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Opis: This master thesis deals with the theoretical and practical part of my short film “Hell Thunders”. In the theoretical part, the topic is about the usage of sound and how it influences the understanding of the film narrative, where my film was used as an example. In the practical part, I will describe the process behind the pre-production phase, where I will also explain how and why I made specific sound choices that helped create the film.
Ključne besede: film, sound, music, narrative, information, metaphor
Objavljeno v RUNG: 09.10.2024; Ogledov: 55; Prenosov: 0
Celotno besedilo (11,12 MB)
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Opis: Anxiety is described in psychiatry as a mental disorder that manifests itself in an unpleasant state of excitement, tension due to a sense of threat, fear without a real external reason. This short definition does not cover its many forms. Given that anxiety is present all over the world, and that almost everyone experiences it nowadays, it would be necessary and important to talk more about it. Can You Feel It is an installation that visually and sonically illustrates the levels of anxiety and encompasses both the mental and physical changes an individual experiences. It illustrates the battle with this psychological condition through the artistic practice of an interactive audiovisual installation.
Ključne besede: anxiety, interactive installation, sound elements, visuals, pulse sensor
Objavljeno v RUNG: 03.10.2024; Ogledov: 160; Prenosov: 2
Celotno besedilo (1,98 MB)
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Opis: This paper is about the first automated systems developed to recognize identity. While automated recognition in the twenty-first century is widely associated with images of the human face, its roots are to be found in attempts to visualize identity in other, non-figural types of trace left by human bodies, ranging as widely as shadows, astrological signs, handwriting, the prints left by palms and fingers and the acoustics of the human voice. This paper investigates one such system of recognition as it emerged from within the telecommunications industry context in the midcentury U.S. Ostensibly built to reduce human labor and cable bandwidth, Bell Labs developed three different phone devices in the 1950s to photograph, formalize and analyze the sounds of speech as they traveled through the telephony system. And while the device called “Audrey” indeed succeeded in recognizing spoken digits, it was its failure to recognize the speech contents without prior awareness of the identity of the speaker, that is to distinguish between the individuality of the speaking “medium” and their intended meaning, that arguably made the experiment a landmark in the history of machine-driven recognition. Accounting for the “noise” made by the body and the environment from which sound emanated into the device, which the lab’s technicians defined as ranging from “speech defects” to “inflection” and “background interference” proved more important than phonetic analysis in determining the intended message of given speech spectogram. Similarly to a range of experiments with noise by formalist filmmakers such as Tony Conrad, John Cage, Kurt Kren and others, it was on the principle of contingency and irreproducible uniqueness that Bell Lab technicians sought to train machine-driven intelligence.
Ključne besede: History of computer science, machine learning, Bell Labs, history of telecommunications, sound studies
Objavljeno v RUNG: 19.02.2024; Ogledov: 1117; Prenosov: 8
Celotno besedilo (31,80 MB)

Ključne besede: Breath sound, fractal, linear discriminant analysis, nonlinear time series, stridor.
Objavljeno v RUNG: 06.07.2022; Ogledov: 1913; Prenosov: 0
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Ključne besede: research, ethics, bioart, anthropocene, methodologies, mixed research, temporal community, learning by sharing, sonic film, sound art
Objavljeno v RUNG: 25.02.2021; Ogledov: 2902; Prenosov: 25
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