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1.
Cinema as citizenship: practices of mis(re)cognition on the fringes of Europe : lecture at the Society for Cinema and Media Studies, SCMS, Boston, March 14-17, 2024
Eszter Polónyi, 2024, prispevek na konferenci brez natisa

Opis: This paper comes out of a book project examining the emergence of identity recognition practices in the first half of the twentieth century, that is, during the period leading up to the visual (de)construction of identity in a manner no longer verifiable by the human eye. Its focus is on the filmic representation of early institutions of photographic identification and their tactical subversion through fraud, plastic surgery, masks, identity theft, as well as visual occlusions occurring at the level of cinematography, such as techniques of blocking, framing, magnifying, and editing as described by Balázs in his film theory. The paper focuses on practices of opacity and mis(re)cognition such as are practiced specifically by central and east European practitioners in exile, including in the films of Bela Balázs, Fritz Lang, Peter Lorre, and Conrad Veidt.
Ključne besede: film and media studies, east central European regional studies, migration studies
Objavljeno v RUNG: 09.10.2024; Ogledov: 385; Prenosov: 0
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2.
Mobility media : an archaeology of the photographic ID document
Eszter Polónyi, 2023, objavljeni znanstveni prispevek na konferenci

Opis: Mobility, in the sense of freedom of persons choosing to move or reside in a state in which they have no prior citizenship, was one of the four original “freedoms” defined in the treaty that ratified European Union member states in 1957.1 In the past decade, this particular freedom, the freedom of movement, appears to have become significantly eroded. Mobility in the sense of migration, that is, mobility of persons for reasons of residency or employment, has become a point of contention among member states that it has divided more than unified, with measures affecting immigrants, refugees and asylum seekers featuring at the core of recent electoral agendas. Certain member states’ deterrence of the mobility of migrants from outside the EU has resulted in the return to protocols and practices of controlling movement into and out of sovereign territories, among the most conspicuous of which has been the re-establishment of a – by now largely defunct – network of nation-state borders. And while the reappearance of new walls, barricades and barbed wiring alongside certain nation-state borders since the mid-2010s have made headlines, there have been other measures with less press and physical visibility that have been set in place to manage and enforce mobility.2 The photographic identity document, meaning a document of state-issued identity certification, has become one such mobility management measure.
Ključne besede: cultural history, migration studies, history of art, history of visual culture, media archaeology, media studies
Objavljeno v RUNG: 12.02.2024; Ogledov: 1551; Prenosov: 0
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