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Opis: At its core, human epistemology is based on two pillars: sense experience (consider the Humean empiricism, or phenomenology) and set-theory based logic. Quine in “Epistemology Naturalized” understands a human as a natural transformer of a meager input from senses into a torrential output of descriptions. For him also Carnap’s rational reconstruction (a logical reconstruction of the world from sense data) can be construed as creative and imaginative mechanical simulations, of the transformations from the world of experiential implications into various languages. Such a detached and rule-governed idea of games as playful alternative worlds, possibly in a reduced state as argued by Huizinga, can provide an important perspective on algorithms of new media literature, as well as its other features. Rules for particular works are summarized in genre-constructs, which will be considered for the domain where new media and literature intersect. The genres can be derived form literary traditions, and from the basic aspects of new media art that encompass the algorithmic building of communication artifacts from (more or less vast) archives of utterances in various media, and of other data. Espen Aarseth’s theory considered cybertext a perspective for the study of literature, and not a particular genre (Cybertext, 5). Finally, there is an important problem that needs to be addressed: today, several generations of work by digital media artists are firmly in the past, while media art remains synonymous with “new” and “emergent,” and the growing vastness of the loss consequently goes unacknowledged. The genre-rules based approach attempts to tackle the preservation issue by identifying the key elements of individual works that need to be recorded and preserved. The descriptions are already interpretations with an intrinsic goal of making the works re-enactable and accessible to the audiences of the future. The pilot project of preserving the Nation – Culture project by Vuk Ćosić (2000) will be outlined in the conclusion. (ARIS J7-3158, Sustainable Digital Preservation of the Slovenian New Media Art) / Aleš Vaupotič is a literary comparatist, media theorist, and new-media artist. He works at the Research Centre for Humanities at the University of Nova Gorica. Between 2021 and 2023 he was the director of the Museum of Modern Art in Ljubljana, and in 2022 the commissioner for the Slovenian Pavilion at the Venice Biennial. He is currently the project leader in an interdisciplinary research project Sustainable Digital Preservation of the Slovenian New Media Art. Among his research foci are the theory of discourse, semiotics, comparative art studies, new-media theory, methodology of digital humanities and realism in the arts. His monograph Vprašanje realizma (The Question of Realism, 2019) explores the continuities and shifts between traditional and new media.
Ključne besede: genres, new media art, cultural heritage preservation
Objavljeno v RUNG: 30.09.2024; Ogledov: 247; Prenosov: 0
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Opis: The Chinese countryside has long been associated with cultural continuity, albeit in contradictory ways. It has been marginalized for several decades, while all development efforts have focused on urbanization. However, as the tensions and paradoxes of modern urban life become increasingly obvious, the countryside is once again recognized as an enduring symbol of authentic national values. Chinese traditional cultural heritage is rooted in Chinese traditional villages. In fact, being built before the coming of the Republic of China, those villages nowadays still possess a great deal of very important material and immaterial forms of cultural heritage, as a historical record of the Chinese nation development. Through the examination and study of traditional villages in Luoning, and the perspective of theories of architectural conservation theory, community co-construction, and private-public partnership, the dissertation proposes a hybrid county governance model to maximize the stakeholder's functions roles, and operational procedures in the preservation and development of the traditional villages. Thus, through the integration of three stability perspectives—cultural, economic, and social —the dissertation provides the government's optimization strategy for heritage preservation. In the first case study, the governance of Zhangzhuang's traditional village is examined. The village's residents share responsibility for one another and are frequently connected by strong family ties and regular community organization in decision-making. Unfortunately, this thriving community-led government is insufficiently prepared to deal with the expanding tourism industry, it fails when it comes to overarching development objectives, and it lacks substantial experience in the preservation of historic structures. The Second case study investigates the government-led traditional types of villages. These are characterized by low public and community participation, and underdeveloped commodity economies, but being usually of outstanding importance, they result rich in traditional material and intangible cultural resources and have great potential for developing a tourism sector. Government-led efforts to reactivate the development of these villages have the advantages of credibility and authority, preferential policy formulation, and government short-term funding. However, these villages face severe problems in terms of community involvement, complementary market economies, and insufficient long-term government funding. This condition is investigated in the second case of the government's conception and promotion of the "Hou Shangzhuang Village Traditional Village Restoration" project. Despite some initial success, the project came to a standstill due to the competing interests of businesses, the government, and the community. The third case study looks into traditional villages where the primary development component is driven by businesses, creating conditions for the growth of a market economy. The analysis demonstrates that enterprise investments benefit from complementary capital input, resource integration, and effective management. However, the issue of uneven income and benefit distribution, as well as excessive consumption of public resources, pose a serious threat to both: the authenticity and integrity of cultural heritage, as well as the fair and sustainable development of local communities. This situation is examined in the case study of Qianhe Village, where the tourism industry has grown through multiple investment operations by private enterprises. The dissertation examines diverse hybrid governance models for each of these three different cultural, social, and economic heritage contexts. In specific it points to the role of government to efficiently design, validate, and promote responsive solutions for the resilience of cultural heritage of traditional villages in China.
Ključne besede: Heritage, Traditional Chinese village preservation, planning and management, Government, Governance, Participation, Community Co-construction
Objavljeno v RUNG: 11.03.2024; Ogledov: 1288; Prenosov: 27
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Ključne besede: Traditional Architecture, Austroungarian Architecture, Preservation, Architectural Conservation, Gorizia, Heritage Maintenance
Objavljeno v RUNG: 15.01.2020; Ogledov: 3921; Prenosov: 0
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Opis: Nell’ultimo decennio una nuova tecnologia di misurazione si è diffusa sempre più nel mercato del rilievo strumentale. Le camere a tempo di volo
Ključne besede: TOF Cameras, Cultural Heritage, preservation, monitoring, survey, statistical test
Objavljeno v RUNG: 05.07.2017; Ogledov: 4507; Prenosov: 1
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