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Opis: At its core, human epistemology is based on two pillars: sense experience (consider the Humean empiricism, or phenomenology) and set-theory based logic. Quine in “Epistemology Naturalized” understands a human as a natural transformer of a meager input from senses into a torrential output of descriptions. For him also Carnap’s rational reconstruction (a logical reconstruction of the world from sense data) can be construed as creative and imaginative mechanical simulations, of the transformations from the world of experiential implications into various languages. Such a detached and rule-governed idea of games as playful alternative worlds, possibly in a reduced state as argued by Huizinga, can provide an important perspective on algorithms of new media literature, as well as its other features. Rules for particular works are summarized in genre-constructs, which will be considered for the domain where new media and literature intersect. The genres can be derived form literary traditions, and from the basic aspects of new media art that encompass the algorithmic building of communication artifacts from (more or less vast) archives of utterances in various media, and of other data. Espen Aarseth’s theory considered cybertext a perspective for the study of literature, and not a particular genre (Cybertext, 5). Finally, there is an important problem that needs to be addressed: today, several generations of work by digital media artists are firmly in the past, while media art remains synonymous with “new” and “emergent,” and the growing vastness of the loss consequently goes unacknowledged. The genre-rules based approach attempts to tackle the preservation issue by identifying the key elements of individual works that need to be recorded and preserved. The descriptions are already interpretations with an intrinsic goal of making the works re-enactable and accessible to the audiences of the future. The pilot project of preserving the Nation – Culture project by Vuk Ćosić (2000) will be outlined in the conclusion. (ARIS J7-3158, Sustainable Digital Preservation of the Slovenian New Media Art) / Aleš Vaupotič is a literary comparatist, media theorist, and new-media artist. He works at the Research Centre for Humanities at the University of Nova Gorica. Between 2021 and 2023 he was the director of the Museum of Modern Art in Ljubljana, and in 2022 the commissioner for the Slovenian Pavilion at the Venice Biennial. He is currently the project leader in an interdisciplinary research project Sustainable Digital Preservation of the Slovenian New Media Art. Among his research foci are the theory of discourse, semiotics, comparative art studies, new-media theory, methodology of digital humanities and realism in the arts. His monograph Vprašanje realizma (The Question of Realism, 2019) explores the continuities and shifts between traditional and new media.
Ključne besede: genres, new media art, cultural heritage preservation
Objavljeno v RUNG: 30.09.2024; Ogledov: 416; Prenosov: 2
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Opis: The publication is thinking about the importance of carrying out proper manintenance in traditional built heritage, with a focus on the border area between Italy and Slovenia
Ključne besede: traditional heritage, built environment, cultural landscape, preservation, maintenance, conservation
Objavljeno v RUNG: 22.06.2021; Ogledov: 3354; Prenosov: 0

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 3513; Prenosov: 0
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Opis: In essence, a qualitative study revealing what the inhabitants reflect as a deep and personal relationship with and within the region, which contributes significantly to their sense of emotional security and self identity. This includes a strong conservation-orientated attitude with regard to the natural rural character of a clan, tribe or unbounded region using linguistic families, especially in the inner core. It acknowledges the journey though time of the dwellers, changes in requirements in a natural way. The principle behind this thesis is to identify the regional, cultural and environmental demands of where and how a fractal spatial function can be observed as well as how a community can be organised to maintain and preserve its culture in a natural way. Thus, responding to specific characteristics of the local environment and climatic conditions. This lifelong interaction between the cognitive and physical realms has existed overtime. During the evolution of values inhabitants adapted form and materials to the conditions of nature; working with natural forms and climatic cycles rather than considering forces as obstacles to overcome has hermeneutic and practical values; used by intentional makers. The cultural identity in the inhabitant made the home, and then the process of home-making ‘made’ the inhabitant; a reciprocal reward. This will include their connection to the culture, region and environment while proposing a self-organizational solution. The future of conserving African tangible and intangible values, need to take lessons from the past into the future through present resolutions while documenting what maybe an interrupted progression. To achieve the above, I modified an approach using cultural fractal organizational approach as a basis for defining; 1) The structure of research framework using computer simulations and thus establishing linkages between space, region and communal activities. 2) Using African linguistic families (Niger-Congo: Yoruba), as a distinct way of documenting within the context of co-existing social and discursive practices. 3) By generating a background in ethnographic and sensory archaeological data on Yoruba regional cities, focusing on the fractal structure of settlements in relation to the social activities that take place in and around them.
Ključne besede: Fractals, Self Similarity, Conservation, Self Organizational Approach, Cultural Heritage, Spatial Patterns, IFA, Oikos, Cultural Landscapes, Yoruba Cities, Circularity.
Objavljeno v RUNG: 18.01.2019; Ogledov: 5030; Prenosov: 183
Celotno besedilo (24,92 MB)

Opis: This research investigates the rural landscape of the lagoon of Venice and its surrounding territory focusing on the forms of exploitation of its natural resources, the transformations that occurred throughout the course of history and the consequent formation of its primary economical sector. New economic sectors, new agricultural policies and other spatial and sectorial drivers transformed the primary sector itself which changed and adapted its productive schemes to the main economic patterns, heavily affecting the former rural asset of the landscape of the lagoon by changing its demographic, economic activities and land use practices. The study carries out a systematic and detailed analysis of all economic, cultural and social features that have interacted and impacted this specific landscape, relying mainly on the comparison of historical and current land-use maps through three different historical spans: 1823-1840 (pre-industrialization phase), 1933-1966 (industrializing process, considered as a determining factor of the transformation of this landscape) and 2013 (present post-industrialized condition). The maps, combined with relative data, are compared with the aid of the Geographical Information System (GIS) computer software. As a result, a set of new maps has been obtained, which point out the historical landscape permanencies, defined through in situ surveys on the territory. A multitude of other archival documents from direct and indirect sources have been examined in order to build up a sound and detailed socio-economic context and the overall historical background. Resources, goods and services provided by the rural landscape and its development are an important part of regional and EU policy instruments and also an essential factor of identity and growth for local communities. The consumption of resources, their availability and maintenance over time and accessibility through property regulations are all factors that shape the common and public dimension of the rural landscape, which represents another study challenge of this work. This study proposes the establishment of the rural park of the lagoon of Venice, through the implementation of the multi-functional role of agriculture, for the fulfilment of two fundamental conditions of the peri-urban rurality: the need of safeguarding the landscape and its significance, by preserving the authenticity and integrity of the rural characters and the dynamism of the primary sector, which is strictly related to the survival of the rural landscape.
Ključne besede: Rural landscape of the lagoon of Venice, UNESCO Management Plan 2012–2018, European Landscape Convention, Common Agricultural Policy (CAP), Italian Constitution, Cultural Heritage and Landscape Code, authenticity and integrity of the rural heritage, intangible heritage, landscape evaluation, land-use cartography, Geographical Information System (GIS), fish-farming, multifunctional agriculture, new rural community, common pool resources, public goods, club goods, property rights, rural park
Objavljeno v RUNG: 04.10.2016; Ogledov: 6287; Prenosov: 223
Celotno besedilo (21,33 MB)