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1.
Iconic Images in Modern Italy: Politics, Culture and Society : Introduction
Martina Caruso, 2016, kratki znanstveni prispevek

Opis: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'.
Ključne besede: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda
Objavljeno v RUNG: 13.01.2023; Ogledov: 881; Prenosov: 0
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2.
Early film theory: Jean Epstein and Béla Balázs
Eszter Polonyi, predavanje na tuji univerzi

Ključne besede: film studies, vitalism, film philosophy
Objavljeno v RUNG: 14.12.2020; Ogledov: 1891; Prenosov: 0
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3.
The Sounds of Balázs's Cinema
Eszter Polonyi, predavanje na tuji univerzi

Ključne besede: film studies, media studies, sound studies, early film theory, Weimar film, authorship studies
Objavljeno v RUNG: 14.12.2020; Ogledov: 1973; Prenosov: 0
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4.
The Promise of Collective Authorship: Bela Balazs’s Move to the Soviet Union (1931-1946)
Eszter Polonyi, prispevek na konferenci brez natisa

Opis: Balazs belongs to a generation of Central and Eastern European critical thinker, cultural philosopher and writer that is often credited with exporting Marxist cultural analysis to North America, but about whom very little is known to English-language scholars. The fifteen years he spent in the Soviet Union are among the most undocumented of his career, even though this was when he wrote the text that would become his most widely-cited book, Theory of the Film. This paper examines Balazs’s decision to flee to the Soviet Union from Germany in 1931. While it has long been assumed that Balazs’s decision to move East rather than West—the route otherwise taken by colleagues of his such as Siegfried Kracauer, Michael Curtiz or Rudolf Arnheim—was due to commitments of a political nature, this paper evaluates Balazs’s options from the viewpoint of the scenarist’s rising importance within competing modes of film production. Pre-constituting a film by way of a plan, sketch or model, the scenario promised different types of leverage over production to capitalist and communist systems. Conceived of as a commodity blueprint in Hollywood, the scenario appeared as it was a means of enhancing the effectiveness of production and as a tool of capital, whereas, for Balazs at least, the scenario was a source of sensory and spiritual attunement between an assemblage of humans and machines. Understood as offering vision rather than oversight, collective authorship rather than collective control, the script appeared to complement the utopian arguments driving the Soviet film industry.
Ključne besede: film studies, industrial design, Soviet studies, authorship
Objavljeno v RUNG: 14.12.2020; Ogledov: 1969; Prenosov: 0
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5.
Flicker: Thom Andersen Takes Muybridge to the Movies
Eszter Polonyi, 2021, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: film history, media studies, Eadweard Muybridge, chronophotography, North American avant-garde, found footage film, media archaeology
Objavljeno v RUNG: 12.12.2020; Ogledov: 2623; Prenosov: 0
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6.
'The Tragedy is Anatomical': Microscopes and Faces in Jean Epstein and Béla Balázs
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film theory, media studies, science and technology studies, silent cinema, biology
Objavljeno v RUNG: 11.12.2020; Ogledov: 2202; Prenosov: 0
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7.
Béla Balázs and the Face in the Machine
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: media studies, history of film and photography, science of physiognomy
Objavljeno v RUNG: 11.12.2020; Ogledov: 2215; Prenosov: 0
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8.
Béla Balázs and the Bergfilm
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, Weimar cinema, Leni Riefenstahl, vitalism, media studies
Objavljeno v RUNG: 11.12.2020; Ogledov: 2142; Prenosov: 0
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9.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 2243; Prenosov: 0
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10.
Marina Abramovic and Planet Yugoslavia
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, Southeast European cultural history, contemporary art
Objavljeno v RUNG: 11.12.2020; Ogledov: 2178; Prenosov: 0
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