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11.
Animal-Battle Films and Political Agitation in early-1930s Cinema Theory
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: art history, media studies, Central European avant-garde art, biology, critical theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 4136; Prenosov: 0
Gradivo ima več datotek! Več...

12.
Lautstrom 32 Gal Kirn on Alexander Medvekin
Gal Kirn, radijski ali tv dogodek

Ključne besede: medvedkin, early avant-garde film, cinema-train, happiness, critique of Stalinism
Objavljeno v RUNG: 18.09.2020; Ogledov: 3967; Prenosov: 0
Gradivo ima več datotek! Več...

13.
Between Subversion and Critique. New Yugoslav Film
Gal Kirn, vedrana madžar, 2014, strokovni članek

Ključne besede: 1960s, Žilnik, Pavlović, new Yugoslav film, subversion, critique, new avant-garde, dark aesthetics
Objavljeno v RUNG: 18.09.2020; Ogledov: 3738; Prenosov: 0
Gradivo ima več datotek! Več...

14.
Revolutionary Cinefication on the Case of Three Soviet Film-Makers
Gal Kirn, predavanje na tuji univerzi

Ključne besede: early avant-garde, film in revolution, revolution in film, October, politics and art
Objavljeno v RUNG: 25.08.2020; Ogledov: 3826; Prenosov: 0
Gradivo ima več datotek! Več...

15.
From Critique of Groys’ Read­ing to Return of the Avant-garde
Gal Kirn, 2016, objavljeni znanstveni prispevek na konferenci (vabljeno predavanje)

Ključne besede: avant-garde theory, revisionism, Groys, defense of avant-garde
Objavljeno v RUNG: 24.08.2020; Ogledov: 3123; Prenosov: 0

16.
How to Study Literary Realism as Archive Art? : The Case of Charles Dickens' Later Novels
Aleš Vaupotič, 2017, izvirni znanstveni članek

Opis: The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. the artworks that are archives of objects, documents, statements, even other artworks by other artists etc. The preservation of the otherness of an entity, which is subsequently taken up and kept in an archive, is one of the key challenges involved in such projects. The second task of an archival artwork is to construct—in fact add—an encompassing totality that correlates with the authorship and gives significance to the archive-artwork as a whole. The paper scrutinizes possible links between the archival approaches to art production in the 20th and 21st centuries and the practices of realist writing beginning in the 19th century.
Ključne besede: archive, realism, archive art, Charles Dickens, the avant-garde
Objavljeno v RUNG: 22.06.2017; Ogledov: 6186; Prenosov: 223
.pdf Celotno besedilo (179,90 KB)

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