1. Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivityGal Kirn, 2017, izvirni znanstveni članek Opis: The major hypothesis of this article is that revolution was first “cinefied” in the Soviet context, which suggests that film was able to imagine, produce, narrate and circulate the image of (the October) (R)revolution. In this context, I will attempt to elaborate on the concept of “cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown that cinefication should not be seen only as an official Soviet policy that build the cinematic infrastructure across the country and spread the revolution by trains. Rather, cinefication should be seen as the emergence of an apparatus with intensified technological capacities and also as the specific modality-genealogy of avant-garde methods within cinema. In order to understand the emergence of (avant-garde) film one should actually take into account non-cinematic means, which in their turn produced cinematic effects. My hypothesis shifts the stress on these interdisciplinary, inter-medial resources to the more general relationship between revolution and cinema/film. In short, the October Revolution continued “by other means” in cinema/film. Therefore we will not be interested in a vulgar materialist analysis that engages in a mere reflection of the October Revolution on screen (revolution as matter), but rather in how the revolution was “refracted,” displaced or replaced and actually continued by new Soviet cinema.
Najdeno v: ključnih besedah
Ključne besede: cinema-train, cinefication, revolutionary cinema, cinema on revolution, October, Medvedkin, Eisenstein, Vertov, communist subjectivity, emancipation, workers' history
Objavljeno: 19.08.2020; Ogledov: 1826; Prenosov: 0
 Polno besedilo (499,20 KB) |
2. Between Socialist Modernization and Cinematic Modernism The Revolutionary Politics of Aesthetics of Medvedkin’s Cinema-TrainGal Kirn, 2015, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Najdeno v: ključnih besedah
Ključne besede: cinema-train, critique of Groys, cinefication, early Soviet cinema, Benjamin, production and dissemination, art of forms, forms of life, dialectics between life, politics and art, Medvedkin
Objavljeno: 19.08.2020; Ogledov: 1723; Prenosov: 0
Polno besedilo (1,65 MB) |
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4. Awakening in films after OctoberGal Kirn, predavanje na tuji univerzi Najdeno v: ključnih besedah
Povzetek najdenega: ... Medvedkin, Vertov, early Soviet cinema, between politics, art...
Ključne besede: Medvedkin, Vertov, early Soviet cinema, between politics, art and life, last Bolsheviks
Objavljeno: 20.08.2020; Ogledov: 1736; Prenosov: 0
Gradivo ima več datotek! Več...
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5. Lautstrom 32 Gal Kirn on Alexander MedvekinGal Kirn, radijski ali tv dogodek Najdeno v: ključnih besedah
Povzetek najdenega: ... medvedkin, early avant-garde film, cinema-train, happiness, critique of...
Ključne besede: medvedkin, early avant-garde film, cinema-train, happiness, critique of Stalinism
Objavljeno: 18.09.2020; Ogledov: 1796; Prenosov: 0
Polno besedilo (420,77 KB) |
