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31.
Könyvrecenzió: Film History as Media Archaeology: Tracking Digital Cinema (Thomas Elsaesser)
Eszter Polonyi, György Andorka, 2017, strokovni članek

Ključne besede: film studies, media studies, media archaeology, digitization
Objavljeno v RUNG: 10.12.2020; Ogledov: 2477; Prenosov: 0
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32.
Daydream by Béla Balázs
Béla Balázs, 2012

Ključne besede: film history, media studies, science and technology studies, Central European cultural history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2795; Prenosov: 0
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33.
Book Review of Film History as Media Archaeology: Tracking Digital Cinema (Thomas Elsaesser, 2016)
Eszter Polonyi, 2018, recenzija, prikaz knjige, kritika

Ključne besede: film studies, media studies, media archaeology, digitization
Objavljeno v RUNG: 10.12.2020; Ogledov: 2485; Prenosov: 0
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34.
Archaeology versus Convergence: Film Studies Today
Eszter Polonyi, 2018, drugi znanstveni članki

Ključne besede: film studies, media studies, media archaeology
Objavljeno v RUNG: 10.12.2020; Ogledov: 2328; Prenosov: 0
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35.
Béla Balázs and the Eye of the Microscope
Eszter Polonyi, 2012, izvirni znanstveni članek

Opis: This study explores the significance of the cinematic close-up to one of the earliest theories of film, produced by Béla Balázs, on the basis of a widespread technique of microscopy in the life sciences, notably in the work of his brother Evin Bauer, a theorist of microbiology. Balázs imagines that silent film records life in its immanence and spontaneity by virtue of what he calls the “physiognomic” nature of its signs. Rather than generating signs that must be passed through an alphabetic cipher, as had been required under the regime of the written or literary, Balázs presents film as liberating our access to the flow of optical data. Interestingly, however, Balázs retains the need otherwise characteristic of scientific analysis for dividing up the image into semiotic units, what he describes as “atomization.” He insists on returning the real to a symbolic order and making film into a language.
Ključne besede: film history, media studies, science and technology studies, Weimar cinema, media archaeology
Objavljeno v RUNG: 10.12.2020; Ogledov: 2710; Prenosov: 0
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36.
Media archaeology in cinema studies and art history: a response to Thomas Elsaesser’s ‘Media Archaeology as Symptom’
Eszter Polonyi, 2016, drugi znanstveni članki

Ključne besede: art history, media studies, media archaeology, new film history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2638; Prenosov: 0
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37.
Her and Me becoming Three : Simultaneous global Live Art event 'Be-coming Tree'
Peter Purg, O. Pen Be, Danielle Imara, Jatun Risba, druga izvedena dela

Opis: The Live Art event that happened world-wide and was live streamed, on Saturday 31st of October 2020 between 10-11 am GMT. Artists in different countries communed simultaneously with a local tree or woodland and stream their action to audiences via a shared Zoom conference. Presenting work by and from: O. Pen Be (UK), Danielle Imara (UK), Jatun Risba (SLO), Anne Murray (HUN), Surya Tüchler (DE), Phil Barton (UK), Annette Arlander (FIN), Izabela Waszak (SCT), Lucy Stockton-Smith (UK), Agathe Gizard (FR), Lea Jazbec (SLO), Franco G. Livera (ITA), Adam Engler(PT), Myriam Aitelhara (ALG), Emi Bici (DE), Peter Purg (SLO), Dimple B Shah (IND), Deej Fabyc & MJ Forde (IRL), Christine Fentz (FR), Sally Annett (FR).
Ključne besede: live art, performance, ecology, media, stream
Objavljeno v RUNG: 19.11.2020; Ogledov: 2727; Prenosov: 0
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38.
Engaging Bodies Through Expanded Art Practice
Asja Apolonia Trost, 2020, magistrsko delo

Opis: The master thesis entitled “Engaging Bodies Through Expanded Art Practice” is divided in two parts: the first one is the theoretical part which places socially engaged arts in the time-line of contemporary art, followed by an overview of my practical work entitled “Obsolete Properties”. The central aim of the theoretical part is to determine the structures of socially engaged art projects, with all their ambiguities, caused by the inherent connection between the social and the artistic. Topics of such process-based interdisciplinary and participatory art projects reflect at the same time on cultural traditions as well as on current social issues. The second part is an analysis of the artwork I created and set in different contexts. It consists of common materials that arrived into my hands after their previous owners moved their homes. The artwork celebrates artistic process and environmental sustainability while on the other side serves as an agent on the discourse of values.
Ključne besede: #ART #ENGAGED_ART #ART_PRACTICE #SOCIAL_PRACTICE #SOCIALLY_ENGAGED_ART #CONTEMPORARY_ART #PROCESS #MEDIA #FORM #PERFORMANCE #PARTICIPATION #COLLABORATION #PUBLIC_SPACE #AESTHETICS #POLITICS #ETHICS #INTERACTIVITY #DESIGN #THEATRE #EDUCATION #AUTHORITY #ART_STUDENT #ART_OBJECT #SYSTEM #KNOWLEDGE #PLASTIC #SCULPTURE #FINE_ARTS #INTERMEDIA_ART #VALUES #FREEDOM_OF_EXPRESION #DOCUMENTATION #AUDIENCE #TRASH #MATERIAL #SUSTAINABILITY #CONSERVATION #CONTEXT #TEMPORARY_EXPERIENCE_ZONE #TEZ #WAR #HOLOCAUST
Objavljeno v RUNG: 20.07.2020; Ogledov: 3692; Prenosov: 113
.pdf Celotno besedilo (5,36 MB)
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39.
Making Sense : Digital Humanities and New Media Art
Aleš Vaupotič, predavanje na tuji univerzi

Ključne besede: digital humanities, new media art, methodology
Objavljeno v RUNG: 09.01.2020; Ogledov: 3147; Prenosov: 0
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40.
Mapping the Local: Budapest, Belgrade, Nova Gorica.
Allan Siegel, Batajić Olivera Sretenović, Peter Purg, Szabolcs Kisspal, Eszter Lazar, Elżbieta Wysakowska-Walters, 2019, strokovna monografija

Ključne besede: mapping, methodology, city, urban, drift, flaneur, contemporary art, new media
Objavljeno v RUNG: 29.10.2019; Ogledov: 3188; Prenosov: 0
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