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How to Study Literary Realism as Archive Art?
Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. the artworks that are archives of objects, documents, statements, even other artworks by other artists etc. The preservation of the otherness of an entity, which is subsequently taken up and kept in an archive, is one of the key challenges involved in such projects. The second task of an archival artwork is to construct—in fact add—an encompassing totality that correlates with the authorship and gives significance to the archive-artwork as a whole. The paper scrutinizes possible links between the archival approaches to art production in the 20th and 21st centuries and the practices of realist writing beginning in the 19th century.
Najdeno v: ključnih besedah
Ključne besede: archive, realism, archive art, Charles Dickens, the avant-garde
Objavljeno: 22.06.2017; Ogledov: 2906; Prenosov: 126
.pdf Polno besedilo (179,90 KB)

The Current Relevance of Realist Discourse
Aleš Vaupotič, 2018, izvirni znanstveni članek

Opis: The paper focuses the idea of realism by explaining the evident situation that the realist approach is the oldest of Western art practices, which –running in parallel to other currents – has extended into the second half of the twentieth century and even further. The discussion expands beyond literature to other arts. The starting point is the notion of literary realism after 1830 as used in literary history linked to the “great” novelistic tradition. In the twentieth century, the status of literary realism with its varieties of late and “neo-” realisms turns problematic. The reconsidered idea of realism unequivocally renounces links with the scholarly traditions explaining realism as “representation” or “reflection” etc. of the objective reality. The “debate on expressionism” in the 1930s and the avant-garde movements –in some of its tendencies –are an extension of the realist movement. The reconsidered view on realism is founded on the concept of the archive, increasing in importance on the theoretical level and in various poetics throughout the twentieth century. (However, Walter Benjamin's theory of allegory, though it could be considered a variant of the theory of archive, falls outside the limits of realism.) The paper argues for the discursive definition of realism, advanced by Hans Vilmar Geppert on the ground of Peirce's pragmaticism, avoiding the pitfalls of traditional approaches to realism.
Najdeno v: ključnih besedah
Povzetek najdenega: ...paper focuses the idea of realism by explaining the evident situation...
Ključne besede: realism, realist discourse, Hans Vilmar Geppert, Charles Sanders Peirce
Objavljeno: 06.02.2020; Ogledov: 1498; Prenosov: 0
.pdf Polno besedilo (662,85 KB)

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