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1.
Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento Italy
Martina Caruso, 2022, izvirni znanstveni članek

Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy.
Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century
Objavljeno v RUNG: 11.01.2023; Ogledov: 1687; Prenosov: 0
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The Future of Film: Appropriation rather than Preservation
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2776; Prenosov: 0
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4.
Mediatisation of the Yugoslav Partisan Struggle: Towards a new Counter-Archive
Gal Kirn, 2020, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: counter-archive, critique of revisionism, mediatisation of memory, partisan struggle, case studies, partisan poem, monument.
Objavljeno v RUNG: 04.09.2020; Ogledov: 3678; Prenosov: 0
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5.
On the Specific (In)existence of the Partisan Film in Yugoslavia's People’s Liberation Struggle
Gal Kirn, 2015, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: partisan film, film with other means, impossibility, to make film in a partisan way, partisan film archive
Objavljeno v RUNG: 20.08.2020; Ogledov: 2664; Prenosov: 0
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6.
Theory of Discourse and Semiotics : Foucault, Bakhtin, Peirce
Aleš Vaupotič, 2019, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Opis: The paper begins with an analysis of a news article reporting on scientific discovery. The scientific methods are considered from the point of view of Peircean semiotics and the structuralist semiology. The usefulness of the Peircean approach in literary scholarship is demonstrated in the case of the realist novel as it is construed by Hans Vilmar Geppert. By considering Geppert’s alignment of Bakhtin’s theory of the novel with Peirce’s sign-theory the similarities and differences between the discourse-theoretical (considering also Foucault’s work) and semiotic approaches is outlined. In the second part of the text two cases of artistic research are presented, the first one, the Friedhof Laguna project from 2003, being realised in the discourse-theoretical frameworks, and the second one, 3-D visualizations of the NEWW Women Writers database from 2017, being grounded in the Peircean semiotics.
Ključne besede: C. S. Peirce, semiotics, F. de Saussure, semiology, M. M. Bakhtin, theory of discourse, H. V. Geppert, realist novel, scientific research, archive, artistic research, information visualization
Objavljeno v RUNG: 12.04.2019; Ogledov: 3807; Prenosov: 0
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7.
A Network of Themes : A Qualitative Approach to Gerhard Richter’s Text
Narvika Bovcon, Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: Gerhard Richter's books Text – a collection of painter's verbal statements about his artistic method – and Atlas – 783 sheets with images, mainly photographs and visual notations – are two archives that complement the understanding of his diverse artistic practice. The paper presents a textual model that experimentally simulates a possible ordering principle for archives. Richter's statements in the book Text are cut up and used as short quotations. Those that relate to multiple aspects of the painter's oeuvre are identified as hubs in the semantic network. The hubs are organized paratactically, as an array of different themes. The paper presents a methodological hypothesis and an experimental model that aim to connect the research of real networks with the paradigms of humanistic interpretation. We have to bear in mind that the network is a result of the researcher's interpretative approach, which is added to the initial archive included in the book Text. The breaking up of Richter's poetics into atoms of quotations is an experimental proposal of a new textuality in art history and humanities, which has its own history. In comparison to digital archives with complex interfaces that often tend to obscure the content, the elements in our experiment appear as specific configurations of the semantic network and are presented in a limited number of linear texts. The method of listing of quotations gathers the fragments into a potential “whole”, i.e. a narrativized gateway to an archive according to the researcher's interpretation.
Ključne besede: artistic archive, narrativization, networks, author's poetics, Gerhard Richter
Objavljeno v RUNG: 11.07.2017; Ogledov: 3933; Prenosov: 243
.pdf Celotno besedilo (400,90 KB)

8.
How to Study Literary Realism as Archive Art? : The Case of Charles Dickens' Later Novels
Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. the artworks that are archives of objects, documents, statements, even other artworks by other artists etc. The preservation of the otherness of an entity, which is subsequently taken up and kept in an archive, is one of the key challenges involved in such projects. The second task of an archival artwork is to construct—in fact add—an encompassing totality that correlates with the authorship and gives significance to the archive-artwork as a whole. The paper scrutinizes possible links between the archival approaches to art production in the 20th and 21st centuries and the practices of realist writing beginning in the 19th century.
Ključne besede: archive, realism, archive art, Charles Dickens, the avant-garde
Objavljeno v RUNG: 22.06.2017; Ogledov: 4836; Prenosov: 220
.pdf Celotno besedilo (179,90 KB)

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