Iskanje po repozitoriju

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Opis: In this master thesis I shall deal with European film co-productions with an emphasis on the functioning of this form of film production in 6 countries of Southeast Europe. Starting from defining the concept of co-productions and their types, short history, agreements that provide the legal framework for their establishment all the way to sources of funding from European public national and supranational funds, broadcasters and production incentive systems. In other words, in this thesis I explain how this joint production adventure works in Europe, as well as in the surrounding countries where I myself work as a film producer. The starting point of the paper is that the authors and producers hail from countries with low audiovisual capacity, and due to high film production prices and lack of funding sources in these countries, they are almost forced to turn to international co-productions for more ambitious film projects. Through the analysis and production study of Father, I speak about the application of the co-production model in filmmaking and the use of almost all types of available European sources of financial closure, which is a successful example of cooperation between producers and filmmakers and collaborators from several European countries. In the practical part of my master’s thesis, I briefly deal with the making of my short fiction film Thursday.
Ključne besede: film, production, co-production, southeast Europe, region, agreements, sources of funding, funds, national, supranational, budget
Objavljeno v RUNG: 01.09.2022; Ogledov: 1666; Prenosov: 82
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