presents a methodological hypothesis and an experimental model that aim to connect the research of real networks with the paradigms of humanistic interpretation. We have to bear in mind that the network is a result of the researcher's interpretative approach, which is added to the initial archive included in the book Text. The breaking up of Richter's poetics into atoms of quotations is an experimental proposal of a new textuality in art history and humanities, which has its own history. In comparison to digital archives with complex interfaces that often tend to obscure the content, the elements in our experiment appear as specific configurations of the semantic network and are presented in a limited number of linear texts. The method of listing of quotations gathers the fragments into a potential “whole”, i.e. a narrativized gateway to an archive according to the researcher's interpretation.
Najdeno v: osebi
Ključne besede: artistic archive, narrativization, networks, author's poetics, Gerhard Richter
Objavljeno: 11.07.2017; Ogledov: 1899; Prenosov: 130
.pdf Polno besedilo (400,90 KB)

Prostor, vržen iz tira
Srečo Dragan, Aleš Vaupotič, Narvika Bovcon, 2017, intervju

Opis: Prostor, vržen iz tira, razstava Sreča Dragana, likovnega umetnika, videasta, konceptualista in novomedijskega umetnika, tudi energičnega univerzitetnega profesorja, mentorja ter producenta in organizatorja odmevnih dogodkov in sodelovanj, pokriva pet desetletij umetniškega delovanja in ustvarjanja. V zasnove in izvedbe včasih tehnično izjemno zahtevnih projektov so bili vpleteni mnogi sodelavci in ustvarjalci. Do leta 1987 je Srečo Dragan umetniško deloval v tandemu z Nušo Dragan. Razstava se v naslovu navezuje na Draganovo retrospektivo v Moderni galeriji v Ljubljani leta 2000 z naslovom Čas, vržen iz tira: 1968–2000, ki privzema del Hamletovega verza: »The time is out of joint.« Takrat je razstavo pospremil programski zapis: »Inštitucija tehno-modificiranega pogleda kot primarnega okolja Draganovega medijskega ustvarjanja je od vseh, ki smo to predstavitev pripravljali, zahtevala spremembo klasične pregledne razstave v obliko kot-darazstave. To je bil osnovni model-ideja, ki omogoča polje za testne in problematične transferje za nove tehnologije, tehno-znanosti in elektronske, še posebej pa kibernetične umetnosti. / Trije interaktivni razstavni prostori-teritoriji, ki jih zasedajo nematerialne strukture kot-da-umetniška dela, predstavljajo aktivne točke komunikacije« (black.fri. Tako kot na prelomu tisočletja se tudi letošnja retrospektiva vzpostavlja iz avtorskega urejevalnega in reaktualizirajočega postopka. Dela niso preprosto dana na ogled, ampak na novo aktivirana prek preteklih in sodobnih kontekstov. Naslov namiguje, da se nekaj zanimivega tokrat dogaja s prostorom. Pomembno vlogo igra pet stopenj rekonceptualizacije projektov, označene so bile z napisi na tleh galerije: konceptna tabla 1.0 vsebuje izvirni koncept, rekonceptualizacija 2.0 je instalacija-dokument dela kot novo avtorsko delo, tabla 3.0 rekonceptualizira kot modul za razstavljanje zgodovinsko kontekstualiziranih projektov na skupinskih razstavah, 4.0 konceptualizira robotsko vodenje obiskovalca po razstavi in končna faza 5.0 – to je živa podatkovna baza komentarjev obiskovalcev Draganovih razstav ter udeležencev v njegovih projektih.
Najdeno v: osebi
Ključne besede: Srečo Dragan, "Prostor, vržen iz tira", novomedijska umetnost, intervju z umetnikom
Objavljeno: 30.08.2017; Ogledov: 1877; Prenosov: 0
.pdf Polno besedilo (2,24 MB)

Vključevanje nanotehnoloških raziskav v likovno umetnost
Aleš Vaupotič, 2017, recenzija, prikaz knjige, kritika

Najdeno v: osebi
Ključne besede: Uršula Berlot, nano tehnologije, nano umetnost, tehno-slike
Objavljeno: 30.08.2017; Ogledov: 1886; Prenosov: 0
.pdf Polno besedilo (1,65 MB)

