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1.
Intimacy : women writers and digital humanities
Ivana Zajc, 2022, prispevek na konferenci brez natisa

Opis: In the lecture we explore how digital humanities can bring us a new understanding of intimacy in literary works and women writers.
Ključne besede: digital humanities, computational stylometry, intimacy, women writers, literature
Objavljeno v RUNG: 30.08.2022; Ogledov: 1142; Prenosov: 0

2.
Mobility Media: an Archaeology of Identity Photography through Science, Art and Visual Culture
Eszter Polonyi, prispevek na konferenci brez natisa

Opis: n an era of total surveillance, being in possession of a biometric ID document can still result in denial of one’s basic civil protections and human rights. The discovery of systematic errors in state-implemented facial recognition programs—such as in recognizing faces of color (Joy Buolamwini)—suggests the failure of current practices of global intelligence and mobility. This paper offers an archaeological investigation of the contemporary photo ID document. Returning to its invention in the 1920s, it examines the issues of conjectural knowledge (Carl Ginzburg), embodiment or tact (Béla Balázs) and the optical unconscious (Walter Benjamin) behind early “physiognomic” media.
Ključne besede: history of photography, surveillance studies, digital humanities, art history
Objavljeno v RUNG: 31.05.2022; Ogledov: 1458; Prenosov: 0
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3.
Hackers and Coders versus Viewers: The Stakes of Photography in an Era of Image Massification : Tomáš Dvořák and Jussi Parikka, eds., Photography Off the Scale: Technologies and Theories of the Mass Image (Edinburgh: Edinburgh University Press, 2021).
Eszter Polonyi, 2021, pregledni znanstveni članek

Opis: The book Photography Off the Scale: Technologies and Theories of the Mass Image is, first of all, about quantities. Those with memories of pre-smartphone years may suspect that the images of this world have increased in number. Perhaps fewer, however, are aware of just how much. Among the first things we learn in this book is that, in 2018, over 30 million images were uploaded to Twitter, 52 million to Instagram, and 350 million to Facebook — daily (25). For someone who makes a handful of uploads a week, this was news. Who could possibly be looking at them? It turns out, no one. Even if everyone on Earth spent eight hours scrolling through images, they would not all get seen (25). The quantities are just too large. This book claims that the now unconscionable scale at which images circulate and are produced is because they are actually no longer tailored to the human. Interrogating an optics of “ec- centric metrics” (Dvořák), the book tackles one of the liveliest issues in image studies, media studies, and art history today — machine vision, or the vision of the human eye as it is extended by technical apparatuses. It is this seeing “by other means” that the book alleges has thrown the number of images “off the scale.”
Ključne besede: history of photography, digital humanities, art history
Objavljeno v RUNG: 30.05.2022; Ogledov: 1753; Prenosov: 0
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5.
Digitalizacija kulturne dediščine v dveh projektih programa Študentski inovativni projekti za družbeno korist : digitalizacija, korespondence, elektronske zbirke, aleksandrinke, študentski projekt, digitalna humanistika
Katja Mihurko, Narvika Bovcon, Aneta Ivanovska, Tina Smrekar, 2020, objavljeni znanstveni prispevek na konferenci

Opis: Članek predstavi dva projekta digitalizacije in spletne predstavitve kulturne dediščine aleksandrink in različnih skupin žensk, ki so večinsko povezane s primorskim in notranjskim geografskim prostorom: v prvem primeru gre za bazo podatkov o aleksandrinkah, v drugem pa za digitalizirano pisemsko dediščino. Program Študentskih inovativnih projektov za družbeno korist je odlična platforma za pilotske projekte s področja digitalne humanistike, saj predvideva interdisciplinarno delovno skupino študentov in mentorjev ter v korist lokalne skupnosti usmerjene praktične rezultate projekta.
Ključne besede: digitisation, correspondences, electronic databases, aleksandrinke, student project, digital humanities
Objavljeno v RUNG: 29.09.2020; Ogledov: 3211; Prenosov: 0
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6.
Making Sense : Digital Humanities and New Media Art
Aleš Vaupotič, predavanje na tuji univerzi

