21. Italian Humanist Photography from Fascism to the Cold WarMartina Caruso, znanstvena monografija Opis: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Ključne besede: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
Objavljeno v RUNG: 16.01.2023; Ogledov: 1404; Prenosov: 0
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22. My Sister Who TravelsMartina Caruso, katalog razstave Opis: This exhibition offers the viewer new perspectives on this genre, through the landscapes in the work of six women artists. Landscape art is often considered in Romantic terms. Human analogies between the concrete world and the inner world are frequently drawn, and the open space of the land can be seen as a space for imagining, for thinking freely. But these public spaces are also contested sites, layered with histories and the implicit legacies of control, power, occupation and exclusion.
Ključne besede: landscape photography, history of photography, 19th century, 20th century, 21st century, women, gender, Mediterranean, video art, Halida Boughriet, Corinne Silva, Paola Yacoub, Noor Abed, Jananne Al-Ani, Ursula Schulz-Dornburg, Esther Boise Van Deman, migration, capitalism, patriarchy
Objavljeno v RUNG: 13.01.2023; Ogledov: 1155; Prenosov: 0
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23. Counter-regime Photography Under FascismMartina Caruso, 2011, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: The role of counter-regime, or humanist, photography in Italy under fascism is considered through the critical themes of ruralism, masculinity and war, revealing its significant, although hidden, role in the history of postwar humanist photography.
Ključne besede: humanist photography, counter-regime, Fascist regime, Mussolini, ruralism, masculinity, war, postwar
Objavljeno v RUNG: 13.01.2023; Ogledov: 945; Prenosov: 0
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24. Iconic Images in Modern Italy: Politics, Culture and Society : IntroductionMartina Caruso, 2016, kratki znanstveni prispevek Opis: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'.
Ključne besede: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda
Objavljeno v RUNG: 13.01.2023; Ogledov: 1030; Prenosov: 0
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25. Human Sacrifice: The Scapegoat in Partisan Photographs at the End of the Italian Civil WarMartina Caruso, 2019, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption.
Ključne besede: Second World War, Italy, Civil War, Liberation, Partisan movement, resistance, fascism, antifascism, Allies, Nazis, photography, Christianity, Catholicism, Communism, reconstruction photography, martyrdom, masculinity, gender
Objavljeno v RUNG: 13.01.2023; Ogledov: 949; Prenosov: 0
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26. Agnes and Dora Bulwer's Photographs of Everyday ItaliansMartina Caruso, 2022, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: In the photographs of British sisters Agnes and Dora Bulwer taken at the end of the 19th and the beginning of the 20th century, I argue for an early humanist vision of the peasants, children and workers that they photographed on their travels around Italy.
Ključne besede: History of photography, protohumanism, modernity, Italy, Roman Campagna, Abruzzo, archaeology, peasants, workers, Victorian, gender, women
Objavljeno v RUNG: 13.01.2023; Ogledov: 998; Prenosov: 0
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27. Conversing with Ghosts of the Previously TamedMartina Caruso, 2019, izvirni znanstveni članek Opis: In this article I argue that representing animal-human relationality in contemporary video art shows how certain artists are addressing recent philosophical perspectives such as object-oriented ontology within a posthuman and post-anthropocentric paradigm. While the philosophies that treat the posthuman, from object-oriented ontology to speculative realism and vital materialism, imply a utopian refusal of hierarchy between human and non-human existence, artists may be hard-pressed to represent the described new order, which, at the moment, does not exist socially or politically.
Ključne besede: post-Anthropocene, animal-human relationality, non-human, posthuman, object-oriented ontology, speculative realism, vital materialism, video art, Basma Alsharif, Christoph Keller, Corinne Silva
Objavljeno v RUNG: 13.01.2023; Ogledov: 907; Prenosov: 0
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28. Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento ItalyMartina Caruso, 2022, izvirni znanstveni članek Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy.
Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century
Objavljeno v RUNG: 11.01.2023; Ogledov: 1423; Prenosov: 0
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30. Diagnostics and Monitoring of COVID-19 Infection – Current UnderstandingMartina Bergant Marušič, Ario De Marco, 2020, recenzija, prikaz knjige, kritika Ključne besede: SARS-CoV-2, RT-PCR, seroconversion, serum biomarkers, neutralizing antibodies
Objavljeno v RUNG: 30.09.2022; Ogledov: 1188; Prenosov: 20
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