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Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento Italy
Martina Caruso, 2022, izvirni znanstveni članek

Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy.
Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century
Objavljeno v RUNG: 11.01.2023; Ogledov: 812; Prenosov: 0
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3.
Invisible Man: Microcinematography in early 20th-c Europe
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, science and technology studies, Weimar cultural history, film theory
Objavljeno v RUNG: 11.12.2020; Ogledov: 1943; Prenosov: 0
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4.
Marina Abramovic and Planet Yugoslavia
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, Southeast European cultural history, contemporary art
Objavljeno v RUNG: 11.12.2020; Ogledov: 1855; Prenosov: 0
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5.
The Future of Film: Appropriation rather than Preservation
Eszter Polonyi, prispevek na konferenci brez natisa

Ključne besede: film studies, art history, library and data science, archive theory, contemporary art, intangible heritage, cultural heritage
Objavljeno v RUNG: 11.12.2020; Ogledov: 2116; Prenosov: 0
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6.
Mind the Wall: animated short films from Central and Eastern Europe reflecting on the year 1989
Eszter Polonyi, vabljeno predavanje na konferenci brez natisa

Ključne besede: film history, animation, Central Eastern European cultural history, cultural politics of political transition
Objavljeno v RUNG: 11.12.2020; Ogledov: 1727; Prenosov: 0
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7.
Daydream by Béla Balázs
Béla Balázs, 2012

Ključne besede: film history, media studies, science and technology studies, Central European cultural history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2169; Prenosov: 0
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