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1.
My Sister Who Travels
Martina Caruso, katalog razstave

Opis: This exhibition offers the viewer new perspectives on this genre, through the landscapes in the work of six women artists. Landscape art is often considered in Romantic terms. Human analogies between the concrete world and the inner world are frequently drawn, and the open space of the land can be seen as a space for imagining, for thinking freely. But these public spaces are also contested sites, layered with histories and the implicit legacies of control, power, occupation and exclusion.
Ključne besede: landscape photography, history of photography, 19th century, 20th century, 21st century, women, gender, Mediterranean, video art, Halida Boughriet, Corinne Silva, Paola Yacoub, Noor Abed, Jananne Al-Ani, Ursula Schulz-Dornburg, Esther Boise Van Deman, migration, capitalism, patriarchy
Objavljeno v RUNG: 13.01.2023; Ogledov: 1301; Prenosov: 0
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2.
Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento Italy
Martina Caruso, 2022, izvirni znanstveni članek

Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy.
Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century
Objavljeno v RUNG: 11.01.2023; Ogledov: 1652; Prenosov: 0
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