Ključne besede: digital humanities, new media art, methodology
Objavljeno v RUNG: 09.01.2020; Ogledov: 3168; Prenosov: 0
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7.
Comparative literature and digital humanities
Aleš Vaupotič, 2019, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: The "Comparative literature and digital humanities" paper was part of the panel "Postdigital Comparatism: New methods, new frameworks, new questions?", organized by Amelia Sanz (Complutense University of Madrid), Aleš Vaupotič (University of Nova Gorica), and Silvia Ulrich (Universita di Torino). This panel tries to describe and to evaluate the headway the Comparatism made at a time when cultures, literatures and criticism can be considered inevitably post-digital: after the digital revolution dealing with cultural habitus in the 21st century. Looking forward, what difference does it make? The point is the following: are digital archives, electronic devices, and tools modifying our disciplinary field just with regard to new available sources and dissemination strategies? Or are they creating any specific epistemological modeling? Is there any comparatist condition to be satisfied by digital methodologies? Are the digital humanities and the digital literary studies (still) distinguishable from general literary studies? Can electronic technologies and digital methodologies become hegemonic, even hypercolonial, over any epistemological sovereignty? How are the comparatists coping with the interdisciplinary constellations involved in using computer technologies in research? What is the difference between digitized literatures, and digital arts and literatures from a comparatist point of view? We should reflect on the use of the communication models from new-media art as a source for the emerging digital humanities genres. Why do comparatists seem so suspicious and skeptical towards digitization process and digital arts, whereas they are used to cross over cultures, oceans and media?
Ključne besede: digital humanities, comparative literature, methodology
Objavljeno v RUNG: 13.12.2019; Ogledov: 3169; Prenosov: 0
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8.
Digital Humanities and Fine Arts Studies at the University of Nova Gorica
Aleš Vaupotič, prispevek na konferenci brez natisa

Opis: In the occasion of release of the book about manifestation Real Presence will be held between 3rd and 8th of October series of events, including talks, presentations, performances, workshops and exhibitions in which will take part international and Serbian artists. Friday, 4.10.2019 - 3 - 6 pm - in the Belgrade City Library, Knez Mihailova Street 56 - Present Academy symposium. Participants: Alberto Gianfreda, Associate Professor, Brera Academy, Milan; Alessandra Saviotti, PhD candidate - Liverpool John Moores University & Tutor - ArtEZ University of the Arts, Arnhem; Christian Sievers, Associate Professor, Academy of Media Arts Cologne; Nemanja Nikolić, Assistant Professor, Faculty of Fine Arts, Belgrade, Saša Tkačenko, Assistant Professor, Faculty of Architecture, Novi Sad, Aleš Vaupotič, acting head of the Research Centre for Humanities / University of Nova Gorica; Narvika Bovcon, Associate Professor, Faculty of Computer and Information Science / University of Ljubljana; Milenko Prvački, Senior Fellow - Office of the President - LASALLE College of the Arts - Faculty of Fine Arts; Jacob Tonski, Associate Professor, School of the Art Institute of Chicago. The book: https://issuu.com/maximilianmauracher/docs/realpresence_2019_2
Ključne besede: digital humanities, art, science, pedagogy
Objavljeno v RUNG: 08.10.2019; Ogledov: 3167; Prenosov: 0
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9.
Marica Nadlišek Bartol and her editorial network around the first Slovenian women's newspaper Slovenka
Katja Mihurko, Narvika Bovcon, 2019, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: This paper aims to present the editorial practice of Marica Nadlišek Bartol, who edited the first Slovenian women's newspaper Slovenka (1897-1902) in the first three years of it's publishing. Nadlišek Bartol saw in the publishing of women's writings the main accomplishment of her editorship. She encouraged Sloveanian women to take up the pen and write down their feelings and reflections. Since Slovenian women writers entered the literary field not earlier than in 1848 there had been almost no role models in the national literary tradition. Nadlišek knew how to approach this problem: she had published the translations from and about foreign women writers and prompted the dialog between Slovenian women writers and their foreign counterparts. The paper examines which women writers were presented in the newspaper Slovenka and in which ways, how the articles about them caused the discussions on different topics concerning women's emancipations on the pages of the newspaper and in the public life, and how the fact that Slovenka was published on the national fringes in the multiethnical space of Trieste influenced Nadlišek's editorial practice. By using the data from the Virtual Research Enviroment Women Writers this paper also explores the possibilites of visual representation of Nadlišek's editorial network.
Ključne besede: Marica Nadlišek Bartol, Slovenka, Ljubljanski zvon, Dom in svet, Virtual Research Enviroment Women Writers, digital humanities
Objavljeno v RUNG: 16.05.2019; Ogledov: 3323; Prenosov: 234
.pdf Celotno besedilo (455,00 KB)
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10.
Teaching women writers with NEWW Virtual Research Environment
Katja Mihurko, Narvika Bovcon, Marie Nedregotten Sørbø, Viola Parente-Čapková, Amelia Sanz, Suzan Van Dijk, Aleš Vaupotič, 2018, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: The underrepresentation of women in cultural historiography has challenged a number of feminist responses in the form of supplementary female canons since the 1970s. The DARIAH Working Group Women Writers in History (https://www.dariah.eu/activities/working-groups/women-writers-in-history/) takes this task a step further, and investigates historical sources until 1930 to find out whether female authors were read in the past. The objective of the DARIAH Working Group WWIH is: to carry out research about female authorship in history, the international reception of women’s writing and the connections between women authors. Evidence of readership, translations and commentary is contained in the digital repository NEWW VRE (Virtual Research Environment) http://resources.huygens.knaw.nl/womenwriters, which serves as a collaborative research tool for the above mentioned working group.
Ključne besede: digital humanities, literary history, women writers
Objavljeno v RUNG: 15.04.2019; Ogledov: 3914; Prenosov: 115
.pdf Celotno besedilo (619,38 KB)

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