Repozitorij Univerze v Novi Gorici

Iskanje po repozitoriju
A+ | A- | Pomoč | SLO | ENG

Iskalni niz: išči po
išči po
išči po
išči po
* po starem in bolonjskem študiju

Opcije:
  Ponastavi


1 - 10 / 62
Na začetekNa prejšnjo stran1234567Na naslednjo stranNa konec
1.
Anarchism and the history of social movements in Slovenia
Daša Tepina, 2021, izvirni znanstveni članek

Opis: The article is a compilation of fragments of revolutionary movements in the Slovenian region, which in one way or another were connected to or derived from the tradition of anarchist ideas and practises. It is an overview of an omnipresent phenomenon that never had or has never had a broader social visibility, but was always present in the shadows and on the margins, continuously shaping social movements and communities in revolt and offering refuge to many marginalised and oppressed people, thus amplifying their voice, which gradually changed the general social conditions. A modest overview, supplemented by archival sources from the Slovenian archives and newspaper articles from different periods. It covers a wide area of the fragmented 20th century, touchi ng at the end on the transition to the 21st century. So even it is difficult to argue that there is a history of the anarchist movement in this region, that can be described as a rooted, consistent anarchist history, and it takes a certain spirit of enquir y to discover and bring to the surface anarchist ideas and practises, we, however, can talk about fragments of historical events and groups that were connected and intertwined with anarchist ideas in various practices connected with anarchist principles. A nd all of them were inherent for an organized anarchist movement, which was established in the last three decades that we can speak today of an overtly coherent set of ideas and practises.
Ključne besede: anarchism, Slovenia, history of social movements, anarchist ideas, anarchist practices
Objavljeno v RUNG: 13.05.2024; Ogledov: 151; Prenosov: 3
.pdf Celotno besedilo (100,54 KB)
Gradivo ima več datotek! Več...

2.
Borderless aeasthetics : the new ugly
Sandra Jovanovska, 2024, magistrsko delo

Opis: Through the lens of ugliness, the purpose of this Master’s thesis is to explore a potential model of a new unrestricted aesthetics. I, hereby, refer to an aesthetics beyond its canonical order, an individualistically-driven scheme of standards or perhaps no standards at all. All can be simplified with Eco’s quote on the opposition of the beautiful and the ugly: ’A beautiful nose shouldn’t be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility’. While the aesthetics of beauty has already positioned framework of rules in regards to proportion, symmetry, and harmony, the aesthetics of ugliness has no particular guidelines and limitations whatsoever. Unlike the beautiful, what we perceive as ugly doesn’t have its lawfulness, because for a long time in the history of art, ugliness was just the opposite face of beauty. As a consequence, the ugly embodies a big category of undetermined standards in visual arts and culture, which leads to it becoming a large unmapped territory of boundless autonomy. The ugly is in that context the key to facing and unleashing our phenomenological fears of bleak dark deformed realities that lie unchallenged and unaddressed on account of ugliness’ taboo status. Thus, when familiarised, I believe ugliness in art has a powerful impact, a quality that we have to yet begin to understand to get a full image of ourselves, for if we rely on beauty, as we did for such a long time in history, we are depriving ourselves of a true holistic proportion in art.
Ključne besede: art, man, ugliness, new, aesthetics, beauty, artist, time, image, Dada, history, context, different, body, personal, culture, transform, political, philosophy, standard, perspective.
Objavljeno v RUNG: 10.05.2024; Ogledov: 138; Prenosov: 4
.pdf Celotno besedilo (2,86 MB)
Gradivo ima več datotek! Več...

3.
Whose memory? : new museums and (political) narratives in Slovenia
Kaja Širok, 2023, drugi znanstveni članki

Opis: In March 2021, on the thirtieth anniversary of the founding of the independent state of Slovenia, Janez Janša’s government established the (national) Museum of Slovenian Independence. The official reason for its creation was due to criticism from a number right-wing politicians who argued that Slovenian museums neglected the topic of national independence and failed to cultivate the values on which the new country was founded. This was strongly opposed by the historical profession, as at least three Slovenian museums were already dealing with the subject of the twentieth century and created several exhibitions on the subject of independence.
Ključne besede: Museums, Political narratives, Difficult heritage, National Museum for Contemporary History https://europeanmemories.net/magazine/whose-memory-new-museums-and-political-narratives-in-slovenia/
Objavljeno v RUNG: 08.05.2024; Ogledov: 172; Prenosov: 1
URL Povezava na datoteko
Gradivo ima več datotek! Več...

4.
Understanding differences, changing perspectives : different perspectives showing complex truths
Kaja Širok, 2020, prispevek na konferenci brez natisa

Opis: Conference which explored the important role museums play in making complex matters tangible and comprehensible.
Ključne besede: difficult history, museology, tangible heritage
Objavljeno v RUNG: 07.05.2024; Ogledov: 185; Prenosov: 1
URL Povezava na datoteko
Gradivo ima več datotek! Več...

