1. Italian Modern Art in the Age of Fascism : by Anthony White, New York and Abingdon: Routledge, 2020, 206 pages, AUD$201.60, hardback, AUD$56.79, eBookMartina Caruso, 2021, recenzija, prikaz knjige, kritika Ključne besede: fascism, history of art, modern art, Italy, Depero, Scipione, Radice
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2. Italian Humanist Photography from Fascism to the Cold WarMartina Caruso, znanstvena monografija Opis: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Ključne besede: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
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3. Iconic Images in Modern Italy: Politics, Culture and Society : IntroductionMartina Caruso, 2016, drugi znanstveni članki Opis: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'.
Ključne besede: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda
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4. Human Sacrifice: The Scapegoat in Partisan Photographs at the End of the Italian Civil WarMartina Caruso, 2019, samostojni znanstveni sestavek ali poglavje v monografski publikaciji Opis: This essay examines how Partisan self-representation in photography directly participated in the creation of a post-war humanist visual culture embedded in an idea of Christian redemption.
Ključne besede: Second World War, Italy, Civil War, Liberation, Partisan movement, resistance, fascism, antifascism, Allies, Nazis, photography, Christianity, Catholicism, Communism, reconstruction photography, martyrdom, masculinity, gender
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