Condensations and Extensions
Aleš Vaupotič, Narvika Bovcon, 2017, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: Every reading of a text follows a complex mechanism, which is outlined in phenomenological terms in Roman Ingarden's Das literarische Kunstwerk (1930) and later in reader-response criticism. Also Roland Barthes's explorations of intertextuality point in a similar direction of the text as heterogeneous and open texture. The complex mechanisms that allow the reader to gain meanings and construct represented objects etc. are scrutinized to emphasize the importance of the reader's collaboration in the readerly act and the transformations to the textual experience that depend on historical circumstances, on cultural and personal experience of the reader. Considering these critical traditions, any text is always interactive, an ad hoc construct, it comes to life only in contact with alien contexts whereby it virtually looses its supposed lasting identity. In Theorising the Digital Scholarly Edition (Literature Compass 7.2, 2010) Hans Walter Gabler attempts to provide a conceptual framework for a critical scholarly edition, a text genre which is supposed to preserve the original documents and the texts and/or works. However, Gabler rejects the ideology of preservation of memory in the »pure« form and argues for a relational and contextual idea of edition as a »knowledge site«. In addition, he states that the digital medium and the print medium can coexist since they serve different purposes, the printed edition is used for reading and the digital one for »use« and study purposes. The so-called old scholarly editions (pre-positivist) had a strong emphasis on the commentary, which added to the authorial function of the editor as the mediator between the vast textual archive and the receptive abilities of the addressee. Text-edition as a dynamic and collaborative »knowledge site« is sometimes introduced by the characteristics of a particular text. Dora García's art project and video installation The Joycean Society (2013) documents with a video (53 min.) and by exhibiting artefacts the reading process of the mysterious Finnegan's Wake (1939) by James Joyce, the multiple readings within a single heterogeneous reading group of the same book for 30 years. The second case study is the artist's book by a Slovenian net.artist Teo Spiller Znakovnost novih medijev (Semiotics of New Media, 2011). The printed illustrated pages are intended to be read in parallel with browsing the online versions of the art projects presented. Another key dimension of such book-projects is the swift change and disappearance of the on-line part of this plural reading-interface. The third example considered are the projects by Jaka Želaznikar, a Slovene digital poet, that relate to the works of one of the main Slovenian poets Tomaž Šalamun (1941-2014). Among them Železnikar's on-line project Izbris Šalamun (Deletion Šalamun, 2015), which is an on-line edition of two poetry books by Šalamun, Letni čas (Season, 2010) and Ta, ki dviga tačko, spi (The one, who rises the paw, sleeps, 2015), enables the reader to selectively delete the words from poems. The text will examine the reader's reception of the poems in the printed version and in the on-line interface. In this case, too, the context of the edition will be considered (the link with the publishing house and the printed edition, the role in promotion activities of the on-line edition in respect to the printed one).
Najdeno v: osebi
Ključne besede: cybertext, digital media, electronic edition
Objavljeno: 30.08.2017; Ogledov: 1630; Prenosov: 0
.pdf Polno besedilo (514,26 KB)

Kvantitativni oris romanov Ivana Preglja
Anej Žagar, 2017, diplomsko delo

Opis: Diplomska naloga obravnava kvantitativno analizo romanov primorskega pisatelja Ivana Preglja, ki je ena izmed redkih takega obsega v slovenskem prostoru poleg podobne analize opusa Cirila Kosmača. Izhodišče tovrstnih analiz je elektronska verzija romanov. Analiza slovenskega dela besedil vseh treh romanov je bila opravljena s programskim orodjem Eva in s spletno različico prostodostopnega statističnega oblikovnoskladenjskega označevalnika in lematizatorja za slovenski jezik Obeliks ter vključuje tudi oblikoslovno označitev in lematizacijo celotnega besedila, katere izsledki so bili ročno popravljeni in pregledani. Pri kvantitativni analizi romanov je bila uporabljena statistična metoda, ki prinaša statistične prikaze znakov, črk, besed in povedi. V veliki večini so podatki predstavljeni za vsak roman posebej in za celotno besedilo, dodane so primerjave z rezultati analize besedil Cirila Kosmača. Diplomska naloga prinaša dopolnitve in nadgradnje dosedanjih raziskav o Pregljevih romanih, ki v to smer še niso posegle. Poglavitna dela naloge, seznam vseh lem s podatki o besedni vrsti ter pogostostmi po posameznih romanih in pa seznam delov besedil v tujih jezikih se nahajata v prilogah.
Najdeno v: osebi
Ključne besede: Ivan Pregelj, kvantitativna analiza besedil, statistična metoda, roman, oblikoslovno označevanje, lematizacija, znak, črka, beseda, poved, besedna vrsta.
Objavljeno: 19.09.2017; Ogledov: 2975; Prenosov: 192
.pdf Polno besedilo (2,64 MB)

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