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71.
Literarne pešpoti/Itineraris leteraris
Narvika Bovcon, Aleš Vaupotič, Ana Toroš, Borja Bovcon, 2019

Opis: Povečana resničnost — inačica, ki temelji na geolokacijah zanimivih točk — usmerja pozornost na pomenske odtenke sveta, ki nas obdaja, ti pa so pogosto navzoči le implicitno, različno za različne skupnosti. Spomeniki v povečani resničnosti delajo te »plasti« vidne in širijo našo zaznavo okolice. Na področju med Goriško, Tržaško pokrajino in Furlanijo so nastale tri literarne pešpoti. Povečana resničnost je nastala na podalgi beril iz projekta EDUKA2 ("Literatura na stičišču 1", ISBN 978-88-7636-311-5 in "Literatura na stičišču 2", ISBN 978-88-7636-313-9).
Najdeno v: osebi
Ključne besede: obogatena resničnost, literarne pešpoti, literature na stičišču
Objavljeno: 13.12.2019; Ogledov: 1052; Prenosov: 0
.pdf Polno besedilo (2,28 MB)

72.
Comparative literature and digital humanities
Aleš Vaupotič, 2019, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: The "Comparative literature and digital humanities" paper was part of the panel "Postdigital Comparatism: New methods, new frameworks, new questions?", organized by Amelia Sanz (Complutense University of Madrid), Aleš Vaupotič (University of Nova Gorica), and Silvia Ulrich (Universita di Torino). This panel tries to describe and to evaluate the headway the Comparatism made at a time when cultures, literatures and criticism can be considered inevitably post-digital: after the digital revolution dealing with cultural habitus in the 21st century. Looking forward, what difference does it make? The point is the following: are digital archives, electronic devices, and tools modifying our disciplinary field just with regard to new available sources and dissemination strategies? Or are they creating any specific epistemological modeling? Is there any comparatist condition to be satisfied by digital methodologies? Are the digital humanities and the digital literary studies (still) distinguishable from general literary studies? Can electronic technologies and digital methodologies become hegemonic, even hypercolonial, over any epistemological sovereignty? How are the comparatists coping with the interdisciplinary constellations involved in using computer technologies in research? What is the difference between digitized literatures, and digital arts and literatures from a comparatist point of view? We should reflect on the use of the communication models from new-media art as a source for the emerging digital humanities genres. Why do comparatists seem so suspicious and skeptical towards digitization process and digital arts, whereas they are used to cross over cultures, oceans and media?
Najdeno v: osebi
Povzetek najdenega: ...by Amelia Sanz (Complutense University of Madrid), Aleš Vaupotič (University of Nova Gorica), and Silvia...
Ključne besede: digital humanities, comparative literature, methodology
Objavljeno: 13.12.2019; Ogledov: 909; Prenosov: 0
.pdf Polno besedilo (947,46 KB)

73.
Making Sense
Aleš Vaupotič, predavanje na tuji univerzi

Najdeno v: osebi
Ključne besede: digital humanities, new media art, methodology
Objavljeno: 09.01.2020; Ogledov: 817; Prenosov: 0
.pdf Polno besedilo (4,09 MB)

74.
The Current Relevance of Realist Discourse
Aleš Vaupotič, 2018, izvirni znanstveni članek

Opis: The paper focuses the idea of realism by explaining the evident situation that the realist approach is the oldest of Western art practices, which –running in parallel to other currents – has extended into the second half of the twentieth century and even further. The discussion expands beyond literature to other arts. The starting point is the notion of literary realism after 1830 as used in literary history linked to the “great” novelistic tradition. In the twentieth century, the status of literary realism with its varieties of late and “neo-” realisms turns problematic. The reconsidered idea of realism unequivocally renounces links with the scholarly traditions explaining realism as “representation” or “reflection” etc. of the objective reality. The “debate on expressionism” in the 1930s and the avant-garde movements –in some of its tendencies –are an extension of the realist movement. The reconsidered view on realism is founded on the concept of the archive, increasing in importance on the theoretical level and in various poetics throughout the twentieth century. (However, Walter Benjamin's theory of allegory, though it could be considered a variant of the theory of archive, falls outside the limits of realism.) The paper argues for the discursive definition of realism, advanced by Hans Vilmar Geppert on the ground of Peirce's pragmaticism, avoiding the pitfalls of traditional approaches to realism.
Najdeno v: osebi
Ključne besede: realism, realist discourse, Hans Vilmar Geppert, Charles Sanders Peirce
Objavljeno: 06.02.2020; Ogledov: 710; Prenosov: 0
.pdf Polno besedilo (662,85 KB)

75.
Nothing but Facts/Le dejstva
Aleš Vaupotič, Narvika Bovcon, 2020, umetniško delo

Opis: Incipit romana kot računalniška animacija.
Najdeno v: osebi
Ključne besede: video, digitalna animacija, fizikalna simulacija, program Maya
Objavljeno: 26.01.2021; Ogledov: 230; Prenosov: 1

76.
Umetna inteligenca in kultura digitaliziranega sveta
Aleš Vaupotič, 2020, recenzija, prikaz knjige, kritika

Opis: Recenzija knjige Estetika umetne inteligence (Lev Manovich, 2018, prev. Tamara M. Soban, Ljubljana: Mestni muzej Ljubljana, Zavod Basic, 2019).
Najdeno v: osebi
Ključne besede: novi mediji, umetna intelienca, estetika, družabni mediji
Objavljeno: 10.02.2021; Ogledov: 192; Prenosov: 0
.pdf Polno besedilo (967,82 KB)

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