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3. Italian Modern Art in the Age of Fascism : by Anthony White, New York and Abingdon: Routledge, 2020, 206 pages, AUD$201.60, hardback, AUD$56.79, eBookMartina Caruso, 2021, recenzija, prikaz knjige, kritika Ključne besede: fascism, history of art, modern art, Italy, Depero, Scipione, Radice Objavljeno v RUNG: 16.01.2023; Ogledov: 1638; Prenosov: 0 Gradivo ima več datotek! Več... |
4. Iconic Images in Modern Italy: Politics, Culture and Society : IntroductionMartina Caruso, 2016, drugi znanstveni članki Opis: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'. Ključne besede: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda Objavljeno v RUNG: 13.01.2023; Ogledov: 1775; Prenosov: 0 Gradivo ima več datotek! Več... |
5. Human Sacrifice: The Scapegoat in Partisan Photographs at the End of the Italian Civil WarMartina Caruso, 2019, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption. Ključne besede: Second World War, Italy, Civil War, Liberation, Partisan movement, resistance, fascism, antifascism, Allies, Nazis, photography, Christianity, Catholicism, Communism, reconstruction photography, martyrdom, masculinity, gender Objavljeno v RUNG: 13.01.2023; Ogledov: 1612; Prenosov: 0 Gradivo ima več datotek! Več... |
6. Agnes and Dora Bulwer's Photographs of Everyday ItaliansMartina Caruso, 2022, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: In the photographs of British sisters Agnes and Dora Bulwer taken at the end of the 19th and the beginning of the 20th century, I argue for an early humanist vision of the peasants, children and workers that they photographed on their travels around Italy. Ključne besede: History of photography, protohumanism, modernity, Italy, Roman Campagna, Abruzzo, archaeology, peasants, workers, Victorian, gender, women Objavljeno v RUNG: 13.01.2023; Ogledov: 1629; Prenosov: 0 Gradivo ima več datotek! Več... |
7. Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento ItalyMartina Caruso, 2022, izvirni znanstveni članek Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy. Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century Objavljeno v RUNG: 11.01.2023; Ogledov: 2474; Prenosov: 0 Gradivo ima več datotek! Več... |
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