1. Írás fénnyel: Balázs Béla a forgatókönyv megjelenésérőlEszter Polonyi, 2020, izvirni znanstveni članek Opis: Film was fast becoming the dominant form of narrative discourse by the time of the establishment of the great European film studios in the 1940s. While many writers regarded film as undercutting other systems of narrative delivery, namely print, others discerned potential in the new industry for a form of authorship that possessed attributes of the prior, literary regime of writing. This piece considers the case made for literary authorship in and through film by the Hungarian film theorist and film scenarist, Bela Balazs. Balazs’s bases his claim regarding the return of literature on the scenario. While the scenario is habitually defined as the verbal projection of a film, Balazs also locates its effects at the level of the photographic image, so that film is read as symptomatic of the language of the scenario. Tying developments in the conventions of film editing to the writing techniques of the scenarist, Balazs describes the authorship of the scenarist as both palpable and yet non-visible, which this piece argues explains the obscurity into which historic „film authors” have fallen, including Balazs himself. Although Balazs makes every effort to recognize the scenario, when it comes to acknowledging the scenarist, there is a distinct inability and unwillingness to designate them as the scenario’s author.
Najdeno v: ključnih besedah
Povzetek najdenega: ... Film was fast becoming the dominant form of... ...film studies, film theory, industrial design, Soviet studies, literary theory...
Ključne besede: film studies, film theory, industrial design, Soviet studies, literary theory
Objavljeno: 10.12.2020; Ogledov: 1802; Prenosov: 0
 Polno besedilo (2,29 MB) |
2. A magyar filmipar, Balázs Béla és a háború utáni pillanat – Szekfü András interjúgyűjteményeEszter Polonyi, 2019, strokovni članek Najdeno v: ključnih besedah
Povzetek najdenega: ... film history, film theory, industry studies, Eastern-European studies,...
Ključne besede: film history, film theory, industry studies, Eastern-European studies, Hungary
Objavljeno: 10.12.2020; Ogledov: 1732; Prenosov: 0
Polno besedilo (731,10 KB) |
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4. The Future of Film: Appropriation rather than PreservationEszter Polonyi, prispevek na konferenci brez natisa Najdeno v: ključnih besedah
Povzetek najdenega: ...art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage...
Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno: 11.12.2020; Ogledov: 1858; Prenosov: 0
Polno besedilo (1,16 MB) |
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8. Seeing words on the screen, Béla Balázs, "Fraeulein Else" and the emergence of the film scriptEszter Polonyi, prispevek na konferenci brez natisa Najdeno v: ključnih besedah
Povzetek najdenega: ...film history, sound transition, Elizabeth Bergner, film theory, history of medicine...
Ključne besede: film history, sound transition, Elizabeth Bergner, film theory, history of medicine
Objavljeno: 11.12.2020; Ogledov: 1655; Prenosov: 0
Polno besedilo (980,90 KB) |
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