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1.
Borderless aeasthetics : the new ugly
Sandra Jovanovska, 2024, magistrsko delo

Opis: Through the lens of ugliness, the purpose of this Master’s thesis is to explore a potential model of a new unrestricted aesthetics. I, hereby, refer to an aesthetics beyond its canonical order, an individualistically-driven scheme of standards or perhaps no standards at all. All can be simplified with Eco’s quote on the opposition of the beautiful and the ugly: ’A beautiful nose shouldn’t be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility’. While the aesthetics of beauty has already positioned framework of rules in regards to proportion, symmetry, and harmony, the aesthetics of ugliness has no particular guidelines and limitations whatsoever. Unlike the beautiful, what we perceive as ugly doesn’t have its lawfulness, because for a long time in the history of art, ugliness was just the opposite face of beauty. As a consequence, the ugly embodies a big category of undetermined standards in visual arts and culture, which leads to it becoming a large unmapped territory of boundless autonomy. The ugly is in that context the key to facing and unleashing our phenomenological fears of bleak dark deformed realities that lie unchallenged and unaddressed on account of ugliness’ taboo status. Thus, when familiarised, I believe ugliness in art has a powerful impact, a quality that we have to yet begin to understand to get a full image of ourselves, for if we rely on beauty, as we did for such a long time in history, we are depriving ourselves of a true holistic proportion in art.
Ključne besede: art, man, ugliness, new, aesthetics, beauty, artist, time, image, Dada, history, context, different, body, personal, culture, transform, political, philosophy, standard, perspective.
Objavljeno v RUNG: 10.05.2024; Ogledov: 395; Prenosov: 6
.pdf Celotno besedilo (2,86 MB)
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2.
PHOTOGRAPHY AND THE NARRATIVE : How stories are told through the photographic medium
Tiziano Biagi, 2020, diplomsko delo

Opis: Some of the earliest pieces of evidence in art history show how people told stories with pictures and, throughout the centuries, this habit developed with the introduction of new techniques, themes, and tools. Given the value of authenticity that has often been ascribed to photography since its invention, this medium had to overcome criticism before its value as fine art was recognised. This diploma thesis analyses in which ways photography is capable to carry narratives. It also analyses the roles that the viewer, the photographer, and the image itself play in this process. To do so, this work examines notable theories on the topic, the intentions behind the photographers’ creative process, and the visual components of images. By focusing both on ideas introduced by scholars and on photographic works – including my diploma project Dune Mosse – the thesis underlines the importance that social and cultural contexts have in the narration of a story.
Ključne besede: Narrative, Storytelling, Interpretation, Context, Intention, Viewer, Image, Photographer, Photographic genres, Personal documentary photography
Objavljeno v RUNG: 13.10.2020; Ogledov: 3917; Prenosov: 134
.pdf Celotno besedilo (16,30 MB)
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3.
Engaging Bodies Through Expanded Art Practice
Asja Apolonia Trost, 2020, magistrsko delo

Opis: The master thesis entitled “Engaging Bodies Through Expanded Art Practice” is divided in two parts: the first one is the theoretical part which places socially engaged arts in the time-line of contemporary art, followed by an overview of my practical work entitled “Obsolete Properties”. The central aim of the theoretical part is to determine the structures of socially engaged art projects, with all their ambiguities, caused by the inherent connection between the social and the artistic. Topics of such process-based interdisciplinary and participatory art projects reflect at the same time on cultural traditions as well as on current social issues. The second part is an analysis of the artwork I created and set in different contexts. It consists of common materials that arrived into my hands after their previous owners moved their homes. The artwork celebrates artistic process and environmental sustainability while on the other side serves as an agent on the discourse of values.
Ključne besede: #ART #ENGAGED_ART #ART_PRACTICE #SOCIAL_PRACTICE #SOCIALLY_ENGAGED_ART #CONTEMPORARY_ART #PROCESS #MEDIA #FORM #PERFORMANCE #PARTICIPATION #COLLABORATION #PUBLIC_SPACE #AESTHETICS #POLITICS #ETHICS #INTERACTIVITY #DESIGN #THEATRE #EDUCATION #AUTHORITY #ART_STUDENT #ART_OBJECT #SYSTEM #KNOWLEDGE #PLASTIC #SCULPTURE #FINE_ARTS #INTERMEDIA_ART #VALUES #FREEDOM_OF_EXPRESION #DOCUMENTATION #AUDIENCE #TRASH #MATERIAL #SUSTAINABILITY #CONSERVATION #CONTEXT #TEMPORARY_EXPERIENCE_ZONE #TEZ #WAR #HOLOCAUST
Objavljeno v RUNG: 20.07.2020; Ogledov: 4003; Prenosov: 113
.pdf Celotno besedilo (5,36 MB)
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4.
Scalar Implicatures
znanstvena monografija

Opis: Scalar implicatures have enjoyed the status of one of the most researched topics in both theoretical and experimental pragmatics in recent years. This Research Topic presents new developments in studying the comprehension, as well as the production of scalar inferences, suggests new testing paradigms that trigger important discussions about the methodology of experimental investigation, explores the effect of prosody and context on inference rates. To a great extent the articles reflect the state of the art in the domain and outline promising paths for future research.
Ključne besede: Scalar implicature, Lexical scales, Scalar variability, Cross-linguistic variation, Production, Comprehension, Prosody, Context
Objavljeno v RUNG: 06.11.2019; Ogledov: 3522; Prenosov: 116
.pdf Celotno besedilo (15,33 MB)

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