5.
Bodies of noise at the Bell Laboratories : early automated speech recognition, contribution at the Editorial Workshop - A Special Issue on Acoustic Space, November 9-10, 2022, Frankfurt/Main
Eszter Polónyi, 2022, druga izvedena dela

Opis: This paper is about the first automated systems developed to recognize identity. While automated recognition in the twenty-first century is widely associated with images of the human face, its roots are to be found in attempts to visualize identity in other, non-figural types of trace left by human bodies, ranging as widely as shadows, astrological signs, handwriting, the prints left by palms and fingers and the acoustics of the human voice. This paper investigates one such system of recognition as it emerged from within the telecommunications industry context in the midcentury U.S. Ostensibly built to reduce human labor and cable bandwidth, Bell Labs developed three different phone devices in the 1950s to photograph, formalize and analyze the sounds of speech as they traveled through the telephony system. And while the device called “Audrey” indeed succeeded in recognizing spoken digits, it was its failure to recognize the speech contents without prior awareness of the identity of the speaker, that is to distinguish between the individuality of the speaking “medium” and their intended meaning, that arguably made the experiment a landmark in the history of machine-driven recognition. Accounting for the “noise” made by the body and the environment from which sound emanated into the device, which the lab’s technicians defined as ranging from “speech defects” to “inflection” and “background interference” proved more important than phonetic analysis in determining the intended message of given speech spectogram. Similarly to a range of experiments with noise by formalist filmmakers such as Tony Conrad, John Cage, Kurt Kren and others, it was on the principle of contingency and irreproducible uniqueness that Bell Lab technicians sought to train machine-driven intelligence.
Ključne besede: History of computer science, machine learning, Bell Labs, history of telecommunications, sound studies
Objavljeno v RUNG: 19.02.2024; Ogledov: 484; Prenosov: 6
.pdf Celotno besedilo (31,80 MB)

6.
Faceless machines: early recognition media and entangled bodies : lecture at the "Relatifs" lecture series, Kepler Salon, Johannes Kepler Universität Linz, Österreich, 16. 1. 2024
Eszter Polónyi, 2024, predavanje na tuji univerzi

Opis: Eszter Polonyis Vortrag behandelt frühe Systeme automatisierter Identitätserkennung. Einen Fokus bilden Experimente zur Stimmerkennung, wie sie in der Mitte des 20. Jahrhunderts von US-amerikanische Telekommunikationsunternehmen unternommen wurden. Sie geht dabei auch den Verbindungen zur Arbeit mit „noise“ von Medienkünstler*innen nach, darunter Tony Conrad, John Cage und Kurt Kren.
Ključne besede: media studies, surveillance studies, art history, critical data studies, avant-garde and experimental art
Objavljeno v RUNG: 12.02.2024; Ogledov: 535; Prenosov: 2
URL Povezava na datoteko
Gradivo ima več datotek! Več...

7.
An archaeology of photographic identification : lecture at the Society for Cinema & Media Studies Conference, Denver, Colorado, 13. 4. 2023
Eszter Polónyi, 2023, prispevek na konferenci brez natisa

Opis: This project returns to an early moment in the history of photographic IDs to better understand the current entrapment of our identities within what are by now massive infrastructures of automatized, unregulated and largely unauthorized identity extraction.
Ključne besede: media studies, surveillance studies, history of art, history of visual culture, cultural studies
Objavljeno v RUNG: 12.02.2024; Ogledov: 532; Prenosov: 2
URL Povezava na datoteko
Gradivo ima več datotek! Več...

8.
Sustainable digital preservation of the new media art
Aleš Vaupotič, Eszter Polónyi, Narvika Bovcon, Jaka Železnikar, 2023, objavljeni povzetek znanstvenega prispevka na konferenci

Ključne besede: media studies, art history, new media art, archival studies, restoration studies, museum studies
Objavljeno v RUNG: 12.02.2024; Ogledov: 647; Prenosov: 5
URL Povezava na datoteko
Gradivo ima več datotek! Več...

9.
Mobility media : an archaeology of the photographic ID document
Eszter Polónyi, 2023, objavljeni znanstveni prispevek na konferenci

Opis: Mobility, in the sense of freedom of persons choosing to move or reside in a state in which they have no prior citizenship, was one of the four original “freedoms” defined in the treaty that ratified European Union member states in 1957.1 In the past decade, this particular freedom, the freedom of movement, appears to have become significantly eroded. Mobility in the sense of migration, that is, mobility of persons for reasons of residency or employment, has become a point of contention among member states that it has divided more than unified, with measures affecting immigrants, refugees and asylum seekers featuring at the core of recent electoral agendas. Certain member states’ deterrence of the mobility of migrants from outside the EU has resulted in the return to protocols and practices of controlling movement into and out of sovereign territories, among the most conspicuous of which has been the re-establishment of a – by now largely defunct – network of nation-state borders. And while the reappearance of new walls, barricades and barbed wiring alongside certain nation-state borders since the mid-2010s have made headlines, there have been other measures with less press and physical visibility that have been set in place to manage and enforce mobility.2 The photographic identity document, meaning a document of state-issued identity certification, has become one such mobility management measure.
Ključne besede: cultural history, migration studies, history of art, history of visual culture, media archaeology, media studies
Objavljeno v RUNG: 12.02.2024; Ogledov: 525; Prenosov: 0
Gradivo ima več datotek! Več...

10.
History : Earth, Water, Air, Fire. The Four Elements of Fashion. International Fashion Conference
druga izvedena dela

Ključne besede: Fashion studies, art history, fashion criticism
Objavljeno v RUNG: 22.03.2023; Ogledov: 1109; Prenosov: 0
Gradivo ima več datotek! Več...

Iskanje izvedeno v 0.06 sek.
Na vrh